Valley style refers to the poetic style of Huang Tingjian, a poet in Song Dynasty. In his poems, Huang Tingjian praised Du Fu, advocated the poetic method of "turning iron into gold" and "replacing bones with fetuses", and demanded that "every word is everywhere", be innovative and become a family of his own. In order to achieve novel and thin artistic effects, he made awkward sentences, used blunt words and rhymed dangerously, and used unusual classics in his poems, forming a style of warning, strangeness and solemnity, which had a great influence on the poetry circles of present and future generations. Named for being a Taoist in the valley.
Mid-Levels (Gong Jing Ladder)-Mid-Levels is the place where Wang Anshi lived in Jiangning in his later years. His poems in this period were compiled as Zhongshan Collection, also known as "Zhongshan Poetry", and the main genre was quatrains. During this period, his poems described natural scenery in the form of four poems, focusing on refining words and meaning. Appreciated by poetic theorists of past dynasties, it is known as the Mid-Levels. Also known as "Wang Ti", Mid-Levels quatrains and Mid-Levels Poems.
The form of dreams-the window of dreams. Wu Wenying's ci collection is Dream Window Ci. Wu Wenying was a writer of Ya Ci School in the middle and late Southern Song Dynasty. His ideological content is mostly the feeling of life experience and parting, and often mixed with sadness and sadness. Its artistic style pursues beauty and ingenuity, and its structure is often abrupt. The jumping change of space-time scene is not restricted by reason and logical order, and it lacks necessary transition and care. The language of dream form is new and strange.
Jia Xuan Style-A major feature of Xin Ci in language skills is its loose form, coherent semantic flow and long sentences. The way of combining dense images into sentences and skipping conjunctions, which is widely used in literati ci, has been completely broken in Xin ci. But it doesn't mean that Xin Qiji's so-called "taking words as words" no longer has musical rhythm. He uses prose sentence patterns extensively to keep a vivid tone, and at the same time, he can create the rhythm of change through various means.
The woodcutter's song style, also known as "Zhu Xi Zhen Ti", refers to the works of Zhu Dunru, a poet in the Song Dynasty. Because of its unique words, it is called "woodcutter's song style" Its main characteristics: before crossing the south, it was beautiful and spacious, similar to Su Shi, and out of touch with human fireworks. After Nandu, there were many patriotic masterpieces that were generous and sad and worried about the country and the people.