Brief introduction to the ideal of Liusha River

Liushahe (193 1-), formerly known as Yu Xuntan, was born in Jintang, Sichuan. In the early 1950s, he was the editor of the supplement of West Sichuan Daily and began to write poems. 1956 published a collection of poems, Rural Nocturne. 1957, because he participated in editing the poetry publication Star and published the prose poem Grass and Trees, he was regarded as "the dutiful son and grandson of the landlord class" and was sent back to his hometown to participate in agricultural production and labor. 1976 returned after the Cultural Revolution and continued to publish poems.

The theme of "country nocturne" in the early stage of Liushahe River is relatively narrow, and its thoughts and feelings are superficial. After 1956, he continued to write poems praising the Party and the "boiling construction cause", including Xin, Ai, Sickness, Rain, Fire, Mystery, Reply, Snowy Night, Night Fog in August and Timidity. In these poems, he got rid of the mode of illustrating life, and truly and delicately described the spiritual tracks and emotional ripples of boys and girls in Love Species, and the images of spiritual and flesh-and-blood people appeared in his poems.

1956, a group of prose poems "Grass and Trees" is a poem that praises things and expresses aspirations. The poet described five kinds of plants, poplar, cactus, plum, vine and toadstool, with the description of visualization and personification of vegetation, in order to compare the way some people live in real life. In art, the species and some characteristics of vegetation are exaggerated to make it have the image characteristics of poetry; Using line drawing and cartoon-like stick figure to outline the image, combined with the characteristics of vegetation, using straightforward emotional expression, love and hate are clear, which meets the requirements of poetry. As the inscription of the group poem implies, the poem "Stand by and watch your words, don't want weak school Miao" refers to the poet's sincere confession to the world.

After returning to the poetic world, the poet maintained a heavy, simple, sincere and restrained lyric style, and reached a new height in his experience and thinking about the times, society and life. Some of the first works after his comeback are strongly autobiographical, expressing the lingering sadness and loss of Shao Hua's death and youth, such as Reunion, Return, Farewell to My Home and so on. There are also poems that record the emotional comfort when suffering, such as Xi An Meng and Six Love Poems, which are euphemistic and bitter to read. At the same time, poets are born with lyric poems with major political themes, such as The Sun, The Old Man and the Sea, and Ideal, which show a certain speculative color and optimism.

After Liushahe returned to the poetry circle, there were poems such as Home, Wandering, Liushahe Poems, Other Poems, Twelve Poets in Taiwan Province Province, Poems Across the Sea and so on.