In fact, it should be said that except for poets and lyricists whose names have appeared in textbooks since childhood, few people know about most of them, no matter how famous they are. Unless you major in Chinese. Therefore, I can only recommend some poems that I may have never learned, but are actually very famous. Let’s talk about women first, He Shuangqing’s “Reminiscences of Playing the Flute on the Phoenix Stage (for Han Xi)” by He Shuangqing. Every inch is cloudy, with the faintest trace of light remaining, and it is difficult to eliminate ignorance. The soul is broken and the soul is broken, and the twinkle is shaking. Looking at the mountains and rivers, people go and go, and they are far away. From now on, the sorrow and pain will only be like tonight (morning). Qingyao, asking questions about the sky, looks at the little Shuangqing, looking bored. Who can I see more, who can I miss Huajiao? Who wants (***) to rejoice, steal vegetarian powder, and write about it? Who cares about life and death (life experience), twilight (night and night) and morning and evening? Shuangqing's poems do not have gorgeous words, but mostly use the language of life. He is good at integrating his emotions into the natural scenery, revealing the beauty contained in the tragedy of life, and creating a realm with high aesthetic significance. She is also good at mastering the intricate rhythms of her voice to adapt to the ups and downs of her thoughts and feelings. For example, "Recalling the Flute on the Phoenix Stage" has simple language throughout, and the clever use of overlapping words, creating the artistic effect of a looping chant. It is lingering and pathos, and the melody is beautiful. It can be described as a sad and sad poem, which has reached the extreme. In addition, more than 20 overlapping words are used in succession. The rhyme is really comparable to Li Yi'an's "Slow Voice". It is indeed a sad lament for Shuangqing's self-reported situation. Chen Tingzhuo of the Qing Dynasty commented in "Bai Yuzhai Ci Hua": "The emotion is sad and the words are bitter. Using double characters to more than twenty times can be said to be a vast magical power. When Yi An sees it, he should also avoid the table." It is worth mentioning. What's more, Shuangqing didn't receive a very formal education. Many of his words were written on leaves, and not many of them have been handed down. Unlike Li Qingzhao, who had such a family background, such a father, and such a master. Another woman I like is Zhu Shuzhen. In fact, she comes from a good family background. According to legend, she is from Zhejiang and was born into an official family. The husband was a minor grammar official, but due to different interests and disharmony between the couple, he eventually died of depression and early death. It is also said that after Shuzhen passed away, her parents burned her manuscripts during her lifetime. The existing "Collection of Broken Heart Poems" and "Hancheang Ci" have been handed down to the world, and they are the remaining chapters after the calamity. Reduced words: Mulan Hua·Spring Resentment: Walking alone and sitting alone, singing alone and paying homage alone, and lying alone. Standing there is depressing, helplessly touching people in the cold. Whoever sees this kind of love will wash away half of the remaining makeup with tears. The sorrow and illness are still there, and the dream of removing the cold lamp cannot come true. I like her Que word the most. She uses it five times in a row. There are also Wu Wenying's poems, which I also prefer because he was not a poet until his death, so few people know him. "The Wind Enters the Pine" Listening to the wind and rain during the Qingming Festival. The flower inscription of sorrow and grass. In front of the building, the greenery and darkness lead the way, with a hint of willow and an inch of tenderness. The weather is steep and the wine is in the cold spring, accompanied by dawn dreams and the singing of orioles. In the West Garden, the forest pavilion is swept every day. Still enjoying the new sunshine. The wasps frequently fluttered on the swing rope, and the delicate hands were fragrant at that moment. The two mandarin ducks are melancholy, and moss grows on the quiet steps overnight. As for Chao Buzhi, few people knew about him because he was not an official. But he has a strong background. He is Li Qingzhao's master. Li Gefei admired him very much. One of the four students of the Su clan, but not as famous as Qin Shaoyou. He doesn't have many words and I like almost every one of them. It can be said that Xin Qiji's later poems and later people were greatly influenced by him. Many people may know that Feng Yansi, the prime minister of the Southern Tang Dynasty, was greatly overshadowed by Li Yu's glory. There is an allusion to "Visiting the Golden Gate" (a sudden wind blows and ruffles a pool of spring water). Shi Dazu, I like his night lilies, which is an allusion to half-face makeup. Several lines from the Philharmonic's song Half Face Makeup come from that word. Let’s talk about three last ones: Zhang Xiaoxiang, Han Yuanji, and He Zhu wrote three different Liuzhou songs, but they are all my favorites! You can search and read it.