Language implication: it is the implicit level of literary language, that is, its deep meaning. The so-called implication means that the language of literary works has the characteristics of "finiteness" expressing "infinity" and infinite meaning, which can leave readers with a broad space for chewing, tasting and aftertaste. Excellent literary works condense rich and profound connotations in language, thus producing great artistic charm. In poetry, the poet accumulates a lot of content into the images carefully chosen by the poet through highly generalized language, which is a simple and implicit form.
It is an aesthetic proposition of China's classical poems to express infinite satisfaction. On poetry, it is concise and meaningful. Bai Juyi had this idea in the Tang Dynasty: "Search poetry carefully" and "make words as far as possible" (Wen Yuan Poetry Pavilion). Su Shi in the Northern Song Dynasty clearly put forward: "Those who have endless words and endless meanings are stories in the world." Jiang Kui also thinks: "Every sentence has aftertaste, the article has profound meaning, and good people are also good." Yan Yu further elaborated when commenting on Tang poetry. "In the heyday of the Tang Dynasty, people were interested in interest, so its beauty was thorough and delicate, and it could not be combined, such as the voice in the air, the color in the phase, the moon in the water and the image in the mirror." People think that only by removing obstacles and telling the truth can poetry be beautiful. Zen is also used as a metaphor for poetry, which shows that the artistic realm is inseparable from real life. If you leave it at arm's length, you can achieve "endless words and endless meanings"