At that time: good color and art, high skill and beautiful appearance, young and young, smiling like a flower;
Now: in my later years, I was left out in front of the door, committed to a businessman, and I was alone. (Wandering, haggard, left out)
Pipa girl is a talented and beautiful singer, but she was destroyed and insulted in feudal society. However, the lute girl described by the poet did not realize that the life of smiling and trying to live happily in the past was a painful life that was destroyed. On the contrary, she still holds the mentality of showing off, chasing love and regretting. She just sighed, beauty is easy to get old, flowers fade and die young, but she didn't wake up from misfortune.
In this poem, the poet made great efforts to shape the image of the pipa girl, profoundly reflecting the tragic fate of musicians and artists who were insulted and damaged in feudal society, and expressing the feeling that "neither of us is happy-we will grow old forever".
At the beginning of the poem, I wrote "seeing guests off in autumn night", "suddenly smelling" and "playing the pipa", so I asked for a voice "secretly asking" and "moving the boat" and invited to meet each other. After a long time, the singer came out with his mask half open.
This kind of echo and tortuous description laid the foundation stone for the theme of "doomsday reduction"
Then through the description of the music played by the pipa girl, the inner world of the pipa girl is revealed. First of all, there is love in the unfinished music, and then there are strings, sounds and readings, which show the ups and downs of the pipa girl.
Then, she went on to write about the life of the pipa girl: her skills taught her to be "talented and obedient", her appearance was "the beauty envied by all major dancers", the teenagers in Kyoto were "tied with their heads" and "a song gave countless red silks". However, with the passage of time, "her beauty gradually disappeared after singing every night", and finally she had to "marry a businessman's wife". This description of weeping complements her playing and singing above, and completes the shaping of the image of pipa girl.
Pipa Xing is one of the long Yuefu poems written by Bai Juyi, a poet in the Tang Dynasty. Eleven years of Yuanhe (8 16).
This poem reveals the unreasonable phenomena such as bureaucratic corruption, the decline of people's livelihood and the burying of talents in feudal society by describing the superb playing skills and unfortunate experiences of the pipa girl, expressing the poet's deep sympathy for her and the poet's resentment at her innocent demotion.
This is a famous masterpiece of realism. The full text takes the characters as clues, not only writing the life experience of the pipa girl, but also writing the poet's feelings, and then meeting in the sentence "We are both unhappy-to the end of the day".
The singer's tragic experience is very specific and can be regarded as a bright line; The poet's feelings permeate between the lines, and with the constant changes of the music played by the pipa girl and her life experience, it can be regarded as a dark line.
This one is bright and dark, one is real and one is empty, which makes the plot ups and downs. The story it tells is tortuous and touching, and the emotion it expresses can arouse people's voices. The language is beautiful but not flashy, refined but not obscure, the content is close to life and has a wide range of sociality, elegance and popularity.