Zhang
Looking around Mount Li, the house is brightly lit. Where was the luxury then?
I saw that the grass was sparse and the water was lingering.
So far, I hate the misty trees, and my country is Zhou, Qi, Qin, Han and Chu.
If you win, you will become dirt; What is lost has become dirt.
Zhang (1270- 1329) is a native of Jinan, Shandong, and a native of Ximeng. He has served as county yin, censor and minister of rites. Known for daring to speak and remonstrate. Because of the drought in Guanzhong, he abandoned his official and retired, returned to China for drought relief, and died of fatigue in April. The collection of Sanqu includes "Trang Van Living in a Small Yuefu", in which I wrote more about the joy of offering love to Lin Quan. Sometimes there are works that care about people.
Taihe's "Spectrum" said that Zhang's Sanqu was like a symmetrical tree. However, this poem reflects his different characteristics.
The famous Mount Li, which has experienced many vicissitudes, has many historical sites. The author climbed the mountain and looked around, feeling a lot. Where did he start writing? Only Epang Palace can best lead the thoughts of authors and readers. Unfortunately, it has been burned by Xiang Yu, and the luxury of that year no longer exists. In front of the author, there are only "sparse" "weeds" and "winding and lingering" "river water". This touched the author's sad mood and realized the ruthlessness and inevitability of historical changes. The "residual hatred" of regime change is like the misty forest in front of us. Where can we find the shadow of "Zhou, Qi, Qin, Han and Chu" in "nationality"? In the long river of history, the rise and fall of the Sui and Tang Dynasties here have also been relentlessly diluted. How many emperors fought for the world and how did they "win"? How about "losing" and not "all turning into dirt"! As Zhang wrote in the homology of "Nostalgia for North Mangshan", "Even a gentleman should not be called; Even ministers should not be called. " They all did "Dust at the foot of Mount Beimang".
What a sad and gloomy sigh! Reading this little song, I was impressed by the author's broad historical vision and his broad mind. There are no difficult words, formidable obscure allusions and gorgeous sentences in the whole song. It is these simple and clumsy words that sang an immortal swan song! "If you win, you will become dirt; If you lose, you will become soil! " Understood as words, it has become a thought-provoking epigram.
It's really not vulgar words written by famous artists! Today's poets should learn from the ancients' pursuit of great ingenuity in simplicity and profound writing skills in simplicity. If we can do this, maybe we can create a new face when writing.
Shan po yang Li shan nostalgia
Looking around Mount Li, the house is brightly lit. Where was the luxury then?
I saw that the grass was sparse and the water was lingering.
So far, I hate the misty trees, and my country is Zhou, Qi, Qin, Han and Chu.
If you win, you will become dirt; What is lost has become dirt.
Translation:
Looking around on Mount Li, Epang Palace has been burned down. Where is the luxury at that time now?
I only see sparse grass and lingering water, and now I leave hatred like smoke. Zhou, Qi, Qin, Han and Chu, which of these countries won, became the inner soil; Lost people, all turned into dirt.
Precautions:
Lishan: In the southeast of Lintong County, Shaanxi Province. Du Mu's "A Gong": "Li Mountain is built in the north and folded in the west, reaching Xianyang directly."
Epang Palace: Epang Palace, the name of Qin Gong, is located in Epang Village, southwest of Xi City, Shaanxi Province. "Three Auxiliary Huang Tu": "Epang Palace, also known as Acheng, died before Huiwen Wangjian Palace. At the beginning, the emperor expanded the palace and restored the rules for more than 300 miles. When I left the palace, the mountain crossed the valley and the road passed through Mount Li for more than 800 miles. " "Historical Records of Qin Shihuang": "First, make a front hall, with 50 steps from east to west and 50 feet from north to south. You can put10,000 people at the top and build a 50-foot-high flag at the bottom. " Later, Xiang Yu led the troops to slaughter Xianyang, saying, "Qin Gong will be burned until March" (see Historical Records of Xiang Yu's Biography). Therefore, Du Mu has "a torch of Chu people, poor and scorched earth." ("Epang Palace Fu") Sigh.
Lingering: describes the circuitous flow of water.
Ethnic group: country, namely Zhou, Qi, Qin, Han and Chu.
Enjoy 1:
Mount Li is in the northeast of An and the west of Epang Palace, and the existing palace abutment still exists. Du Mu said in Gong Fang Fu: "Mount Li is built in the north and folded in the west, reaching Xianyang directly." Epang Palace was built from Mount Li, and then reached Xianyang in the west, with extremely grand scale and luxurious facilities. In 206 BC, when the Qin Dynasty perished, Xiang Yu invaded Xianyang and burned Epang Palace. Zhang wrote this poem "Li Mountain Nostalgia" after passing through Li Mountain. The first three sentences, "Looking back at Mount Li, Ah Fang was furious. Where did you get the luxury at that time? " Looking back at history, Mount Li, once the imperial palace of Qin Dynasty, was destroyed by fire, and the stage, dance pavilion, gold nuggets and pebbles at that time no longer existed. The author uses the question "Where is it now" to emphasize his feelings about the great changes that have taken place in history since ancient times, which naturally leads to the following words: "Only grass is sparse, only water is lingering", there is no luxury palace in the past, only weeds. Grass is sparse and water is long, which increases the author's emotional weight of nostalgia for the past and hurting the present. There are six or seven sentences behind: "I still hate the smoke tree, and my country is Zhou Qi, Qin Han and Chu." Today, the resentment of Qin Dynasty's national subjugation due to luxury and cruelty has disappeared among the smoke trees. And this kind of national subjugation is not unique to the Qin Dynasty. From the Zhou Dynasty and the Warring States Period to the dispute between Han and Chu, who did not die? In fact, the author has placed an irony here, saying that future generations have forgotten the lessons of the demise of the previous dynasty. After the rulers of Yuan Dynasty seized power, they were arrogant and extravagant, completely ignoring the emptiness of the national treasury, and the social economy was in urgent need of adjustment. Zhang was dissatisfied with the situation at that time, but when he thought about the history of other countries, he felt that from seizing political power to extravagant violence and finally dying, it was the same ending as the feudal dynasty. Du Mu said that Epang Palace is "the torch of Chu people, poor scorched earth", and the author extended it and wrote: "If you win, you will become soil; If you lose, you will become soil. " At the end of this sentence, the two sentences are the same, which means that whether you win or lose, the luxurious palace will eventually perish and "all become dirt" We can regard this as a curse to the feudal dynasty and a summary of the historical regularity of feudal society. Zhang said at the end of another poem, "Sheep on the hillside miss Tongguan": "Xing, the people suffer; When you die, the people suffer. " This is the change of the feudal dynasty from the people's point of view, which brought all the sufferings to the people. And this poem is from the perspective of dynasty rulers. No matter whether the feudal rulers win or lose, they are doomed to perish. Although it is not as profound as the thought of Tongguan Past, it also implies a historical necessity and is quite meaningful.
Appreciation 2:
Taihe's "Spectrum" said that Zhang's Sanqu was like a symmetrical tree. However, this poem reflects his different characteristics.
The famous Mount Li, which has experienced many vicissitudes, has many historical sites. The author climbed the mountain and looked around, feeling a lot. Where did he start writing? Only Epang Palace can best lead the thoughts of authors and readers. Unfortunately, it has been burned by Xiang Yu, and the luxury of that year no longer exists. In front of the author, there are only "sparse" "weeds" and "winding and lingering" "river water". This touched the author's sad mood and realized the ruthlessness and inevitability of historical changes. The "residual hatred" of regime change is like the misty forest in front of us. Where can we find the shadow of "Zhou, Qi, Qin, Han and Chu" in "nationality"? In the long river of history, the rise and fall of the Sui and Tang Dynasties here have also been relentlessly diluted. How many emperors fought for the world and how did they "win"? How about "losing" and not "all turning into dirt"! As Zhang wrote in the homology of "Nostalgia for North Mangshan", "Even a gentleman should not be called; Even ministers should not be called. " They all did "Dust at the foot of Mount Beimang".
What a sad and gloomy sigh! Reading this little song, I was impressed by the author's broad historical vision and his broad mind. There are no difficult words, formidable obscure allusions and gorgeous sentences in the whole song. It is these simple and clumsy words that sang an immortal swan song! "If you win, you will become dirt; If you lose, you will become soil! " Understood as words, it has become a thought-provoking epigram.
It's really not vulgar words written by famous artists! Today's poets should learn from the ancients' pursuit of great ingenuity in simplicity and profound writing skills in simplicity. If we can do this, maybe we can create a new face when writing.
The author introduces:
Zhang (1270— 1329) was born in Jinan (now Shandong). Wu Zongshi worshipped the censor and dismissed from office because he dared to speak out against power and rape. Renzong returned to his official position to be the minister of rites, and Yingzong abandoned his official position and retired. It was not until the second year of Wenzong (1329) that he was called to work in Taichung, Shaanxi Province, and devoted himself to disaster relief and helping the people, and soon died of fatigue. Zhu Quan said that "Zhang Yun Zhuang's ci is like a tree with a well-proportioned tree" (Taihe Yin Zhengpu). Sanqu Collection includes Trang Van's "Wandering in Yuefu". There are 16 1 poems and two sets.