Nalan Rong Ruo's "Golden Melody of Fen Liang" said: "Virtue is also crazy. Occasionally, the dust in Beijing, Wuyi family. Who would want to spill wine on Zhaozhou soil? If you don't believe in the truth, you become a bosom friend. Young eyes sing before they grow old. They respect the front and wipe away the tears of heroes. If you don't see it, the moon is like water. * * * You must be drunk this night. And by him, the beauty gossip, ancient and modern taboos. Why do you ask about your long life experience? Just scoff. Think about it and repent from the beginning. One day, my heart was robbed, and I was afraid that I would get married in my life. However, you must remember. " This is a gift from Rong Ruo to Gu Liangfen when he first met him. Rong Ruo was deeply affectionate by nature, and Mr. Gu Liangfen praised him: "The same is true in morality, especially taking elegance as his life and taking friends as his heart." Written in Chen Bing (1676), Rong Ruo was twenty-two years old and Gu Liangfen was forty years old. He was denounced as a blackhead and went to Unaran House, but his ambition could not be realized. Rong Ruo, as a young master of Nalan Mansion, should first make clear his ambition to eliminate the disparity in status.
At the beginning of the word, I pretend to be "crazy", which means generosity and ecstasy. You Fen's eulogy praised him as "mighty, indifferent to the world, looking directly at fame as dross, snobbery as dust". Rong Ruo's family is prominent, but he thinks it is fate. He was born in a family in Guo Jing. Xie Tiao said, "Who can stay in Luo Jing for a long time?" Wuyi refers to the giant in Wuyi Lane, Xiejia, King of Jin. This shot began in Dust, and Rong Ruo's fame and fortune are beyond words. Then he used the original sentence of "Haug" by Li He, "Buy silk embroidery for Ping Yuanjun, and only pour wine on the soil of Zhaozhou" to express his admiration for Ping Yuanjun's recruiting talented people, but no one understands the feeling that "seeing talents will make you pity and admire them"! Then he asked, repeatedly using "don't believe" and "actually", and the joy of meeting a bosom friend was beyond words. Then, I used the poem "My eyes are singing and looking at my son, and my eyes are getting old" from Lao Du's "Short Songs". I am glad that they are still in their prime, drinking at the table, pouring bricks, talking about life and crying in love songs. Take the camera and put it down, ending with the scene. The moonlight is as clean as water, just like friendship, showing a noble and sad atmosphere, that is, love is scenery, not to mention.
The following films began to echo "respect the former" and went to Fen Liang from themselves as words of comfort. The rumor about moths fighting the fire comes from Li Sao. "Many women are jealous of jade's beauty, and it is rumored that jade is good at lewdness." Bring Fen Liang's misfortune into the laws of the universe and persuade him to look on coldly. The similarity of "ancient and modern taboos" includes itself. Don't ask about the past, future, family and officials, and long life experiences, which are really unknown. If you think about it, you are wrong from the beginning. Fortunately, people who know each other meet, and in one day's heart, this friendship will last forever and never change its original intention after thousands of robberies; People who cherish and meet each other for a long time wish to have an afterlife. The ceremony was marked with the secret code of "Promise as Good as Gold" in Biography of Historical Records of Ji Bu to show the loyalty and friendship of making friends. Gu Liang commented on Fenhe Ci once said: "It is really ominous that he remarried privately. It's another prediction in May (1685, the year when Rong Ruo died), it hurts! " The main style of Rong Ruo's ci is elegance, sadness and grace, but there are also many bold words. Xu Gui's evaluation of the word Ci Yuan Cong Tan is "aboveboard, not inferior to Po Lao and Jia Xuan, and all strive to spread and write."
========================
There is a very interesting phenomenon in the poetry circle of Qing Dynasty. Many poets compete to write lyrics with the word "Jin Lu Qu". For example, Chen Weisong wrote hundreds of songs in his life. Among the numerous "golden songs" in Qing Dynasty, the most striking one is a song dedicated to Fen Liang by Nalan Xingde. According to Xu Hong of Etymology Series, as soon as the word came out, "everyone is vying to spread it, so there is no song in the teaching workshop that doesn't know that there is a side hat word."
Rong Rong, a famous poet in Nalanxingde, was an outstanding poet in the early Qing Dynasty. Liang Qichao said that he was "catching up with pears and bamboos" when evaluating his works. Kuang Zhouyi also thinks: "Nalan Rong Ruo is the first poet in the founding of the People's Republic of China." There are more than 300 poems written by Nalan Xingde. These words contain the anguish of love, the worry of being an official, the scenery beyond the Great Wall and the scenery in the south of the Yangtze River, and the sense of loss of the landlord class when the feudal society is about to collapse. Many beautiful and touching ci poems are full of magnanimous spirit and unique in the history of ci poems. It's a pity that Nalan Xingde only lived to be thirty-one. As the son of Guijie and a royal bodyguard, his narrow life had an impact on his creation. At the age of twenty-four, Nalan Xingde compiled his own ci into an anthology called "The Ci of the Side Hat". Gu Zhenguan later reprinted Nalan Ci, and renamed it "Drinking Water Ci". Jin Lu Qu is the swan song in Nalan's ci.
Fen Liang is another name for Gu Zhenguan. Gu Zhenguan was also a famous poet in the early Qing Dynasty. He was frustrated all his life. I worked as a secretary in my early years and saved the classics, but I left because I was despised and excluded. Li Yu said in the poem "To Gu Liangfen Jing": "I refused to abandon Chang 'an, envied your kindness, and suddenly dismissed from office; Fame should be separated from heavy responsibilities, and high talents can get high officials. "This shows that Gu Zhenguan's departure is really a necessity. In his words, Nalan Xingde said: "The beauty of moths and eyebrows is taboo in ancient and modern times", which is exactly the case.
Gu Zhenguan didn't know Nalanxingde until he was forty years old. He said: "At three o'clock in the afternoon, Rong Ruo is two-twentieth, and it is too late to know the rest." At that time, Gu Zhenguan went to Beijing again and was introduced as a tutor of Nalanxingde. The two met each other after a brief encounter, and they became friends who forgot the year.
Nalan Xingde and Gu Zhenguan are soul mates because they have the same understanding of reality. According to Gu Zhenguan, Wu Zhaoqian was wrongly exiled. Na Lanxingde read two songs written by Gu to Wu, and was very moved. He was determined to take part in the rescue of Wu Zhaoqian and wrote this poem to Gu Zhenguan.
"Virtue is also crazy", the sentence is very strange, which makes people suddenly surprised; Because Nalan Xingde's father Pearl was Zaifu who was in power at that time. Nalanxing Desheng, both civil and military. In front of him, there is a smooth road to prosperity. But he actually called himself a "madman", and with a rather disdainful tone, he caught the reader's heart and made people have to pay attention to taste.
The next three sentences are his views on his life experience. "Occasionally, I am in Beijing and my home is dark." Dust is dust pollution, which is a metaphor for secular dirt. Nalanxing Dehua used Xie Tiao's poem "Who can stay in Beijing for a long time, dust stains plain clothes". He grew up in a rich family in Beijing and suffered from human filth. The word "occasionally". It means that he doesn't want the bustling and noisy life of the gold powder family. At the beginning of the word, he frankly told Gu Zhenguan how he looked down on a rich family, hoping that friends from poor families would understand him and not regard him as an ordinary gentleman.
If you have wine, you can only pour Zhaozhou soil. It turned out to be a poem by Li He, a poet in the Tang Dynasty: "Buy silk embroidery for Ping Yuanjun, only pour wine for Zhaozhou soil." Ping Yuanjun, Zhao Sheng, the son of Zhao in the Warring States Period, enjoyed meeting guests all his life. Li He wrote these two poems in memory of those wise men who know how to appreciate. He raised his glass and poured it on Zhaozhou, feeling that Ping Yuanjun was the only one worthy of admiration. The use of Li's poems in Nalan's poems is also a kind of admiration for those who love talents. Of course, he and Li He have different moods. Li Hehuai's talent is not satisfied and there is no way to climb up; Nalan Xingde has grown into a famous family, and there is a road to Qingyun. However, from the experiences of Gu Zhenguan, Wu Zhaoqian and others, he deeply felt the social injustice, and talents could never escape the fate of being excluded, so he was full of anxiety and indignation. He also knows that his mentality is difficult to be understood by the world. He shouted, "Who was born with this intention?" , revealing loneliness and sadness. In a word, his disappointment, hesitation and complaint are all contained in the rhetorical tone.
A few words ago, the author wrote his own depression, just in preparation for the excitement of meeting a bosom friend. Just when he felt at the end of his tether, he met Fen Liang. "If you don't believe in the Tao, you will meet your bosom friend." At first glance, adding the word "surprised" after "unbelief" seems a bit cumbersome, but the repeated sense of surprise is to express the ecstasy of friends. These words are wonderful with a change of pen.
The next step is to write about the meeting of bosom friends. "Young eyes are not old, full of heroic tears." Green eyes are happy eyes. It is said that Ruan Ji in the Jin Dynasty can have green eyes, and blue eyes will be revealed when he meets people who are congenial. There is a saying in Du Fu's "Short Songs": "In the eyes of my youngest son, I am old." Nalanxingde said in his meaning that when they met, they were just in their prime and not old, so they looked at each other and sang generously. However, I couldn't help crying while drinking the cup. Heroes lose their way, appreciate each other, gain the joy of friends, and fall behind. Xin Jiaxuan once said, "Who are you, a red scarf and green sleeves, and a hero crying?" Nalanxingde's mood is similar to this. The word "one" in Xin Ci is more subtle, while Nalan uses the word "erasure" to express his feelings incisively and vividly. In these words, the poet interweaves singing with laughter and crying, which is more vivid and unrestrained than Du Fu's and Xin's poems.
Uptown, with "you don't see, the moon is like water" as the beam. It is the only scene in the whole article. That night, the moon was bright and cold, which seemed to reflect their sad feelings and witnessed their pure friendship.
Most people, including Nalan Xingde, always like to write more about the scenery they see in front of their eyes or inside. Write a scene based on emotion, and the scenes are coordinated with each other, and you will receive a vivid artistic effect. A word tone with a long system, such as "Jin Lu Qu", tends to be crude if it is completely taken out of context. The word Nalanxingde focuses on lyricism, and the poet expresses his mind directly, but he also pays attention to picking up one or two scenes conveniently, which is slightly touched. Shen Qian thought in Miscellaneous Notes of Kanci: "Long tunes should be used freely and should not be rough. One or two implicit words can be written boldly, and one or two harsh words can be lingering, especially in complicated places. " This is an insightful experience. During the intermission, Nalan Xingde made a little ups and downs and wrote a little moonlight. It was because of his generosity that he fell into a meticulous pen. This seems to be idle writing, but it makes people feel that the poet's extremely excited feelings contain profound meaning.
In Xiatan, Nalan began to sympathize with the setbacks of Gu Zhenguan and Wu Zhaoqian. "* * * Jun must be drunk this night." The word "beard" here is worth pondering. Explain that poets should consciously numb their nerves. In writing, this sentence is similar to Du Fu's famous sentence "Loud my song, deep my drink", but the artistic conception is quite different. "A drunkard's sake is not wine" is not necessarily drunk, "drunk" is drunk unconscious. Why do you have to get drunk? Answer according to the following. "Let him be so ugly and jealous of the past and the present." Qu Yuan once said: "Many women are jealous of jade's beauty, and they say jade is good at prostitution." In Nalan Xingde's view, all talented people have been excluded from the use, and it is inevitable that Gu Zhenguan and others will be treated unfairly. Since he could not change the unreasonable reality, he comforted his friend, who was too lazy to take care of it and was drunk. This way of getting drunk to solve a thousand worries is of course an escape from reality, but the poet's cold mood is mixed with anger and negativity.
"I don't know why I live a long life, just sneer." From the experiences of Gu Zhenguan and other ancient and modern gifted scholars, the poet thought of himself. In a dirty society, the past life is dull and the future fate is not worth a tan, so a sigh of "thinking about the past and regretting the original" was issued. At the beginning of this poem, the poet has shown his disdain for his family background. Here again, he and Gu Zhenguan have the same troubles and the same understanding of reality, and both he and Gu Zhenguan are under pressure from an unreasonable society. Here, through the poet's attitude of comforting and caring for his friends, we can also see his dissatisfaction and anger with real life.
Nalan Xingde drew his pen back in excitement and wrote down his treasure of friendship in a calm and firm tone. "A day's heart is doomed, and there is fate in the afterlife. I am afraid that I will be in his life. " Robbery is the abbreviation of robbery in Sanskrit, and it is a quantifier to calculate time. At the moment when I met my bosom friend unexpectedly. He solemnly said that once they promised each other, the friendship would last forever and last for thousands of years. At the same time, we have to look forward to the afterlife to make up for the missed time in this life. Without analysis, this oath burns like fire. Summarize a sentence "Remember what you promised". Repeatedly reminded, strongly expressed that he wanted to be friends with Gu Zhenguan for life.
Some of Nalan Xingde's words are sad and stubborn, such as "Spring clouds blow away the rain of Hunan curtain, but butterflies fly around". Like "the snow suddenly turns over the fragrant pavilion, and the breeze blows the plum bottle." Makes people feel fragrant, leaving teeth and cheeks. However, the biggest feature of Nalan's ci is that it is straightforward to express one's feelings. He has always believed that "poetry is a matter of heart and temperament." This kind of idea, embodied in the creation, seems to have nothing to carve, and sounds natural. Wang Guowei said: "Nalan Rong Ruo sees things with natural eyes and expresses his feelings with natural tongue." This more accurately summarizes Nalan Xingde's creative style. As far as "Jin Lu Qu" and "To Fen Liang" are concerned, we can see that the poet's style of writing is like flowing water, and a truly pure and rich emotion is expressed at the end of the pen. However, Nalan Xingde's poems are written directly in his arms, but he does not pay attention to the tempering of art and is rude blindly. From the analysis of Jin Lu Qu, we find that the author often uses famous sentences and allusions. Liu Xizai said in "Introduction to Art": "There is no obstacle to expressing things in words. Dark also, skin also, much also, board also, this kind of all obstacles also. The key to Jiang Baishi's clever use of things can be found in his poems. He said, "It is futile to use irrelevant facts and familiar things." . If you have enough to learn, you will use it, and those who make good use of it will also. At first glance, narrative is based on reasoning, and so are people who make a living from it. ""Nalanxingde's seamless use of old facts is a model of kindness and living. Because of this, this [golden song] is both hearty and profound; It is both generous and intriguing. This word has no flowery rhetoric, but it makes people feel very excited to read, and feels that every word of the author comes from the heart. Its achievements have confirmed a creative truth: true feelings are the life of poetry.