The poems describing Jiangnan Spring are as follows:
1. "Jiangnan Spring" by Du Mu (Tang Dynasty)
Thousands of miles away, the orioles are singing, the green is reflected in red, and the water village, mountain, and wine flags are blowing. . There are four hundred and eighty temples in the Southern Dynasty, and there are many towers in the mist.
In the spring of the seventh year of Emperor Wenzong's Taihe reign, Du Mu was ordered to go from Xuanzhou via Jiangning to Yangzhou to visit the Huainan Jiedushi envoy Niu Sengru. Along the way, Du Mu admired the spring scenery of the south of the Yangtze River with red flowers and green willows, and singing and dancing birds. He also saw countless temples and balconies dotted here and there. He thought about the past and lamented the present, and wrote this poem.
The four sentences of this poem all describe scenes, and each sentence is a scene. The poem contains both sound and color, expansion in space and tracing back in time. In just twenty-eight words, a vivid and powerful picture of spring scenery in the south of the Yangtze River appeared on the page.
2. "Jiangnan Spring" by Kou Zhun [Song Dynasty]
The smoke waves are thousands of miles away, and the fragrance of white apples is scattered by the east wind. When I look at Tingzhou at sunset, my sadness is as constant as spring water.
The water waves on the river are vague, and from a distance it seems to be shrouded in smoke. It is constantly passing by, as if it is thousands of miles away; a gust of east wind blows the fragrance of white apples. As the sun set, I stood by the water and stared at it. The lingering sadness in my heart was like the spring water in front of me, endless.
The first two sentences of this poem clarify the meaning of the title, describing the blurred and gorgeous beauty of the spring dusk in the south of the Yangtze River. The last sentence turns to lyricism. Although the poet is intoxicated by the spring scenery, infinite sadness surges in his heart. The endless sadness is like the spring water in front of him, flowing endlessly. This poem is deeply emotional, graceful and graceful, and has the flavor of Tang Dynasty quatrains.
3. "Village Residence" Gao Ding [Qing Dynasty]
On a February day, the grass grows long and the orioles fly, and the willows brush the embankment and are drunk by the spring smoke. The children came back early from school and were busy taking advantage of the east wind to fly kites.
The poet retired to the countryside in Shangrao area in his later years. In a village far away from the war front line, in the quiet early spring of February, the grass grows long and the orioles fly, and the willows brush the embankments. The poet, who was infected by the pastoral atmosphere, wrote this poem in a happy mood.
This is a poem describing the spring scenery in the countryside. Four lines of poetry and 28 words outline a vibrant, beautiful and charming picture of early spring in the countryside. The whole poem contains scenery, people and things, the language is fresh, the style is clear, and it is full of life interest. It expresses the poet's love for the beautiful spring and the quiet village life.
4. "Evening Scene on the Spring River in Huichong" by Su Shi [Song Dynasty]
Three or two branches of peach blossoms outside the bamboo are a prophet of the warmth of the spring river. The ground is covered with wormwood and reed buds are short, which is when the puffer fish is about to come.
Two or three peach blossoms are blooming outside the bamboo forest, and the ducks playing in the water are the first to notice the warming of the river in early spring. The river beach was covered with mugwort and reeds sprouted short new shoots, and the pufferfish was about to swim upstream from the sea to the river.
The first two lines of the poem go from bank to river, from painting to poetry. There is painting in the poem, and there is poetry in the painting. The psychological structure of the last two sentences is the same as the first two sentences, from the wormwood on the shore and the newly sprouted reeds to the puffer fish in the river. The young and short-tipped reed buds are exposed among the wormwood all over the ground. This is the scene in the painting. "When the puffer fish is about to come up" is not the scene in the painting. But it reveals to people the vitality and charm of spring deep in the river. The tail-tailed pufferfish cannot resist the attraction of spring and slowly moves up the river.