Golden Autumn October, the birthday of the motherland, is suitable for many poems...
My motherland, my dear motherland
Author: Shu Ting
p>I am your dilapidated old waterwheel by the river
Spinning tired songs for hundreds of years
I am the blackened miner's lamp on your forehead
p>
Follow you as you crawl through the tunnel of history
I am a shriveled ear of rice; a roadbed in disrepair
A barge on the shoal
Put the rope deeply into your shoulders
——My motherland!
I am poverty
I am sorrow
I am your ancestors
The painful hope
Yes "Flying" sleeves
Flowers that have not fallen to the ground for thousands of years
——Motherland
I am your new ideal
Just escaped from the cobweb of myth
I am the germ of the ancient lotus under your snow quilt
I am your laughter nest with tears
I am the newly painted snow-white starting line
It is the crimson dawn
It is gushing
——The motherland
I am you One billionth
is the sum of your 9.6 million square meters
You fed it with your scarred breasts
I am confused, I am deep in thought, I am boiling
Then get it from my flesh and blood
Your wealth, your Glory, your freedom
——Motherland
My dear motherland
A reading prompt
This poem is suppressed first and then Yang embodies a language rhythm from slow to rapid, from low to high. The first section has a long sentence pattern and multiple beats. Every two lines express an image, as if it were a piece of music rising slowly with a bass, giving people a sense of heaviness. The phonological effect of this kind of poem is very similar to the poet's awareness of the distress of his impoverished motherland. In the second stanza, the poems are short and rapid, intensifying the concern for the country into deep sadness. In the third stanza, the verses lengthen and the beat increases. This kind of ups and downs causes the rhythm of the whole poem to circle repeatedly, ups and downs, creating conditions for the fourth stanza to push the whole poem to its peak. In the fourth quarter, the rhythm is faster, and the use of parallelism strengthens the power of the language. This pushes the emotion of the whole poem to a high-pitched and passionate peak.