People are very familiar with these two poems of Du Fu, "The wine in Zhumen stinks, and the bones freeze to death on the road". The two poems put two completely different pictures together, which not only adds charm to each other, but also literally presents the meaning of the third picture: there is only a wall between the inside and outside of Zhumen, but it is such a different world, which is an unreasonable society! Here, the directness of the image provides clues of association, which makes people think that the bones of the poor people who froze to death in the wilderness were caused by the exploitation of Zhumen; The meat forest in Zhumen wine pool is caused by the social system that "the deficit is not enough to meet the demand". These truths are not expressed word for word in the works, but readers can deeply feel them by supplementing and enriching the imagination of poetry according to their own life experiences and aesthetic feelings. In Du Ji's poems, such as "rich cooking stinks, white bones in the battlefield" ("Drive the vertical shaft to pick the ear"); "A first has tired beam meat" ("Zhuang You"); "Rhinoceros has long been tired of it, and precision phoenix carving knives are rarely used" ("Beauty Walk"); See Du Fu's Poems "Singing 500 Words from Beijing to Fengxian". This is not the poet's simple feeling and reaction to reality, but the expression of emotional concentration in the poet's aesthetic grasp of the environment, which is an aesthetic evaluation combining truth, goodness and beauty. It can be seen that the deeper the nature of society is revealed and the higher the degree of generalization, the higher, bigger and deeper the realm of the work, and the greater its aesthetic value.
Chang' an fell, the country was broken, and only the mountains and rivers remained; Spring has come, and the sparsely populated Chang' an city is densely forested.
Sad state, can not help but burst into tears, amazing birds, leaving sorrow and hate.
The war lasted for more than half a year, and letters from home were rare, with a hundred thousand gold.
Twisting with melancholy, scratching my head and thinking, the more I scratch my white hair, I can hardly insert a hairpin.
Du Fu's famous poem "Spring Hope" has created a unique realm and its own artistic conception. The combination of scenery and lyricism in the poem is perfect, and it is really a blend of scenes. However, there are not only feelings and scenes in the poem, but also things and people. Writing scenery, writing things, narrating and painting people, all kinds of factors are integrated into an independent world, which perfectly expresses the poet's thoughts and feelings. Here, the "realm" composed of scenery, things, events and characters and the "meaning" expressed by the poet are perfectly integrated into a seamless whole. It contains the poet's infinite sadness and resentment over the country's ruin and death, as well as the meaning of worrying about the country and homesickness. Limited territory, infinite meaning, perfect combination and boundless fusion have become artistic conception. Ceng Yun, a senior, said: "Poetry written by the ancients is more valuable than words, which makes people think deeply." A typical example is the poem "Spring Hope". "The mountains and rivers are there, and there is nothing left in the Ming Dynasty; The vegetation is deep and no one is clear; Flowers and birds, things that can be entertained at ordinary times, make you cry when you see them and feel sad when you smell them, and then you will know ["the mountains and rivers are here" ... you will know then]. See Sima Guang's poem. " The poet's inexhaustible meaning is expressed in this limited environment, and the meaning is deeply hidden in the environment, so people can think about it before they can get it.
Li Bai was just about to leave when he heard a farewell song from the shore.
Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love.
This poem was written by Li Bai after he visited Taohuatan in Jingxian County, Anhui Province in the 14th year of Tianbao (AD 775). When the poet boarded the boat and wanted to leave, "he suddenly smelled the song on the shore." Beauty lies in hearing that person's voice first, then seeing him, replacing people with songs, embracing reality with emptiness and living with reality. The poet was about to leave in a canoe, and the farewell party took a song to see him off (singing and patting him with his feet). "Suddenly Smell" shows that this farewell song is an accident for the poet, and as far as poetry is concerned, it is also a unique accidental pen, which makes this poem suddenly come into being after the first sentence is narrated. It not only makes this scene, this song and this feeling as fresh as eyes and ears, but also makes people's feelings vivid, enriches the poetic audio-visual (time and space) feeling, and shows the return of emotion and joy. Without virtual reality, it is difficult to achieve this wonderful state.