Hysterical smiles in the sun, unscrupulous little memories in the moonlight. There is a poetic infiltration and publicity, and there is a beauty called implication.
Holding a roll of plain paper in his hand, sipping a cup of fragrant tea, watching the flowers bloom and fall in front of the court and looking at the horizon. The lingering love entanglements in A Dream of Red Mansions haunt me. A sad reminder of "Burying Flowers in the Wind"; There is a song "Tang Duoling" by the water, with faint resentment. Infinite feelings: how many words can be sung lightly? Princess Xiaoxiang is so worried, just like a river flowing eastward.
Words are endless, which means endless.
China's ancient poetry is a wonderful work in the history of world literature. She avoids being explicit, but pays attention to being subtle. She can vividly sketch a landscape with a few strokes, without heavy ink, but it is dizzy with a meaningful meaning.
For people with concise language, vague artistic conception and illusory reverie, Jia Jian is the first one. "Jane Jane warehouse, the millennium is frost. The so-called Iraqis are on the water side. " Reciting this poem, my soul seems to have crossed into a cold artistic conception: the dense reeds growing by the river, the dark blue color, and the crystal dew condensed into the thick frost of glistening flowers. A slight autumn wind blows the coolness that attacks people, and boundless autumn water rises to invade people's cold. Men sometimes stop, sometimes wander, sometimes look far away, sometimes frown and meditate, longing for the unreachable Iraqis.
Although the whole poem is short, it is unique. Exquisite and delicate, plain and quiet, filled with faint melancholy, permeated with an unspeakable implicit beauty, which constitutes an unattainable realm and leaves a rich imagination space.
Time flies, my thoughts flow, and I come to Suzhou Humble Administrator's Garden. Humble Administrator's Garden, with its profound artistic conception, exquisite construction, elegant art and rich cultural connotation, has become a model and representative of many classical gardens in Suzhou. Walking among the flowers and trees in the garden, enjoying the singing of birds and the carving of brick and wood, I gradually felt a sense of deja vu. The humble administrator's garden in front of us is small and exquisite, exquisite and elegant, paying attention to the coordination between rockery and pond, the foil of flowers and trees, and the level of close-up vision, which is extremely subtle and beautiful. Crossing the arch, the screen and rockery are alternately connected, blocking the line of sight, but creating the charm of "there is still half a face hidden behind her guitar that we can't see", which is unpredictable but exciting.
Walking through the winding corridor, the confusion seems to have decreased. It's getting better and better, and there seems to be a gurgling sound in my ear. The sound is as soft as a violin and as clear as a plucked string. Lu Ji mentioned in the article "Wen Fu": "The stone is full of jade and mountains, and the water is full of pearls and rivers." Indeed, the most wonderful meaning is always hidden. After the restoration of mountains and rivers, the bright future is particularly rich and fascinating. White flying flocs floated in the wind, my heart rose and fell, precipitated and finally woke up. The feeling of deja vu lies not in the environment, but in the state of mind, which comes from the agreement with implicit beauty.
I see implicit beauty, and implicit beauty will stay in my heart forever. With the passage of time and the change of history, I still adhere to my original belief and maintain the attitude of chasing dreams. Gradually, I also became a reserved person. Smiling in the sun and remembering in the moonlight are not gorgeous exile, but implicit publicity.
Just like the faint fragrance floating in a quiet and deep alley, the implicit beauty blooms leisurely in a neglected corner.