Answer: See if you can write down what you wrote. If you don't write, you can't leave blank. There is no explicit requirement to leave a few spaces, which is completely arbitrary. You can leave four spaces, which means poetry.
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Question 2: If there are many words in one line, do you need to leave two spaces at the beginning of the second card?
Answer: the second row must be written in the blank, otherwise it will seriously affect the appearance. You don't have to write the second line when you write, you can divide it yourself. For example, "I want to be a loyal son in the distance and a short-lived lover in material life" can be separated like this:
I want to be a loyal son from afar
And material short-lived lovers.
The above is based on the author's original intention of writing, and the main artistic conception and theme of the poem cannot be changed because of segmentation, such as the Ji Xiaolan version of Liangzhou Ci.
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Question 3: Is there a line between the first paragraph and the second paragraph?
A: Yes! Poetry has a certain rhythm and rhythm, and it is expressed by paragraphs except rhyme. If each line is blank when writing, then more than two lines need to be blank when segmenting, so as to see each paragraph intuitively.
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Here are some common copying and typesetting:
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Top lattice:
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I left quietly,
When I came softly;
I waved gently,
Say goodbye to the western clouds.
Golden willow by the river,
Is the bride in the sunset;
Shadows in the waves,
Ripple in my heart.
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In the middle:
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Calling your name in the waves, and your name
Has been outside Qian Fan.
Tides come and go.
The shoe print on the left is only in the afternoon
The shoe print on the right is dusk.
June was originally a very sentimental book.
The ending is so sad.
-The sun sets in the west.
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Blanks in sentences:
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Now is the time.
My most beautiful moment
The heavy door was locked.
After a fragrant smile
Who knows my lotus heart?
You don't have a chance.
Either come too early, or
too late
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Special arrangement:
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On the coffee table
The ashes are just white and cold.
Nothing is better than going to Qiu Lai in spring.
Can you do it for me?
Thousands of dozing postures on rattan chairs.
Give everyone a name?
The evening paper was splashed all over the face.
In sleep
have
bird
fly
get through
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Bamboo.
Green and steep, green branches.
Moganshan, the breeze is a compliment.
The tip of the knife moves to the northwest, and the blade is pale and thin.
Sparse green paths, continuous and elegant bamboo soul.
The height is not informal, and the head is shaking all over the mountain.
It is this sense of returning to the mountains that has nothing to do with spring.
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Not to mention metrical poems.