It's similar to the one above. Maybe my best friend insists on adding herself. ...
The theme of Li Bai's female poems is very extensive, involving women from all walks of life at that time. From the emperor's favor
Princess, sister-in-law, and Hu Ji, from sad homesickness to peasant women, from brave women who kill during the day to naive prostitutes who can't talk, from female Taoist priests to fairies, from historical figures (Shi and Wang Zhaojun) to wives, these women have different identities, including Yang Guifei, princess, middle-class businessman's wife, employment wife and so on.
Typical is as follows.
1, imperial concubine
Some of Li Bai's poems describe Yang Guifei and express her beauty, affection and affection with poems. Such as "three qingping tunes":
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
A red dew is fragrant, and the rain is heartbroken.
Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
The beauty of beauty and red peony complement each other, and beauty and long flowers are king.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
In the first song, Mu Shaoyao and Yang Guifei wrote in an interactive way. Flowers are people, people are flowers, and people's faces are mixed together. The poem "The cloud needs clothes, the flowers need capacity" describes that Yang Guifei's clothes are really like skirts and feathers, surrounding her plump jade capacity. "The spring breeze blows the threshold and the flowers are like flowers." Beautiful peony flowers are more beautiful in the crystal dew, but also make people look more energetic. At the same time, the poet does not show traces, and compares Yang Guifei to a heavenly daughter, which is really exquisite. The second song is supported by the depressed goddess and Yan Fei, Yang Guifei. The third song returns to reality from the fairyland ancients. Yang Guifei is "the beauty of dumping the country", combining peony with "dumping the country" into one "two-phase happiness", and then unifying "watching with a smile", so that peony, Yang Guifei and Xuanzong are naturally integrated. "Aquilaria pavilion languishes in the north" is spent outside the fence, making people languid. How elegant and interesting. These three poems are rich in language and fluent in words, which integrate flowers with people. This makes people feel that the spring breeze is full of paper, the flowers are full of eyes, the face is blurred, the beauty is like jade, and the beauty of Yang Guifei is vividly on the paper.
2. Maid
Mainly describes the spiritual survival dilemma of a large number of isolated women in the harem. Li Bai wrote many such poems. For example, Two Songs of Complaint, Nagato's Complaint, Changxin Palace, Song of My Concubine in Zhongshan and so on. Among them, Nagato's complaint is the most popular.
"Nagato hatred" a cloud:
The sky belongs to Beidou and hangs on the west building, and there is no firefly in the golden house.
Moonlight wants to reach Nagato Hall, so don't worry about the palace.
First, there are no characters in the whole scene, the feelings in the scene emerge on the paper, and the people outside the painting are ready to come out. The first two paragraphs of the poem are midnight, the season is cool autumn, and the place is empty and cold. This gives people an unusually bleak feeling. The last two sentences, "If you want to go to Nagato Palace by moonlight, don't worry in the palace for a while", subtly lead to melancholy by moonlight. This is the imperial secretary who is sad when he sees the moon or the moonlight shining on the sad person. But these two poems do not allow characters to appear, saying that sadness is "made" by moonlight. The implication is that in the deep palace, the sorrow is as deep as the sea, and the moonlight shines everywhere, so going to the long hall is just a "stop it" sorrow. From the perspective of the whole poem, what is presented to the readers is a picture of a deep palace on a moonlit night, with the horizontal slope of bucket handle as the perspective and the fireflies in an empty house as the close-up view. The realm is so gloomy and cold that you can imagine the suffering and lovesickness of people in the deep palace.
"Nagato hatred" the second cloud:
The long sorrow in Guidian does not remember spring, and the golden house has autumn dust.
Hanging in the clear sky at night, people take photos alone in Nagato Palace.
Secondly, the beginning of "Gui Dian's long sorrow does not remember spring" not only reveals "sorrow", but also "long sorrow", which means that the people in the poem are not worried because of the bleak scenery of the current autumn night, but are worried all year round. Even if spring comes to the earth and everything recovers, it can't alleviate the sadness at all; Because of her sadness, she can't feel spring, or even remember it. It can be seen that the spiritual life of this palace maid is in deep trouble. This "Nagato Palace Man" has a unique feeling about seasons, environment and moonlight. Spring comes year after year, saying "I don't remember spring" seems that spring hasn't come for a long time; The dust in the house does not belong to any season, but "autumn dust" gives the dust a bleak sense of season; The bright moon hangs high in the sky, shining on all beings, and saying "independence" is like "the meaning of the moon is bitter." Through this description, the readers are presented with the miserable situation that the vast number of ladies-in-waiting live a lonely and desolate life in the deep palace of hell on earth, which reveals the corner of the cold feudal system.
3. Recruit women
For example, Midnight Wu Ge, which is popular in the north.
Popular in the north:
Candle dragon lives in a cold door, and its brilliance is still blooming. Why don't the sun and the moon shine like this? Only the north wind came up angrily. Yanshan snowflakes are as big as seats, and pieces of them blow off XuanYuanTai. You miss your wife in December. Stop singing and laugh. Looking at the pedestrians by the door, it's sad to miss the Great Wall. Don't mention the sword to save the border, leave this tiger with gold but not gold. There is a white arrow in the forest, spiders spin webs and dust. The arrow is not empty, people die today and never come back. I can't bear to see this thing, it has burned to ashes. The yellow river can hold soil, and the north wind hates rain and snow.
Midnight Wu Ge? Qiu Ge "
There is moonlight in Chang 'an, and all the families in Yi Dao are there. The autumn wind blew Yi Dao's voice, and every household remembered the people guarding the border. Oh, when will the Tatar army be conquered and when will my husband come back from the long battle! ?
4. Thinking about women
Mainly refers to the description of the physiological and psychological life state of women who are waiting for words in the boudoir or whose husbands are not around. Li Bai wrote more poems about folk women than about maids. There are countless examples, such as jade clan, green water song, antique, crying at night, long farewell, longing for spring, farewell, Ba women's words, loneliness, autumn love, dike song, farewell lovers and so on. For example, the following song:
(1), crying at night:
On the edge of Huang Yuncheng, Wu wants to live and cry on the dumb branch. In the machine, Jin Qinchuan is female, and the blue yarn is like smoke. When I stopped, I thought of people in the distance, and the single window was full of tears.
In the sentence "The brocade in the machine is a Qinchuan woman, and the blue gauze in the window is like smoke", the poet did not make any specific description of the appearance and dress of Qinchuan woman (Qinchuan woman refers to a thoughtful woman in Tang Guanzhong, a husband and a soldier in the distance), but just let you stand outside her boudoir and vaguely see her lonely figure and hear her low voice through the hazy blue screen window in the twilight. What makes people feel this way is not the appearance of Qinchuan's daughter, but her heart, her thoughts and feelings. "Stop the shuttle and remember the distant people, the window is empty, and tears are raining." A woman locked in a boudoir has her heart firmly tied to her husband far away. Sadness and depression can't be solved. Recalling the love I once had, feeling the loneliness at this time, and all kinds of thoughts come to mind, how can I not "cry like rain"! Liao Liao's numerals vividly show the psychological living state of "Qinchuan woman".
(2) Jade clan:
Her jade-white stairs are cold with dew, and she soaks socks for a long time at night. Go back to my room and put down the crystal curtain, still looking at the exquisite moon through the curtain.
Although the title of this poem is marked with the word "resentment", the poem is only painted on the back, and the word "resentment" is not seen at all. Build quiet and independent steps and let the cold dew soak the socks, which shows the depth of the night, the long standing and the deep resentment. Deep resentment, late at night, I can't help being lonely, from outside to inside, but behind the curtain, I can't stand the loneliness of the bright moon. Like the moon has pity on people, as people have pity on the moon. If people don't accompany the moon, what can they accompany? The moon is silent, and people are silent, just looking at the moon blindly. This resentment is deeper than resentment. The whole poem can't see the posture and psychological state of the characters, and the poet seems indifferent, only seeing the meaning through the movements of the characters, so it shows its subtle meaning and dreamy aftertaste.
(3) Sauvignon Blanc
The sun is full of lust, and the moon is bright and sleepless. A Zhao harp has just been put on the phoenix shelf and is dumb. I want to play Yuanyangxuan.
This is a song full of feelings, but no one has passed it on. I hope it will be sent to the distant Yan. It used to be an eye, but now it's a fountain of tears.
If you don't believe in sword cutting, please come back and look in the mirror in front of me!
This kind of poem is written by the first-person narrator in a feminine tone. Li Bai's "Sauvignon Blanc" follows the norms of ancient topics in both content and writing. It is a boudoir love poem, that is, a love poem. The meaning of "Sauvignon Blanc" has four layers, that is, missing day and night, playing the piano, expressing feelings with the wind, and bursting into tears. These four meanings are developed in different times and are closely related to each other. Render sad emotions: "The sun is full of lust" to convey the feeling of difficulty during the day; It is also decorated with the words "flowers contain smoke". On the one hand, it exaggerates the confusion of the twilight, on the other hand, it compares the people in the boudoir with the delicate flowers in the twilight. As night falls, the bright moon rises, and the air is filled with bright brilliance. On this quiet moonlit night, people in the boudoir miss each other so much that they can't sleep. If you can't sleep, you have to look for relief and sustenance, so she urges Xuan to caress the column, and plays the song of lovesickness in the moonlight. Three or four sentences are neat and flowery, which is very suitable for the identity of the hostess. "Phoenix Column" and "Yuanyangxuan" not only describe the exquisiteness of the piano, but also convey the message of lovesickness: Phoenix reminds people of the story of Shaw History and Nong Yu forming a fairy couple; Yuanyang is the embodiment of lovers. Here, they are all symbols of musical artistic conception. "The First Stop" and "The Desire to Play" indicate that one song is unfinished, and then another, and the endless piano sound is as long as people's thoughts.
However, how can the affection in this song be passed on to relatives? So there was the daydream of "May it go to Yanran with the spring breeze". Ran Yan is an idiom in Tang poetry, which refers to the boundary and implies that pedestrians are far away. Then the simple sentence "I miss you in the distance, outside the blue sky" expresses the true feelings and forms an abrupt emotional peak, which is also the lyric center of the whole poem. At the end of the poem, the four lines are heartbroken, and the sweet memories of "looking through the eyes" aggravate the painful thoughts of "being a fountain of tears now", and finally present my sincere heart to my relatives who live far apart; If you can't understand my heartbreak, please ask this mirror to testify when you come back. My tears will stop in this mirror forever! Wu Zetian has a poem "Ruyi Niang". There is a line in the poem: "If you don't believe it, you will cry. Open the box and take the pomegranate skirt away. " The last two sentences of Li Bai's poems should be transformed from this. Tears will leave marks on the skirt, but Byakki Smoker's face won't last long. When this poem says "In my bright mirror, come back and see me!" It speaks so firmly about the impossible, which is a strong expression of the poet's subjective feelings.
(4) Spring thinking
The grass is as green as Beth, and the mulberry leaves in Qin area are green. When you miss your hometown, you were missed and sad a long time ago. Spring breeze, since I dare not know you, why should I separate the silk curtain beside my bed? ?
This is a poem that expresses the psychology of thinking about women. The so-called "spring" thinking refers to spring on the one hand and love on the other.
The first two sentences: "Your grass in the north is as green as jade, and my mulberry leaves are twisted with green silk branches" can be regarded as "Xing". Generally speaking, it should be based on the scenery in front of us, but these two sentences are quite unique because of the spring scenery of Yan and Qin, which are far apart. "Your grass is blue as jade in the north" is the suspense of thinking about women; "All the mulberries here are bent into green branches" is what the master saw with his own eyes. Logically speaking, it seems a bit unreasonable to put the imagined prospect and the immediate close-up on the same picture, and both of them are written from the side of thinking about women, but from the perspective of "writing feelings", it is feasible
Imagine: In mid-spring, the homesick woman who was alone in Qin was moved by the sight and looked forward to the early return of her stationed husband. Based on her loving relationship with her husband in the past and her deep understanding of her husband, she predicted that her husband in Yan Di would miss home when he saw Beth-like spring grass at the moment. I feel homesick when I see spring grass, so I say "Songs of the South Recruit Hermits": "Wang Sun swims without returning, and spring grass grows!" The first sentence translated into the language of Chu Ci is naturally seamless. The poet profoundly grasped the complex emotional activity of thinking about women, revived the lovesickness between the two places with two spring scenery, and combined imagination and nostalgia with the real scene in front of him, thus creating a wonderful scene of poetry. It not only plays the role of setting off the emotional atmosphere played by ordinary sentences, but also shows the sincere feelings of thinking women for their husbands and the intimate relationship between them, which is not easy for ordinary sentences to do. In addition, these two sentences also use homophonic puns. The combination of "silk" and "thinking", and the combination of "branch" and "knowledge" is just related to homesickness and heartbroken, which enhances the aesthetic feeling and implicit beauty of poetry. Three or four sentences directly come from the logic of Xing's sentence, so I still write from two places: "And you finally want to return to China, and now my heart is breaking." Husband's homesickness in spring is enough to comfort people's worries. It stands to reason that the heroine in the poem should be happy, but the next sentence is the acceptance of "heartbreak", which seems to violate the psychology of ordinary people. However, if you carefully understand the above sentence, you will find that this way of writing makes the thinking and feelings about women enter a new level.
The value of the heroine lies in the deeper feelings after separation. The last two sentences of this poem are: "Spring breeze, since I dare not know you, why should I separate the silk curtains beside my bed?" ? "The poet grasped Sifu's psychological activity in Spring Breeze, and showed her unswerving noble sentiment. As Xiao Xiaoyun said: "The last sentence is a metaphor for the chastity of this heart, which is not moved by external things." From an artistic point of view, these two sentences make the passionate thinking woman speak to the ruthless spring breeze, which seems unreasonable, but they are used to express the modality of thinking woman in the specific environment where she lives alone in spring, which makes people feel true and credible. Spring breeze is provocative, the idea of spring lingers, and spring breeze is reprimand, which is why it is clear and alert. It ended just right.
5. Business women
For example, The Long March
My hair barely covers my forehead. I am picking flowers and paying by my door. When you, my love, ride a bamboo horse, run in circles and throw your childhood. We live together in an alley in Qiantang, both young and happy. When I was fourteen, I became your wife, and I was too shy to laugh. I bowed my head and went to the dark corner, unwilling to pay attention to your thousands of calls. But at the age of fifteen, I raised my eyebrows and laughed, knowing that no dust can seal our love. Even to death, I will wait for you in my post, and I will not lose heart in the silent watchtower. When I was sixteen years old, you embarked on a long journey, crossing the Qingtang Canyon full of rocks and swirling water. Then in the fifth month, I couldn't help it anymore. The ape shouted in the sky. Every old footprint in front of the door is hidden under green moss. The moss never returns, and the first autumn wind adds leaves. Yellow butterflies in August, hovering in the grass of our West Garden in pairs. Because of all this, my heart is broken, and I am worried that my bright cheeks will fade. Oh, finally, when you come back through three Pa areas, send me a message home in advance! . I'll pick you up, and I won't mind the distance, all the way to Sha Changfeng.
6. Professional women
Such as "Yue Nv Ci" for the fifth time:
Girls Picking Lotus If the girls picking lotus in Yexi saw the guests, they sang back to the boat. He smiled and hid in the lotus, pretending to be ashamed.
In Yue Nv's five poems, the poet described a group of girls living in the water town in the south of the Yangtze River with praise: the simplicity and innocence of barefoot girls who don't need fishtail socks and have frosty feet, the boldness and amorous feelings of girls who flirt with their eyes, and the shyness, admiration and heartbreak of girls who pick lotus flowers shyly. Li Bai's description does not contrast with the description of stone, but focuses on their naturalness and purity, which has the aesthetic characteristics of "clear water produces hibiscus and natural carving"
Another example is "Su Wu Matsushita Jia":
I stayed in Panasonic for five days, lonely and unhappy. The farmer is busier at work, and the girl next door is not afraid of the cold autumn night all night. The owner of the house, the old woman, brought me rice, full of white rice like moonlight. I can't help but feel ashamed to think of this. I helped Park Mu, and declined politely and dared not eat it.
7. Abandon your wife. "Bad luck for my concubine" and "Song of Bald Head" are about the sadness of abandoning my wife.
Such as "my misfortune":
Emperor Wu of the Han Dynasty once loved Gillian very much and built a golden palace for her to live in. The emperor indulged her so much that even if her saliva fell, it would be as precious as pearls. Indulgence to the extreme, love stopped, and the emperor's affection for her gradually faded. When Gillian was banished to Nagato, even the emperor's bedroom was close to the emperor, and the emperor refused to return to Gillian for temporary residence. As soon as the rain falls, it can't fly to the sky, and it's hard to take back the water. Your feelings and concubines' wishes,
Separate the east flow from the west flow. The beautiful hibiscus flower has become a desolate grass today. When is it good to serve others with color?
"My concubine is unlucky" is an ancient title of Yuefu. Li Bai's My Concubine is unlucky tells the story of Queen Chen Ajiao's decline from favor, and reveals the tragic fate of women in feudal society who treat others with color and love relaxation with color decline.
There are sixteen sentences in the whole poem, and every four sentences are a level. In the first four sentences of the poem, Gillian is in favor, starting with "Golden House hides Jiao", trying to suppress it first and then promote it, so as to set off the desolation after falling out of favor. According to the story of Hanwu, Emperor Wu of the Han Dynasty
When Liu Che was a few years old, his aunt Princess Royal asked him, "Does the child want a wife?" Pointing to more than 100 people around them, they all said, "No." Finally, referring to his daughter Gillian, she asked, "How is Gillian?" Liu Che smiled and said, "Good! If Gillian becomes a wife,
Store it as a golden house. "After Liu Che acceded to the throne, Gillian became the queen, and she was once very popular. Two exaggerated verses in the poem, "Cough and vomit for nine days, pearls and jade are born with the wind", vividly render Gillian's arrogance when she is in favor.
However, the good times did not last long. The following four sentences, "A pet loves to rest", describe Gillian's fall from grace with a turn of the pen, and the bottom of the pen is actually a wave between pitches. Empress Chen, who was jealous, tried her best to be "pleasing". She spent a lot of money to hire Sima Xiangru to write Ode to Nagato, and once used the witchcraft of witch clothes to "bring meaning back". Therefore, she was offended, became a "waste queen" and lived in Nagato Palace. Although she was only one step away from the emperor, the palace car refused to return temporarily. The next four sentences "It can't rain in the sky" emphasize the impossibility of "returning the sky" with vivid metaphors. In the last four sentences, the poet vividly reveals: "In the past, hibiscus flowers were folded, but now they are convinced by colors. How long will it be good? " This thought-provoking poem is a good warning, which not only satirizes those who judge people by color, but also warns those who are temporarily favored because of "judging people by color"
The language of this poem is simple and natural, with natural charm, accurate metaphor and strong contrast. Compared with falling out of favor, "hibiscus flower" is relative to "broken root grass" and more meaningful than Chinese. The whole poem uses analogy and draws a conclusion from comparison: "take"
Color is related to others, how long can it last? "Seemingly natural and alert, it is thrilling to read.
8. Brave woman.
Woman in the East China Sea describes the rebellious spirit of women.
9.geisha
Li Bai spent most of his life roaming around the world. His lonely journey to the end of the world is bound to lack his wife's emotional comfort. Therefore, he sometimes indulges in drinking and courting prostitutes to satisfy his emotional lack. Therefore, prostitutes and wine are common images in his poems. Such as Yang Rebel, Showing Jin Lingzi, Six or Four Poems of Jin Lingzi as a Prostitute, Seeing Prostitutes in Handan Nange, Sending Beauty to Strangers, Sending a Section to Qi Niang, Drinking, Taking Prostitutes to the Peach Blossom Garden in Xiashan, Liangqi, and Seeing Prostitutes in Wesma House during the Water Army Banquet, etc. , are very happy to describe.
(1) Yang
Your song "Yang Treason", I advise Xinfeng Liquor. Who is the most relevant person? Wuti Bai Liu. Five-body yinhuayang,
You are drunk and live in my house. In Boshan furnace, agarwood is on fire, and double smoke makes Lingxia purple.
Yang Rebellion was originally a children's song in the Northern Qi Dynasty, and later became a topic of Yuefu poetry. The theme of this poem by Li Bai comes from Yang Guaier written by Yuefu. Yang Rebellion refers to a love song represented by this Yuefu.
"Your song" Yang Rebellion ",I advise Xinfeng Liquor Industry." Write about a young man and a young woman. You sing and I drink. It shows that men and women have a harmonious relationship. "What is the most relevant person? Five bodies and six doors. " Baimenguan, the city gate of Jiankang (now Nanjing), the capital of Liu and Song Dynasties. Folk love songs in the Southern Dynasties mostly refer to Baimen Pass, and later generations refer to places where men and women meet. Jude's words are the most touching. What moved you the most? -"Five-body White Door Willow". These five words not only indicate the environment and place, but also indicate the time. Uti, it's almost sunset. The place where lovers meet at dusk, listening to the bitter cries of crows, is the most affectionate, which is needless to say.
"Wu Ti was drunk because of Huayang, and Jun stayed at my house." After the evil spirits returned to their nests, they gradually stopped singing and rested sweetly among willow leaves and poplars. "Jun" was also addicted to my concubine room, which was both situational writing and metaphor.
Full of fun.
"In Boshan furnace, agarwood is on fire, and double smoke is purple in summer." Aquilaria sinensis, that is, the precious submerged fragrance. Boshan furnace is a fumigation furnace with overlapping mountain covers. These two sentences "You get drunk and stay at my concubine's house" push the poem to a climax and go further.
Writing about the drunkenness of men and women parties is like throwing agarwood into the furnace. The flame of love burns immediately, and the family is harmonious, just like incense turning into smoke. Both of them are soaring into the clouds in one breath.
This poem is full of images and life, and its style is fresh and lively. As the old saying goes, there are only four sentences: "Leave the White Gate for a while, and another village will emerge. You are agarwood, you are Boshan furnace. " Li Shiyi begins, "Song Jun" Pan Yang.
"Zi", "I advise Xinfeng Liquor" adds vivid scenes to ancient poetry and creates an atmosphere of admiration for men and women covering the whole article. The third sentence "What is the most relevant to people" is an extra question compared with the original poem, which changes the poem and shows the strong feelings of both sides in the specific environment of "five styles and six doors". The five sentences of "five bodies are immersed in Huayang" are derived from the word "artifact" in the original poem, but the artistic conception is more touching. Then write "you are drunk, stay at my house", which is more obvious and helps to show the intensity of love. In particular, the last word "Boshan furnace agarwood fire" implies the second half of the original poem: "You are agarwood, Nong is Boshan furnace." This gave birth to the wonderful metaphor of "pumping at one breath". This sentence has developed from the previous metaphor to more symbolic meaning, which perfectly embodies the spirit and interest of the whole poem.
(2) Show Jinling Zi
Whose home is in the east of Jinling? They eavesdropped at the piano window. Out of the sky, follow people straight into the Xijiang River. Chu songs and Wu dialect are not charming, but they seem to be the most affectionate. Xie hopes that prostitutes in Dongshan can join hands with nymphs everywhere.
Jin Lingzi is a prostitute in Jinling. When Li Bai traveled to Jinling, he fell in love with Jinling Zi, so he wrote this touching and sentimental poem, dedicated it to her, and pinned his wishes on it.
This is an ancient poem with seven words and eight sentences. The first six sentences are specifically about prostitutes in Jinling. The poem begins with pedestrians eavesdropping on the piano, which comes from the "blue window", indicating that the person playing the piano is a woman, and the piano can attract pedestrians to eavesdrop. It can be seen that the piano sound is melodious and beautiful, and the pianist is skilled. These two sentences describe geisha who are good at playing guqin to the east of Jinling. "Out of the sky, follow people straight into the Xijiang River". Falling flowers are used to refer to Jinling Zi, describing her as a fairy with extraordinary charm. She descended from the sky and crossed the Xijiang River with others to Jinling. Xijiang River, the river from the west, is a foreign object in Zhuangzi: "I swam south to King Wu Yue, and excited the water of Xijiang River to welcome my son." Therefore, later generations generally call this river the land of Xijiang River in wuyue. The sentence "Chu Wu is loose in Yu" describes Jin Lingzi's feelings. Jin Lingzi can sing Chu songs. She speaks soft soft Wu Nong, with feelings in her delicate tone. Li Bai once fell in love with this talented and beautiful geisha.
The poet ended the article by copying his own ideas. He borrowed the allusions of Xie An in Jin Dynasty to express his wishes. Xie An lived in seclusion in Huiji Dongshan, and then lived in Jinling. He built a dirt mountain to compare with Dongshan Mountain, and often took prostitutes to indulge in sightseeing. "Xie wants Dongshan prostitutes to join hands with nymphs everywhere", yes, the invitation. The poet invited Jinling Zi to join hands with Lin Quan's family. Xie Anzhi is in Dongshan while Li is in Linquan. He is poetic and pretentious, but he is dissatisfied with reality and retires from the green hills. Hao Wei's Collection Preface records Li Bai's deeds: As the cloud says, "(Taibai) is a prostitute of Zhaoyang and Jinling, and the trace is Xie (according to the newspaper, Xie Lingyun was named Gong, and Wei mistakenly named Xie Lingyun Xie An), so it was named Li Dongshan."
If you are interested in appearance, clothes and gorgeous colors, it is mediocre to describe a geisha. However, Li Bai used a light pen and fresh and free language to describe Jinling's talent, charm, affection, unconventional and sentimental. At the end of the sentence, I cut into Jinling City, borrowed Xie An's allusions, and rose on the spot in contrast to my own state of mind. The metaphor is appropriate and natural, which adds to the transcendental charm of the poem.
10, writing his wife's poem
Due to his long-term wandering abroad, Li Bai wrote many poems about his wife out of concern and yearning for her. For example, in the 19th year of Kaiyuan, a poet in Chang 'an wrote to Mrs. Xu in Anlu, "... in the jade window, you can make clouds with your hands. Playing this meaningful song, I have a daughter Luo ... "(the first part of Twelve Clouds) praised my wife's beauty, versatility and lingering love for herself.
Sophie in Xunyang was written by Li Bai to his wife when she was in Xunyang prison.
It's hard to know whether you are crying or not, and whether you will cry into the house. Many gentlemen and Cai Yan invited Tsao Gong with tears in their eyes. Knowing what happened to Wu, there is no difference between pity and death. Rugged stone road, folded into Qingyun. If you lament when you meet, the mourning field can be heard.
In the poem, Cai Yan is used as a metaphor for the guru, and the behavior and feelings of the guru running around to save himself from prison are written. Li Bai was the earliest poet in the Tang Dynasty who expressed the deep affection between husband and wife in his poems.
1 1, Hu Ji
Li Bai's poems also pay attention to a few waitresses (or prostitutes) in the street class: "A gust of wind comes with catkins, which sweetens the shop, and Wu Ji presses the wine to persuade the guests to taste it" ("A Hotel in Nanjing"), "Hu Ji is like a flower, she wants to laugh at the spring breeze." There is a restaurant in front of the bottle. In the prosperous Tang Dynasty, it was common for her to persuade wine and prostitutes to sing and dance, not to mention the geisha in the Tang Dynasty. Maiko is actually a group that lives by singing and dancing. "There are thousands of cockroaches in the bottle, and prostitutes go with the flow." The descriptions of "Singing on the River" and "Proudly Leading Prostitutes out of the Dust" ("Showing Jinling") are actually a true portrayal of the atmosphere in the Tang Dynasty, because singing and dancing were a fashion in the Tang Dynasty.
12, historical figures
Such as "Beauty":
Xi Shiyue Xi female, from Luoshan. Her charm has been passed down to this day, and Lotus sees her shyness.
13, Bixingti
In Li Bai's poems, the humanity of female images is weakened and the politics is more prominent. Mainly through the love relationship between men and women and the attachment relationship between king and courtiers, the love between men and women has a similar relationship with the love between king and courtiers through its uncertainty, and this kind of poetry can be divided into two categories:
(1) express Li Bai's attachment to the king directly with the attachment of men and women. For example, Antique 27 "How can I become a gentleman?" The first part of "Mi Bai Ci": "Yang Qingsong, with white teeth, is beautiful in the north and east. And sing white and stop green water, long-sleeved face is a gentleman. " Second: "At midnight, Wu Ge touched your heart, touched your heart and rewarded you. He is willing to be a pair of mandarin ducks in the sky and on the ground, and fly to Qingyun once. " Wait a minute.
(2) Metaphorically, men and women are lovelorn, and women are abandoned, in order to show something in return. For example, "Your Majesty loves Emei, but he has no choice but to kill people in the palace." (Yu Hu Yin) "Since ancient times, I have been jealous of Emei, and Hu Sha buried my teeth." (Picking Flowers in Khotan).