Appreciation of artistic conception: "Apricot Blossom" points out that on a spring night, friends play the piano and flute, and the elegant and elegant flute sounds come and go.
The author uses the woods in early spring as the background, uses the bright moon's clear rays to illuminate the sparse flower shadows scattered on the apricot branches, and the melodious flute played under the flower shadows, to form a picture full of space. The quiet, elegant and beautiful pictures truly reflect the author's life full of leisure and elegance.
Original text: "Linjiang Immortal· Night Climbing the Pavilion Reminiscing about Old Tours in Luozhong" Song·Chen Yuyi
Recalling the past when drinking on the Wuqiao Bridge, most of them were heroes. The long ravine flows away silently. In the sparse shadows of apricot blossoms, I play the flute until dawn. ?
More than twenty years have been like a dream, although this body is in shock. I leisurely climbed up to the small pavilion to see the new weather. There are so many things in ancient and modern times, fishermen sing the third watch.
Translation: I recall those days when we had a drink at Wuqiao, and all the people present were heroes. The moonlight reflects on the river, flowing quietly with the water. In the faint shadow of the apricot blossoms, I play the bamboo flute until dawn. The past twenty years have been like a spring dream. Even though I am here, I look back with fear. Out of boredom, I climbed up to the small attic to watch the first sight of the new rain. Many historical events throughout the ages have been sung by fishermen in the middle of the night.
Extended information
Appreciation of "Linjiangxian·Ye Deng Xiaoge Recalling Old Tours in Luozhong":
The lyrics of "Linjiangxian" were probably written in It was written in 1135 AD (the fifth year of Shaoxing by Emperor Gaozong of the Song Dynasty) or 1136 (the sixth year of Shaoxing) when Chen Yuyi retired to a monk's residence in Qingdun Town. The author was forty-six or forty-seven years old at the time. Chen Yuyi is from Luoyang. He recalled his trip to Luoyang more than 20 years ago. It was during the Zhenghe period of Emperor Huizong, when the world was peaceful and peaceful, and people could enjoy sightseeing.
Afterwards, the Jin soldiers went south and the Northern Song Dynasty was destroyed. Chen Yuyi fled and experienced hardships. After the Southern Song Dynasty moved south, it could only stand on its own. Looking back on the past of more than 20 years, I really have mixed feelings. But when he wrote lyrics to express this kind of sadness, he did not express his feelings directly, but used a euphemistic tone to sing out sighs (this is the key to writing lyrics).
The first film is a reminiscence of old travels in Luozhong. Wuqiao is in the south of Luoyang, where Pei Du had a villa in the Tang Dynasty. The two sentences "In the sparse shadows of the apricot blossoms, playing the flute until dawn" are indeed a coinage of the word "wonderful" (Hu Zai's comment, see "Tiaoxi Yuyincong Huahou Collection" Volume 34), a kind of beautiful scenery at a good time, appreciate The joy of the heart seems to appear in the mind of the poet. But this is not the current reality, but the reappearance of the vast past twenty years ago.
Liu Xizai said it well, "Chen Qufei..."Linjiang Immortal": "In the sparse shadows of the apricot blossoms, I played the flute until dawn", so I admired "Recalling the First" and wrote "A Dream" ’, so these two sentences suddenly turn into melancholy, which is the so-called good thing outside the sentence.” (Volume 4 of "Yi Gui") The next sentence starts with "More than twenty years have been like a dream, although this body is in the cold." ”
Suddenly speaking of the present, these two sentences contain the infinite vicissitudes of national affairs and the loss of close friends over the past twenty years. The content is extremely substantial and the writing is extremely ethereal. The three sentences of "Idlely climbing the small pavilion" do not continue to express the lamentation further, but directly write. The author thinks of the rise and fall of the country and his own displacement, so he looks at the sunny weather and listens to the fishermen's singing, transforming the heavy emotions of sadness and indignation. For broad-mindedness.
This poem has a lively rhythm and is natural and natural, without any trace of artificiality. Zhang Yan called this word "really natural" (Volume 2 of "Etymology"). However, "natural" does not mean crude and superficial, which requires the author to have higher literary quality.
Peng Sunyu said it well, "Ci is based on nature, but nature does not come from the pursuit of thought, and it is also easy and tasteless. As mentioned, the extremely gorgeous still returns to dullness. ... If "Nothing" "In the sparse shadows of the apricot blossoms, I play the flute until dawn," which is what comes naturally." ("Jinsu Ci").