The main artistic features of The Book of Songs Li Shu are as follows.

Millet separation

He is separated from Xiaomi. He is a seedling of Xiaomi. The line is decadent and the center is shaken.

People who know me worry me; What do I want if you don't know me? Heaven is long! Who is this?

Millet is separated, and the ears of millet are separated. Walking is decadent and the center is drunk.

People who know me worry me; What do I want if you don't know me? Heaven is long! Who is this?

The separation of millet is the reality of millet. Walking decadent, center suffocation.

People who know me worry me; What do I want if you don't know me? Heaven is long! Who is this? This poem adopts a gradual lyrical description of scenery. The scenery that appears is "the seedling of millet", "the ear of millet" and "the fruit of millet" in turn. The position of the crop is consistent with the growth process of the crop: first the seedling, then the ear, and finally the grain. When the author expresses his deep affection, it is followed by "central trembling", "central intoxication" and "central suffocation", which is more and more intense and painful. The author cares about the country and the people, hurts the people and sympathizes with the chaos. Finally, he asked heaven: Who caused this historical tragedy and who will bear the historical responsibility for the demise of the Western Zhou Dynasty? The author of this poem is very clear. He didn't make the answer to the question clear, but used the way of asking questions, which produced a stronger artistic effect and left readers with room for thinking.