Gone forever, the waves are rough. Romantic figures through the ages. Old camp west, people say it's the war of the Three Kingdoms, Battle of Red Cliffs. Rocks and clouds are falling, waves are hitting the shore and thousands of piles of snow are being rolled up. As picturesque as a mountain, how many heroes there are at one time!
Think back to Gong Jin, when Xiao Qiao just got married, he was handsome, holding a feather fan and wearing a black silk scarf. He talked and laughed, and it's all over. I am wandering in the battlefield today. I feel a feeling heart and give birth to white hair prematurely. Things are like a dream, a bottle or a month.
[Brief analysis]
Su Shi's ci, no matter in content or form, is not so rigid in a pattern. Sometimes putting a straight book becomes a "poem that can't be adjusted." Some of them are quite ordinary in content. Just like the Yangtze River is full of sediment, not clear water. But because of this, we can show the grand momentum of the river. People can be so picky, but they cannot always deny it.
Su Shi's Niannujiao is undoubtedly a famous work in the Song Dynasty. Such a high foothold and exquisite writing of historical figures are rare not only in the ci world, but also in the poetry country.
As soon as he started writing, he swaggered, imposing: "A river that never returns, a wave that never returns, a romantic figure through the ages"-it is the pride of the times to think about how many heroes have appeared in the history of thousands of years. Who doesn't admire their heroic romance and who doesn't look up to their looks! However, "the waves behind the Yangtze River push the waves before", with the continuous passage of time and the objective law of metabolism, now looking back, it seems that the achievements of those "romantic figures" in those years were constantly washed away by the waves of the Yangtze River, gradually indifferent, gradually faded, and finally became a past tense.
The Waves Gone-both vivid and vivid. But more importantly, the author grasped the law of historical development from the beginning and wrote the position of historical figures in the long river of history with a high degree of conciseness. It's really a "strategic plan", which takes the lead. It's amazing.
"To the west of the old base area, humanity is the Red Cliff of Zhou Lang in the Three Kingdoms" ── generally referring to "romantic figures". Here, we further put forward "Zhou Lang in the Three Kingdoms" as the backbone of an article, and the article was born.
"The rocks and clouds collapse, the stormy waves crack the shore, and thousands of piles of snow are rolled up"-this is an indispensable scene writing. In short, rocks are like falling clouds; In a word, the waves are tearing the shore; Due to the rocky and stormy struggles, countless waves rolled into countless snowdrifts, which suddenly rose and fell, flickering and became spectacular.
"Beautiful scenery, many heroes at one time" ── "Beautiful scenery" is a conclusion drawn from the scenery in front of us. The mountains and rivers are beautiful, and the characters are heroes for a while. Can this Yangtze River and this Red Cliff not arouse people's nostalgia for the past? So, this leads to the following expression of this feeling.
"Looking back at Gong Jin, Xiao Qiao's first marriage is beautiful" ── The author puts forward Zhou Yulai alone here, as a representative figure here, not only because Zhou Yu is a key figure in Battle of Red Cliffs, but also because of the need of artistic tailoring.
Please see, the phrase "Xiao Qiao's first marriage" was suddenly added to "Gong Jin of that year", and then the phrase "heroic and spirited, heroic and spirited" was added. It's really like crossing a small wooden bridge between two cliffs, which is a dangerous and sighing thing. It's a close call, because the character Xiao Qiao could not have been inserted here, but now it seems to be out of proportion. So this is really a very risky stroke. It is also amazing, because the insertion of this role can really describe Zhou Yu's romantic elegance with great spirit. From an artistic point of view, it is really a vivid pen. The place where the wind shakes is by no means fully expressed by other sentences.
The word "feather fan black silk scarf" fully shows Zhou Yu's elegant demeanor and is a further outline and supplement to "Xiao Qiao's first marriage".
"My hometown is falling, and I love Ying Xiao Wo. I was born early and grew prosperous" ── from here, I turn to my personal feelings. "Wandering in the Old Country" means that Battle of Red Cliffs and those historical figures in the Three Kingdoms caused many feelings-as if his soul had traveled to ancient times. "Affection" is to laugh at your own affectation. Because of self-love, it is inevitable to have early hair (white hair), so I have to laugh at myself. Here, the author can't make a career for himself, and he is old ── compared with Zhou Yu, who was only thirty-four when he broke Cao Cao, he is still singing in Chibi Mountain, which makes people feel sad.
"The world is like a dream, and a statue returns to the moon"-so I have to be broad-minded. Anyway, it used to be like a dream, and now it's like a dream. I'd better pick up my glass and pour it for the bright moon on the river to show my respect for it. The word "like a dream" is used here, just in response to the beginning of "the waves are exhausted" Because romantic figures are just "waves are exhausted" and the world is just "like a dream". Why not be broad-minded and too persistent! This is an undercurrent that has been lurking in Su Shi's thought for a long time and shows centrifugal tendency with the real world. Such is the limitation of class, which is often inevitable and pulsating from time to time in his life.