Chen Ziang once put forward some reform proposals in the political field. In terms of literature, in view of the flashy poetic style in the early Tang Dynasty, he advocated restoring the style of Han and Wei dynasties and opposed the formalistic style of writing since Qi and Liang Dynasties. His own 38 poems, such as Youzhou Tower and Love, are simple and clear in style, desolate and strong, marking the change of poetic style in the early Tang Dynasty.
There are Chen Ziang Collection, Old Book of Tang Dynasty circulated in 1900 and New Book of Tang Dynasty circulated in 1007.
Appreciation of "Feeling"
Thirty-eight senses (part two)
Chen Ziang
Lan Re was born in spring and summer, where is the prosperity!
You are alone in the forest, and Zhu has purple stems.
It's getting late and the autumn wind is coming.
Years old, China is teetering, but what is the significance of Fang?
This five-character poem is dedicated to Lan Xiang Du Ruo. Vanilla and Rico are both herbs, which are beautiful and fragrant. The beauty of Lan Ruo, of course, lies in its beautiful colors, but good flowers need green leaves. Lan Ruo is gorgeous only when the flowers and leaves are hidden and the branches and stems are intertwined. Therefore, the work begins with the branches and leaves of Lan Ruo, and the synonyms of "avant-garde" and "green" are repeatedly used to describe the lush branches and leaves, with the word "he" in the middle, which is full of admiration.
If "a thousand tails" is used to set off the beauty of flowers and colors, then "purple stem vermilion" is portrayed from the front with stems and flowers. This kind of stroke is described by colorful "Zhu" and "Zi", and the word "Mao" is used to combine "Zhu" and "Zi Gan". The whole sentence means that scarlet flowers droop and are covered with purple stems, which not only draws the figure of Lan Ruo, but also highlights the modality of his flowers.
Lan Ruo doesn't hold his head in full bloom like chrysanthemum, pretending to be lofty; It is not as magnificent as peony. If blue has red stems and purple flowers, Ye Er is green and looks elegant and delicate. "Lonely and empty forest color", the poet praised Lan Ruo's outstanding beauty, and compared Lan Ruo's outstanding charm with the flower's eclipse. Among them, the combination of contrast and contrast greatly enhances the artistic effect. The word "loneliness" shows narcissistic meaning in the poem.
The first four sentences of this poem praise the beauty of Lan Ruo's elegant demeanor, while the last four sentences turn to lament the passing of his youth. "It's getting late, and the autumn wind is born." From summer to autumn, the days get shorter and shorter. The word "late" describes this gradual change. It is vivid to use "Gea Gea" to describe the autumn wind that was cold at first but not bitter. However, the autumn wind is not peaceful. "Sad autumn for gas also! Bleak, vegetation is declining "(Song Yu's Nine Debates), fragrant flowers naturally wither.
Experience is a set of poems written by Chen Ziang, the theme of which is to express feelings about life experience and current politics. There are thirty-eight poems, and this is the second one. Lan Ruo's self-comparison in his poems entrusts his personal life experience. Chen Ziang has political talent, but he has been repeatedly excluded and oppressed, and there is no way to serve the country. Forty-one-year-old, murdered Duan Jian in Shehong County. This is like Lan Ruo, beautiful and lonely, withered and withered under the destruction of wind, sword and frost.
This poem is about comparison. The first half of the poem praises Lan Ruo's overwhelming charm, but actually compares his outstanding talent with his "secluded and empty forest color". The second half uses "day and night" and "born in the autumn wind" to describe the passage of youth, which is cold and threatening and full of the feeling of beauty dying. The words "Old China" and "Xiangyi" are puns. With the withering of flowers and plants, they lament the passing of their years and the disillusionment of their ideals, which means sadness and deep feelings. This poem is quite similar to the Five Laws in form, but it is actually a five-character ancient poem. It takes modernization as innovation and inherits the traditional techniques of Ruan Ji's "Yong Huai", which has far-reaching significance. Compared with those beautiful and colorful poems in the early Tang Dynasty, they are particularly full and fresh, just like the fragrant Lan Ruo, emitting attractive fragrance.