Moon Poetry during the Tenth Five-Year Plan Period

The moon poems in the Tenth Five-Year Plan are as follows:

1, Su Weidao's fifteenth night of the first month: fire tree and silver flowers, star bridge lock. The crowd is surging and the dust is flying under the horseshoe; Moonlight shines in every corner, where people can see the moon overhead. Prostitutes are ruined, and songs are ruined. The capital has been abolished, so don't worry about the timing of leaking jade. Don't let the only midnight snack pass by in a hurry this year.

2. Xin Qiji's "Jade Box Yuan Xi": Thousands of trees open in the east wind night, and the stars are like rain. BMW carved cars filled with incense, the phoenix moved, the jade pot turned bright, and the fish dragon danced all night. Moths, snow, willows, gold thread, laughter and incense are all gone. In the crowd, I searched for her again and again in vain. When I suddenly turned my head, I found her there, dimly lit.

3. "There is no moon in Yuanxi" Yuanxi: There is no moonlight in this evening for three years, and the bright moon should be in my hometown. I want to look for the moon in the horizon, dream in the middle of the night and sweep the ocean.

4. Dong Shunmin's Lantern Festival: A hundred fire trees are precious and BMW is full of fragrance. Fly to Qiongjie to test the lamp, and bear to bid farewell to Tan Lang. Once I pretended to be angry, once I smiled, and Meidochan helped me. Stone bridge fishing, whispered to his mother. Do you regret this night? Afraid of entering the Guanghan Palace. It is better to go home, it is hard to forget the past, and it will always be a reunion month.

5, Zhang Jiuling's "Looking at the Moon and Thinking Far": The moon is full now at sea, and the horizon is * * * at this time.

Metrical Poetry

With the development of poetry theory in the Southern Dynasties, modern poetry with quatrains and metrical poems as the main body was formed in the middle Tang Dynasty, that is, metrical poems. Modern poetry pays attention to level and level, and rhyme is essential. Four quatrains, five words and seven words; There are eight sections, including five words and seven words; A modern poem with more than eight sentences is called arrangement.

Masterpieces of quatrains include Li Bai's Yellow Crane Tower Farewell to Meng Haoran in Yangzhou, Li Bai's Looking at Lushan Waterfall and Du Fu's quatrains. The representative works of Rhyme are Du Fu's Book of Letters and Wang Wei's Autumn Night in the Mountain. Li Bai and Du Fu are the two peaks of ancient metrical poetry and even ancient poetry. From the middle Tang Dynasty to the early Republic of China, metrical poetry has always been the mainstream of ancient poetry. Tang poetry is brilliant, and later generations are second to none.