Tagore is a world-famous poet. He has written Birds, Gardener, etc., among which Chittaglia is the most outstanding collection of poems. Tagore won the Nobel Prize in Literature for "Gitanjali".
In Chittaglia, the author vividly described the natural scenery and beautiful scenery with extremely delicate brushwork; Singing the glory of life and the joys and sorrows of real life in a light and cheerful style, the author expressed his concern for the future of the motherland.
As a representative work of pantheism, Gitanjaly describes the poet's praise for God, his longing for God's arrival, his disappointment in missing God, and his carnival in harmony with God, pinning his vision and meditation on the infinite world. Between the lines, people feel the passion of the poet's life. If invisible power leads readers to the world of passion and love built by poets. India is a country that worships religion. For thousands of years, people have been trying to find enlightenment and comfort in the mysterious religious world. Tagore combined modern western humanism and scientific thought with traditional Indian religion, absorbed the positive significance of various Indian theories, combined modern western civilization with the spirit of Indian classical philosophy, and created a unique "poet's religion". The profound connotation of this philosophy of life has been fully reflected in Julia.
First of all, Chittaglia exists as a work of art. Its words and rhythms are beautiful and elegant, and the feelings it expresses make it yearn for high and pursue far. Every time you read it, there will always be new feelings, and you will always realize the profound and sacred significance. Tagore has two cultural characteristics, namely, fraternity in Indian culture and fraternity in western culture. These two characteristics are deeply imprinted in his bones and highlight the value of beauty in the conflict, which is what western culture lacks. This is the original base of beauty, from which the value of beauty is constantly brewed.
In Gitanjali, Tagore gives concrete life to abstract things with energetic vocabulary collocation and still life dynamic writing, and the picture is lively.
Tagore's technique is different from the traditional personification rhetoric and more exaggerated. It broke through the disharmony of images and reached a higher coordination of thoughts. On the surface, the pictures described in these poems do not seem to be consistent. Tagore used this technique to create a higher reality in illusion. In the eightieth poem, the poet compares himself to a "remnant cloud in autumn", expressing his helplessness, confusion and emptiness when he can't find the road to the ideal realm. Poets can endow abstract emotions with concrete colors and images, and endow them with various dynamic expressions. Poets concretize, visualize and animate abstract things. At first glance, it's incredible. If you think about it carefully, you will find it more expressive than the traditional method. This uncoordinated collocation expands the connotation of vocabulary itself, arouses readers' full association and adds deeper charm to poetry.
The Nobel Prize in Literature Jury spoke highly of him: "His earnest pursuit of truth, insight of thought, broad vision and enthusiasm, energetic expression technique, and his idealistic philosophy of maintaining and developing life by using this technique in many works." These comments affirmed the profound thoughts contained in Gitanjali, the poet's spirit of unremitting exploration, and the symbolic oriental expression.
In a word, Tagore's Gitanjali has always been one of the important topics for many scholars to appreciate and study, both in ideological content and artistic expression.
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