Happy Sha Song? Qin Guan
The desert is colder than the small building, the hooligans are like poor autumn, and the screen is quiet and light.
Free flying flowers are as light as dreams, endless silk rain is as thin as sorrow, and small silver hooks hang curtains.
Appreciation: the falling flowers flying in the air with the wind are light, like dreams at night; The endless rain falling all over the sky is inextricably linked, just like the melancholy in this heart. Falling flowers dance freely with the breeze, just like a dream; Slender light rain, boundless, like a worry. "Flying Flowers" and "Dreams", "Silk Rain" and "Sorrow" are concrete and abstract. Originally, the two were not related, but poets found that both of them had the characteristics of "lightness" and "beauty", which constituted two vivid metaphors of ethereal and wonderful. No wonder Liang Qichao called it "strange language".
Send Tang Shiyuan? Liu Changqing
The spring breeze leans against the green city, and the water town is cold, cloudy and sunny in spring.
Drizzle wet clothes can't be seen, idle flowers fall to the ground and listen to silence.
Sailing alone on the sunset river, the grass is green in Wan Li, Hunan.
If we meet when we go there, Chunpao has been mistaken for a Confucian scholar.
Appreciation: These two poems have always been regarded as exquisite landscape poems, but the poet called them "outstanding famous sentences, which are immortal for thousands of years" (Zhao Wei). Through the two details of "drizzle and wet clothes" and "idle flowers falling to the ground", a misty spring rain in the south of the Yangtze River is displayed. The drizzle wets the clothes, but it is invisible. Idle flowers fall on the ground and listen to the silence. This is the poet's observation point, because only the invisible can see the fineness of the rain, and only the silent can see the leisure of the flowers. There are no more scenes in the sentence, but it still leaves a deep impression on the reader.
Yan Linjiang County, Dao Ji
After the dream, the balcony is locked high and the curtains hang low after drinking. When hatred came last spring. Falling Flowers Independent, Swift Qi Fei.
I remember Xiaoping's first sight, and her focus was on the word se. Acacia is written on the string of pipa. At that time, the bright moon was there, and it had returned according to the colorful clouds.
Appreciation: A pair of eaves of Fly with Me, which don't know current events, passed through the drizzle curtain and passed overhead. Seeing this pair of swallows, the poet became more worried. He is thinking: The ignorant swallow still knows Qi Fei's happiness, but we two affectionate people are separated from each other, so it is difficult to meet again. What an unbearable reality!
These two sentences should be the essence and subtle theme of this "Linjiang Xian". Its beauty lies in integrating feelings into the scene and conveying feelings with the scene. On the surface, two sentences seem to describe the scenery calmly, but none of the ten words mention love and sadness, but love is infinite and sadness is infinite. "Falling Flowers" laments that youth is fleeting, and courtesy is hard to come again, while "Light Rain" shows the gloom and depression of the mood. Use the movement of "falling flowers" to set off the quietness of people standing, use long-term independence to set off the missing singles, and use "flying together" to match the loneliness and loneliness of "independence". Every word is full of strong feelings.
Shi Yuliang of Chunshan jathyapple Hall
Spring came to the earth, everything revived, and it was full of spring trips to the mountains. There were many beautiful things on the mountains, and the feeling of joy and relief were unparalleled. Even after nightfall, I lingered, but I didn't leave. Holding the clear spring water, the spring light shines on the moon, as if the round moon is in your own hands; Playing with mountains makes you feel heavy.
The little guy around Skadstyle is so strong that he can't bear to leave, no matter what it is; I made up my mind to leave several times, but I was also attached to mountains, rivers, flowers and trees. Walking on the mountain road with ambivalence, there was a bell in the distance, and I looked up at the bell. It turned out to be the moonlight hidden among the green trees and under the mountain tower.
Appreciation: First of all, from the structural point of view, the word "moon" follows the word "night" in "Enjoy the night and forget to go home", while the word "flower" follows the word "spring" in the first sentence "everything in the spring mountain", which is like a ring and naturally round.
Secondly, these two poems are superior to things in the mountains, blending things with me and being exhausted; The figures are lifelike in form. It not only shows the quiet night out of the water and the white flowers on the moon, but also shows the poet's childlike innocence and leisure from the actions of "scooping water" and "making flowers". Although only two "victories" have been written, they are all about it, one is ten.
Once again, it is "holding the water moon in hand", writing that the spring water is clear and looking forward to the moon shadow, and the bright moon and spring water are combined into one; "Make Flowers Full of Clothes" writes that the flowers of the mountains are stained with the skirts, and the flowers are split in two. One in and one out, up and down, from words to artistic conception make people feel poetic. Finally, be good at refining words. The words "hook" and "get" are both vivid and vivid, which can be described as a stroke of genius.
The poet is completely immersed in the beautiful scenery under the moon in the mountains, so he is only happy, no matter how far or near; When I leave, I can't help feeling farewell when I face the flowers and plants in front of me. These are two poems by the poet, titled "Winning Things", and then paved with the poem "Prospering is far and near, wishing to cherish Fang Fei". When these two poems were written, I forgot that the word "want to go" left a foreshadowing for the last two sentences. "Looking at the clock in the south, the balcony is dark green." Just as the poet was about to leave, the night wind brought the bell. Looking south, I saw the balcony in the distance embedded in the depths of a verdant mountain. The last two sentences are from near to far, and the sound leads to the picture. Although it shows a long-term vision, it still outlines the unique scenery under the spring mountain and the moon with affectionate brushstrokes, echoing the "Spring Mountain", "Night" and "Moon" in the first, second and third phases. Throughout the poem, "holding a hidden moon in your hand and your skirt full of flowers" is the essence of the poem, which is amazing. In summary, it can be seen that three or four sentences are the spirit of the whole poem. These two sentences in the article, such as stone like jade and water like pearls, light up all around. The whole poem is exquisitely crafted, with natural language and its own artistic characteristics.
Du fu's quatrains
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Appreciate:
Sunset: the sun in spring. There is a poem "Spring Festival Evening" in The Book of Songs, so later generations call the spring sun "late day".
Melting: warmth. Mud melting: Mud melting, soft and wet.
The spring sunshine shines brightly on the mountains and rivers, and the wind blows the fragrance of all kinds of flowers and plants. The soft soil attracted a swallow, and the mandarin ducks fell asleep on the warm beach.
This short quatrain vividly depicts the picturesque scenery in spring. The first two sentences are a general description of the splendid spring scenery. The short ten words include sunshine, mountains and rivers, spring breeze, flowers and their fragrance, which arouse readers' various senses to experience and feel the beauty of spring. The last two sentences focus on swallows and mandarin ducks. Swallows fly high and low around the warm spring mud, nesting in the mud, giving people a lively impression; Yuanyang, on the other hand, snuggled up to each other and moved quietly in two vivid scenes, which perfectly rendered the happy and harmonious atmosphere between spring and nature and expressed the poet's excitement and happiness.
Why is Swallow in the Mud so good? It is because "mud melting" is closely related to "swallows"-in spring, swallows need to repair their nests with soft mud after returning to the north, and frozen soil is not enough. The soil thaws, swallows fly around, and the spring is full.
Recalling Jiangnan? Bai Juyi
The scenery in Jiangnan is very beautiful, and the picturesque scenery has long been familiar. When spring comes, the sun rises from the river, the flowers on the river are brighter than red, and the green river is greener than the blue grass. How can we make people not miss Jiangnan?
Jiang Nanyi, the most memorable is Hangzhou. Looking for laurel trees in Zhongshan Temple in the month, watching the tide on the pillow in the county pavilion. When will you revisit?
Jiang Nanyi, followed by Wu Gong. Wu Yi cup of spring bamboo leaves, Wu Wa dance lotus drunk. Will we meet again sooner or later?
Appreciation: ① Sunrise Sentence: After the sun comes out in the morning, the blooming flowers on the riverside are redder than fire.
2 Spring Sentence: Blue is a pigment made of bluegrass, also called indigo. The river in spring is blue, like indigo, with green waves in the sun.
In spring, the riverside is as red as fire at sunrise; The green of the river can only be compared with the blue grass. How can all this not remind me of Jiangnan? Through comparison and exaggeration, the poet described the charming spring scenery of Jiangnan water town. Red and green set each other off, dazzling, impressive and fascinating.
Xiao Jingci Temple sent Lin Zifang and Yang Wanli.
It is the scenery of the West Lake in June, which is really different from other seasons.
Lotus leaves will not turn green the next day, and lotus flowers are particularly bright red in the sun.
Appreciation: The beauty of the West Lake has always been described by literati, and this song by Yang Wanli has been passed down through the ages with its unique technique, which is worth savoring. "After all, the scenery of the West Lake is different from that at four o'clock in June." The first sentence seems abrupt, but it is actually an atmosphere. Although the reader has not yet appreciated the beauty of the West Lake from the poem, he can already feel it from the amazing tone of the poet. This sentence seems to be blurted out, which is the most intuitive feeling after shock and ecstasy, thus strengthening the beauty of the West Lake. Sure enough, "the lotus leaves in the sky are infinitely blue, and the lotus flowers in the sun are of different colors." The poet used "blue" and "red" to highlight the strong visual impact of lotus leaves and lotus flowers. The lotus leaf is boundless as if connected with the sky, and the weather is magnificent, which not only depicts the infinity of the lotus leaf, but also renders the grandeur of heaven and earth, and has an extremely rich sense of spatial modeling. "Reflecting the sun" and "Lotus" set each other off to make the whole picture beautiful and vivid. The whole poem is easy to understand, and the outstanding thing is to write feelings first, and then write the real situation, thus creating an effect of being empty first and then real. After reading it, you can really feel the beauty of the West Lake in June, "the four seasons are different".
An autumn night in the mountains
The empty mountains are bathed in a new rain, and feel the early autumn at night.
The bright moon shed clear light from the cracks and cleared the fountain on the rocks.
The bamboo forest is sonorous, the washerwoman returns, and the lotus leaves are swaying to get on the canoe.
Spring spring might as well give it a rest, and the autumn sun can stay on the hills for a long time.
Give it to Wang Wei.
Riding a bike to visit the border and passing through Juyan County. Pengpeng also floated out of Korea, and the geese heading north also flew into the sky.
The vast desert is lonely, and the Yellow River sets the yen. Xiao Guan rides it every time, and it is protected in Yanran.
Appreciation: "Lonely smoke in the desert, the long river sets the yen", which is a famous sentence of Wang Guowei's "Wonders of the Ages". The frontier desert is boundless, so the word "big" of "desert" is used. The frontier fortress is desolate and wonders. The smoke lit by the beacon tower is particularly eye-catching, so it is called "solitary smoke". A word "solitary" describes the monotony of the landscape, and a word "straight" behind it also shows its strength and perseverance. There are no mountains and trees in the desert, and the Yellow River flowing through it cannot express the poet's feelings unless a word "long" is used. Sunset, originally easy to give people a sentimental impression, uses the word "round" here, but gives people a feeling of warmth and boundless. The word "circle" and "straight" not only accurately describes the desert scene, but also shows the author's deep affection. The poet skillfully blends his loneliness into the description of the vast natural scenery. The forty-eighth chapter of A Dream of Red Mansions said: "The desert is lonely and straight, and the long river sets the yen." . How straight do you want to smoke? The sun is naturally round. The word' straight' seems unreasonable, and the word' round' seems too vulgar. When I closed the book and remembered, I seemed to have seen this scene. You have to look for two more words of these two, but you can't find two words. The advantage of "this is" poetry is indescribable, but it is vivid when you want to leave; "It seems unreasonable, and it is reasonable to want to go." This passage also reveals the superb artistic realm of these two poems.
Sunset and lonely Qi Fei, autumn waters and sky are the same color.
Wang Bo prefaced Wang Tengting at the age of 14. Governor Gong Yan didn't believe it. Although Bob is sitting, Yan Gongyi asked his son-in-law Meng to do it, and he has decided. And patrol the guests with paper and pen without hesitation. Public anger, brushing clothes, waiting for him to write. The first newspaper said: "Nanchang is Lao Wang and Hongdu is a new house", and the public said: "It's also a cliche." It has also been reported that "the stars are divided into wings and the ground is connected with Lu Heng". Hearing this, the public hesitated. Another cloud said, "The sunset is lonely in Qi Fei, and the autumn water is the same as the sky." Everyone suddenly got up and said, "This is a genius, and it should be immortal!" I am in a hurry to invite a banquet, and I am very happy.
Why can the famous saying "The setting sun is lonely in Qi Fei, and the autumn water is * * * the sky is one color" achieve such a great effect? Why has it always been praised by theorists?
The author read Wang Bo's Preface to Wang Tengting, repeatedly described and rendered Hongzhou's geographical momentum and mountains and rivers, boarded Wang Tengting, and "embroidered and carved". From a distance, what he saw was "boundless mountains and seas", "rolling rivers" and "Gechuan". Then, "the sunset is lonely in Qi Fei, and the autumn water is * * * and the sky is one color", this picture of Mujiang Autumn Color Map.
This is a colorful picture with clear water in the background and pure deep blue like Tianshui. The gorgeous sunset glow reflects the sky and the green river. "Half river rustling, half river red". On the river, one or several gray-white wild ducks gather together. I don't know whether I don't want to live because I am intoxicated in the evening scenery of the autumn river, or I am sad about my own shadow. I don't expect anything.
Sunset, a top-down perspective, and Loneliness, a bottom-up perspective; "Autumn Sky" writes about static scenery, while "Bi Xia Qi Fei" writes about dynamic scenery, which combines dynamic and static to set off static. The former sentence focuses on the eyes moving with the scene, while the latter sentence focuses on the heart because of static scenery. The whole picture is harmonious and beautiful. Color coordination, dynamic and static collocation, the perfect "Mujiang Autumn Color Map" is just around the corner.
This kind of stable opposition is necessary. Not only the upper and lower sentences are strictly antithetical, but also the sentences contain antithesis. "Sunset" to "loneliness", "autumn water" to "sky" are all partial structures. In addition to the syntactic duality, the phonology is flat and even, the previous sentence is "flat and even" and the next sentence is "flat and even", with a sonorous melody, cadence, full of music and great poetry.
The ancients were most particular about refining characters. When we appreciate them, we can use the method of "changing words" to understand the precision of their words. For example, what is the difference between "sunset glow" and "sunset glow" in this sentence? Obviously, Falling has the feeling of flying and the momentum of writing clouds. Look again, some people say that "loneliness" is not a "group". What is the difference between the artistic conception of "group"? When we read the full text of Preface to Wang Tengting, we can see that this sentence should be the climax of Wang Bo's thoughts and feelings. He is naturally happy and full of passion. However, Wang Bo is "unfortunate and ill-fated" after all. Looking at him thousands of miles away, he will naturally imagine "Chang 'an is in the sun", so he thinks that "crossing the mountain is difficult" and "there is no way to volunteer" will inevitably lead to feelings. After this sentence, Wang Bo's mood took a turn for the worse. He was "sad and happy" until he was "down and out, weakened". Therefore, the word "solitary" is in line with the author's state of mind. This is the skill of the ancients to refine Chinese characters.
It has been pointed out by predecessors that Wang Bo's statement was born out of "The fallen petal and Chicago cover Qi Fei, and the willow * * * spring flag are the same color" (Yu Xin's "Ma Su Fu" in the Northern Dynasty), but Yu Xin's statement that the fallen petal and the Sagittarius painted Qi Fei's car cover with Chicago grass is unnatural and not as beautiful as Wang Bo's statement. Wang Bo wrote that Xia Hong was flying in the sky and wild ducks were soaring in Xia Hong, which made a contrast between red and white in the blue sky. The dead sunset and the lively birds set each other off in interest, and the picture is vivid, far beyond Xin.
Wang Bo, a youthful poet, went upstairs to write poems, overlooking Sichuan Garden. autumn scenery was clear and clear, full of autumn, with a bumpy career and lofty aspirations. He looked far and wide, thought for thousands of miles, forgot the pain of frustration, and devoted himself to the autumn scenery in the south of the Yangtze River. His thoughts chased the lonely sunset and disappeared in the autumn water. For thousands of years, poets and writers have praised this sentence and it has been passed down to this day.