In the first paragraph, the architectural style of Epang Palace is concise and exaggerated.
For example, the writing of Epang Palace covers a wide area, and the height of the building is exaggerated: "Overpressured for more than 300 miles, isolated from the sun." Describing the situation that pavilions are surrounded by hooks, a metaphor is used: "The veranda bends back and the eaves are pecked high;" Each holds the terrain and conspiracy. " "Food, sleepy, honeycomb vortex. "Describe the shape of the bridge and the complicated road with metaphor (the content of the metaphor is expressed in rhetorical sentences):" What is a long bridge on the waves and a cloudless dragon? "After the road is empty, you won't worry about Eric?" I wrote about the density of pavilions, the shape of eaves, the momentum of interlocking pavilions, and the long bridge like a dragon and a rainbow. It is even written that people will get lost in it to highlight the intricacies of this huge building complex. The author also used his rich imagination to write the song and dance effect of Epang Palace. This paragraph gives a concise description of the overall situation of Epang Palace, and gives a detailed and thoughtful description of some parts of Epang Palace, fully describing the exquisite luxury and grandeur of Epang Palace, a magnificent building complex.
The second paragraph uses synaesthesia, parallelism and metaphor to render the extravagant life of Epang Palace.
Write about the extravagance of Epang Palace from two aspects. On the one hand, he wrote about the luxurious life of imperial secretary, on the other hand, he wrote that Qin people didn't cherish treasures and threw them around. On the one hand, I wrote about the extravagant life of the palace people, and even used five exaggerated and figurative sentences to describe the grand occasion of their trip in full dress. The makeup mirror is like a star, the hair is like a cloud, the fragrance is like fog, and the car is like thunder. Taking the nebula thunder and fog in nature as an analogy, we can see that there are so many people in the palace and the pursuit of luxury is flourishing. Then write that they tried to show their charm in order to wait for the emperor's favor. Writing about imperial secretary means writing about emperor. After Qin Shihuang destroyed the Six Kingdoms, he concentrated all the beautiful women in the Six Kingdoms in Epang Palace to satisfy his sensual desires, which shows Qin Huang's dissolute life. On the other hand, people in Qin dynasty have no love for treasures and throw them around. It is enough to describe the extravagance and waste of Qin people with "tinkling jade, gold nuggets and pebbles". It is good to write palace buildings in the first paragraph, and beautiful women and treasures in the second paragraph, all in order to show Qin Shihuang's extravagant demands and pave the way for the following discussion on the rise and fall of the world.
Describe the feelings of singing and dancing in the palace and use synaesthesia: "Taiwan is warm and spring is harmonious;" The ballroom has cold sleeves, and it is sad. " The sentence describing the imperial secretary's dressing up and grand trip is both a metaphor and a metaphor: "The stars shine and the makeup mirror is also open; Lv Yun came forward and combed Xiao Huan; Nutrient flow is greasy, and fat water is abandoned; The smoke is foggy and the pepper orchids are also burning. Thunder shook and the palace car passed. "Describe the use of intertextuality in the Treasure of the Six Kingdoms, a collection of Yanzhao, managed by Han and Wei, and an elite of Qi and Chu. Jade, gold nuggets and pebbles are used to describe the treasures abandoned by the Qin people.
In the third paragraph, contrasting the vastly different living conditions of Qin Shihuang and Shu Ren with big parallelism sentences, we naturally wrote the demise of the Qin Dynasty.
In this passage, the author once again rendered the prosperity and luxury of Epang Palace. The six sentences describing the extravagance of the king of Qin are both parallelism and contrast: "There are more negative pillars than nanmu farmers; There are more rafters on the beam than working women on the plane; The phosphorus in onion is more than that in millet. The joints of ceramic tiles are uneven, more than the whole body silk; Straight columns and horizontal sills, many tricks: the city of nine soils; There are more words in orchestral music than in the city. " Six parallel essays are used together, and the columns, rafters, nails, tiles, railings and music of Epang Palace are written as much as possible, highlighting the luxurious style of Epang Palace from the nuances. Each sentence in this set of parallel sentences is based on the work and diet of ordinary people. The number of peasants, weaver girls, grain, silk, battlements and street words is not as much as that of the insignificant parts in Epang Palace. On the one hand, it is a luxurious life, on the other hand, it is hard work. This huge contrast has foreshadowed the crisis of the Qin Dynasty.
Original text:
On the Ah Fang Palace
Dondum
After the completion of the six kings, the four seas are one, Shushan is upright, and Afang is out. Overpressure exceeds 300 miles, isolated from the sun. Mount Li is built in the north and folded in the west, leading directly to Xianyang. Erchuan dissolves and flows into the palace wall. Five steps to the first floor, ten steps to a pavilion; Corridor waist back, eaves high; Hold the terrain, intrigue. Vegetables, ripples, honeycomb water vortex, I wonder if it will fall by tens of millions. What is a cloudless dragon lying on a long bridge? After the road is empty, don't blame Eric? High and low, I don't know the west and the east. Singing warm, spring is harmonious; Ballroom cold sleeves, wind and rain sad. Within a day, the climate is uneven between palaces.
Concubine, Wang Sun, resigned from the temple downstairs and came to Qin to sing in the evening. They are from Qin Gong. The stars are shining and the cosmetic mirror is on; Lv Yun came forward and combed Xiao Huan; Nutrient flow is greasy, and fat water is abandoned; The smoke is foggy and the pepper orchids are also burning. The thunder shook and the palace car passed; I don't know what I was doing when I was listening in the distance. A muscle, a capacity, extremely beautiful, looks forward-looking, but looks lucky. A shady man, 36 years.
Zhao Yanzhi's harvest, the rule of Han and Wei Dynasties, the elite of Qi and Chu, and the plunder of several generations, took advantage of the mountain. Once you can't get it, you lose it. Tinkling jade, gold pebbles, discarded, are regarded as treasures by Qin people, not very precious. Ha ha! One person's heart, ten thousand people's heart. Qin loves luxury and people are homesick. How can we use it like sand? Make the columns of negative buildings more than the farmers of nanmu; There are more rafters on the beam than working women on the plane; The phosphorus in onion is more than that in millet. The joints of ceramic tiles are uneven, more than the whole body silk; There are more vertical columns and cross sills than nine battlements; The orchestra's strings are hoarse, and they talk more than the city people. Let people all over the world dare not speak or get angry. The single husband's heart is getting more and more arrogant. The defenders shouted, the valley of letters closed, the Chu people burned, and the poor were scorched!
Oh! Those who destroy the six countries are also six countries, not Qin; Qin is also a Qin family, not the world. Ha ha! Make the six countries love each other, enough to refuse Qin; Let the state of Qin love the six countries again, and give it to three generations to be king forever. Who wins and who dies? Qin people feel sorry for themselves, and later people mourn for them; Later generations grieved, failed to learn from it, and let future generations mourn for future generations.
About the author:
Du Mu (803- 852) was born in Fanchuan, Mu Zhi, Han nationality, Jingzhao Wannian (now Xi, Shaanxi). Du Mu was an outstanding poet and essayist in Tang Dynasty, the grandson of Du You, the prime minister, and the son of Du You. Tang Wenzong Daiwa was a 26-year-old scholar in the second year and was awarded the post of Hong Wen Pavilion. Later, he went to Jiangxi to inspect the ambassador's tent, and then turned to Huainan to inspect the ambassador's tent. He was the editor of the National History Museum, the food department, Bibi department and Si Xun, and the secretariat of Huangzhou, Chizhou and Zhou Mu.
Because he lived in South Fan Chuan Villa in Chang 'an in his later years, he was later called "Du Fanchuan" and wrote "Collected Works of Fan Chuan". Du Mu's poems are famous for their seven-character quatrains, and the main content is to chant history and express emotion. His poems are handsome and natural, and cut into secular things. He achieved great success in the late Tang Dynasty. Du Mu is called "Xiao Du" to distinguish it from Du Fu and "Da Du". Also known as "Little Du Li" with Li Shangyin.