An unreasonable poem.

The theory of "Unreasonable" was summed up when poets and monks in Qing Dynasty commented on the poems of Tang Dynasty poet Li Yi and Song Dynasty poet Zhang Xian in Wrinkled Water Xuan. Just like a cloud, Tang Yili said in a poem, "Since I married a Qutang businessman, there has been a problem in North Korea. If I thought the tide was so regular, I might choose a boy by the river. " The last sentence of Ye Zi's "A Cluster of Flowers" says:' Better be peaches and apricots than spring breeze.' This is unreasonable and wonderful ... "

"Unreasonable and wonderful" is a common expression in China's classical poems. The so-called "unreasonable" means that the author's image description violates the general laws of rationality, physics and reason, that is, common sense. It is a denial of rationality, a reasonable betrayal of logic, and a violation of common sense and thinking logic. The so-called "Miao" means that the author brings unexpected poetic beauty, poetic taste and aesthetic pleasure to readers through unreasonable description, which is the pleasure that readers have when they appreciate works. On the one hand, it is unreasonable, on the other hand, it is wonderful, which is the concrete expression of artistic dialectical thinking in poetry, showing the beauty of meaning, expression, skill and thinking in poetry. To put it bluntly, it is "contradictory" but can't help but make people boast: wonderful! As for "unreasonable wonderful", where is "wonderful"? He Shang didn't make it clear. Maybe every reader feels differently.

Wang Guowei once said in "Words on Earth": "An objective poet can't stand reading more about the world. The deeper you read about the world, the more varied the materials will be. Subjective poets don't need to read more about the world. The shallower the world you read, the more real your temperament is. " Poets who use "unreasonable and wonderful" are obviously "subjective poets". The greatest aesthetic value of their poems lies in their irrational thoughts and emotional needs in specific situations, not in their dazzling skills or routine life logic.

There are many such poems, such as Zhang Xian's poem Conghua Society:

Holding a goblet and listening to the sound of "water adjustment", I was drunk at noon, but I didn't wake up although I was awake and worried. Send away spring, when will spring come back? Near dusk mirror, sad past years, past and future empty. After Yuanyang sleeps by the pool at night, Huazhi has made her own image in the moonlight. Heavy curtains cover the lights, the wind has not stopped, the sound is very quiet, and falling flowers cover the garden path.

How can flowers create shadows? In fact, it should be "flowers follow the shadow." However, the poet used the word "de" to vividly and carefully write the state of the flower shadow shaking when the evening breeze blew.