Poetry characterized by the blending of artistic conception and scene 1. Poetry with a blend of scenes and scenes
1, a note to a friend in the north on a rainy night.
Tang Dynasty: Li Shangyin
When you ask about the return date, it's hard to say, evening rain, Manqiuchi.
When * * * cut the candle at the west window, but talk about the rain at night.
You asked me the date of going home, but it was difficult to decide the date. There is heavy rain in Bashan tonight, and the rain has filled the autumn pool. When can we have a long talk by candlelight and tell each other our thoughts in the rainy night tonight?
2. The title city is Nanzhuang
Tang Dynasty: Cui Hu
Last spring, in this door, the girl's face contrasted with the peach.
Today, I came here again. I don't know where the girl went. Only the peach blossoms are still there, smiling in full bloom in the spring breeze.
Last spring, in this family, I saw that beautiful face and peach blossom set each other off, which was particularly rosy. When I came here again today, the girl didn't know where she had gone. Only peach blossoms are still smiling and blooming in the spring breeze.
3, Xijiang night trip
Tang Dynasty: Zhang Jiuling
Where are people at night? Visit the moon in Chengtan. Long and spacious, longing for home.
Foreign objects are quiet and undisturbed, and the flow is clear. Thinking of returning to the forest for a change of leaves, I am worried about sitting on Watson.
There are Tingzhou cranes, which ring at night.
Where have all the old friends gone in the long night? Sail slowly in the blue jathyapple. The sky is vast and far away, and it is more and more sad to miss my hometown. The scenery outside is worry-free, and the clear river flows freely.
Thinking of how many leaves have changed in the forest in the spring and autumn when I came home, I sat in the silent night with homesickness, letting the cold dew grow and wet my sleeves. There is also a white crane on the sandbar in the middle of the river. When it leaves at night and dawn, it suddenly makes a long sound, which makes people secretly frightened.
4. Wang Ye
Tang Dynasty: Du Fu
Xishan is covered with snow all year round, and the three cities are heavily stationed; Nanjiao Bridge spans the majestic Jinjiang River. After years of war in China, several brothers have been unable to hear from each other; It's a long way from each other, and I'm the only one, right?
Instead, they will hand over the bodies of Gemini in the light of late autumn; So far, not a drop of merit has repaid the wise Huang Sheng. I travel by horse alone, and my horizons are often wide. The world economy is in recession, which is unimaginable.
Xishan is covered with snow all year round, and the three cities are heavily guarded; The Wan Li Bridge outside the southern suburbs spans the vast Jinjiang River. After years of war at sea, several brothers were blocked from hearing; Even the ends of the earth, I'm the only one, okay?
But give the dying years to the sick body; So far, I have no merit, and I repay the wise and holy emperor. I ride a horse for an outing alone, and I often overlook it. Things are getting more and more depressed every day, which is really unimaginable.
5. Autumn night
Tang Dynasty: Bai Juyi
Falling leaves are like rain, and moonlight is like frost.
Lying alone at night, who is the dusty bed?
When the night wind blows, the leaves are like rain, and the bright moonlight is like frost all over the earth. Just as I was preparing to sleep alone in the dead of night, I couldn't help feeling who would like to wipe the dust off my bed.
2. What are the poems that blend scenes?
Wang Wei is in Chai Lu.
There seems to be no one on the empty mountain, but I think I heard a voice.
Go back to the depths of the forest and shine at me from the green moss.
Meng Haoran in the spring dawn
Don't learn from the dawn in spring sleep. Birds are singing everywhere around me.
But now I think of that night, that storm, I don't know how many flowers I folded.
Wang Wei, Bird Watching Creek
People are idle and sweet-scented osmanthus falls, and the night is quiet and empty.
When the moon rises and the mountain birds are startled, when the spring flows.
Zhu wangwei
I leaned alone in the dense bamboo, playing the piano and humming a song.
It's too light for anyone to hear, except my partner, Mingyue.
Meng Haoran at night on Jiande River
When my boat was sailing in the fog, the sun faded and old memories began.
How vast the world is, how close the trees are to heaven, and how close the moon is to the water! .
Wang Wei is in the mountains.
White stone comes out of Jingxi, and red leaves are sparse in cold days.
There is no rain on the mountain road and the air is green and wet.
Wang Wei, a mountain dweller in autumn
The empty mountain after the rain stands in the autumn evening.
Moonlight in the pine forest, crystal stone in the stream.
The bamboo whispers that the laundry girl returns, and the lotus leaves lie in front of the fishing boat.
My friend's prince, what does it matter if spring is over and you are still here? .
Meng Haoran, passing by the old people's village
Prepare chicken and rice for me, old friend. You entertain me on your farm.
We looked at the green trees around your village and the pale blue of the distant mountains.
We open your window and overlook the garden and fields, holding cups and talking about mulberry and hemp.
Wait until the mountain is on holiday, and I'll come back at chrysanthemum time.
Drink Tao Yuanming
Building a house is in human territory, without the noise of horses and chariots.
Asking what you can do is far from self-centered.
Picking chrysanthemums under the east fence, you can see Nanshan leisurely.
The weather is getting better every day, and the birds are back.
This makes sense. I forgot to tell the difference.
3. Seeking famous ancient poems and sentences requires beautiful artistic conception and blending scenes.
When Meng Haoran entered Chang 'an for an official, he wrote a couplet poem "Wei Yun is a light river, raindrops are sparse, and phoenix trees are sparse", which once shook Chang 'an and caused a sensation in the capital. Wang Wei praised and praised.
Wei Yundan, the river Han with raindrops penetrating the heart, is Tianhe and Yinhe. The meaning of these two poems is that there are two or three Wei Yun floating between the Milky Way and a few raindrops floating on the phoenix tree, all of which are described and recited with the scenery as the artistic conception guide.
Wei Yun, Hehan, Shuyu and Wu Tong are all common things. The poet skillfully connects these four objects with two verbs, forming a quiet autumn night picture. The words "light" and "drop" are the eyes in the poem, which play the role of making the finishing point.
Wang Shiyuan's Preface to the Collection of Meng Haoran said: (Haoran) Wandering in the secret province, the autumn moon is new, and Zhu Wei can write poems. Hao Ran said, "Wei Yun is a light river man with sparse raindrops."
If the seat is lifted, it will be clear, and the pen of Xiange will not continue. The moon is clear, and the sky is slightly dotted with some clouds, which makes the galaxy look a little hazy and adds a bit of charm; Scattered raindrops, dripping on the leaves of plane trees in clear autumn, made a beep sound, telling the sadness of this clear autumn night.
4. Examples of sentences in which ancient poems and scenes blend,
Scenery blending is the image feature of artistic conception creation in ancient poetry.
Wang Guowei said: Literature has duality: scenery is emotion, however, the expression of emotion depends on scenery, and lyric works have a dependence on the beauty of the picture. On the one hand, its artistic image has what Eliot said: "picturesque" is vivid and intuitive; On the other hand, this image is the carrier of emotion.
This organic combination of "picturesque" and emotional carrier is the so-called "scene blending". Fan Xijiao, a literary critic in the Southern Song Dynasty, first put forward this concept in Sleeping Night Talk.
He said: "The scenes are integrated and do not separate." Wang Fuzhi, a Qing man, elaborated on this in more detail. He said, "If you can't create the language of scenery, how can you create the language of love?" This is to emphasize the dependence of emotion on scenery.
He also said: "Although there is a difference between the heart and the object, the scenery gives birth to feelings, the feelings give birth to the scenery, the sorrow and joy are mixed, the honor and disgrace are strained, and the houses are hidden." Two were called at the scene, but they could not be separated. God is infinite to poets.
This is to describe the dialectical relationship between emotion and scene, and a state in which artistic images and scenes blend in artistic conception. Jiangnan Dream (Wash) and Genglouzi (Jade Furnace Fragrance) written by Wen, a representative writer of Huajian Ci School in the late Tang Dynasty, are also masterpieces with deep feelings and real scenery.
Let's savor the beauty of this charm. Dream of the south of the Yangtze River and lean on the Wangjiang Tower alone.
It's not all dry sails, it's full of water, and its heart is broken in Baipingzhou. This is a poem about parting feelings and concerns.
A woman, dressed up early in the morning, leaned against the railing, looked at the river outside the window, and looked forward to the return of her lover's sailboat. However, from morning till dusk.
After the dry sails were gone, I never saw my lover again, and I was heartbroken in Baipingzhou. "Nothing is too dry and the water is too long" is a lyrical description of the scenery, vividly and implicitly depicting the unforgettable feelings of Sifu for her lover.
"Too dry sail, visible caring woman wangjiang for too long. She has high hopes for every ship whose eyes are only on the riverbed.
I hope the lover I miss so much is on a passing boat, but my earnest hope is shattered by the ruthless reality. The word "no" contains many feelings, after all, Qian Fan is not.
There is anxious and hopeful waiting, and there is frustration and distress. The true feelings can be imagined. Don't talk about acacia, but the feeling of acacia is full. "
The realm of "oblique light and oblique water" has been expanded, and it contains rich contents in a broad picture. I haven't seen my lover since the dry sail. It's really sad to look at the sails. I don't care. I don't look at them. She looked at the distance between water and sky, but saw a sunset shining quietly on the river, and the river was silent.
In the face of this "silence is better than sound" scene, the hero's feeling of loneliness is truly presented to the readers. More leakage jade furnace incense, red wax tears, partial according to painting hall Qiu Si.
The eyebrows are thin, the eyes are thin, the clouds are residual, and the night is long and the pillow is cold. Sycamore tree, it rains in the middle of the night, and it is bitter to leave. A leaf, a voice, empty footsteps fall to the light.
The first word is mainly about scenery, which is used to set off feelings. The smoke, wax and tears hint at the anxiety and depression of Qiu Si, a woman. The sound of raindrops dripping on buttonwood leaves until dawn shows that she has been tossing and turning all night. Whispering autumn wind and cold autumn wind all render the infinite Qiu Si of lovesick women, and the autumn sorrow is endless. As the saying goes, "Autumn rain is terrible."
Li Qingzhao, a poetess, is a good lyricist for scenery. Let's read her "The Sound is Slow" and look for it. Cold and lonely, sad and sad, it is the most difficult to rest when it is warm and cold.
Three glasses and two glasses of wine, how can you beat him? It's late. It's urgent. Guo Yan is very sad, but this is an old acquaintance.
The yellow flowers are piled all over the floor, withered and damaged, and now no one can pick them. Looking out the window, how can a person feel the dark? Indus is drizzling, and at dusk, it is falling.
This time, what a sad sentence? This poem truly describes the unspeakable pain and boundless sadness of a poetess who lost her motherland and was detained in a foreign land The drizzle of the phoenix tree, the withered yellow flowers and the lonely dusk of the geese are all footnotes of the poet's subjective feelings. It's really a word and a tear, and every word is blood and tears, which is touching and makes people cry. A thousand years later, it still makes readers cry for the tragic fate of the poetess.
Feng Yansi, a poet of the Southern Tang Dynasty in the Five Dynasties, is known for his poem "The Wind Blows the Golden Gate". When the wind blows, it brings a pool of spring water.
Idle to attract Yuanyang fragrance path to caress red apricot core. The duck is lonely, and the jade scratches its head obliquely. All day, Jun Jun didn't come. He looked up and smelled the joy of the magpie.
This word is also about women missing people far away. The opening scene "The wind blows at first, blowing a pool of spring water" is described delicately, and the spring water is stirred up by the wind, just as the calm heart of a homesick woman is touched by the wonderful spring scenery, resulting in lovesickness.
This scene describes the subtle, appropriate and vivid mental state of Sifu. Idle to attract mandarin ducks and caress red apricots.
Watching ducks fighting on the railing, Jasper's mouth almost fell off. This kind of description puts the woman's empty and boring laziness in the image picture, and looks at people when she sees the scenery.
5. The main features of poetic artistic conception
The basic characteristics of artistic conception There are different opinions about what kind of works have artistic conception. This is related to the understanding of artistic conception. If you think that "artistic conception refers to the artistic realm formed by the combination of the author's subjective feelings and the objective physical environment", or that artistic conception is "the symbol system created by the author in his works to express the emotion of the lyrical subject and form the image structure of scene blending", then as long as it has the characteristics of scene blending, it is artistic conception. If the artistic conception is defined as "a philosophical feeling and understanding of the whole life, history and universe beyond specific and limited images, events and scenes", then only works that can reveal the meaning of the whole life through specific things and events are works with artistic conception. Therefore, we must first define the artistic conception. I prefer the definition of Ci Hai in 1999: Artistic conception is an artistic realm formed by the combination of objective pictures depicted in literary and artistic works and expressed thoughts and feelings. It has the aesthetic characteristics of virtual reality, harmonious artistic conception and profound mystery, which can make readers have imagination and association. If they are there, they will be infected in their thoughts and feelings. When it comes to artistic conception, its characteristics are "virtual reality, harmonious and profound artistic conception". I think "profound" refers to the essential characteristics of artistic conception, which should be more realistic. When we appreciate poetry and calligraphy, what we see is the critic's comments on the artistic conception of the works. The most commonly used comments are: profound artistic conception, profound artistic conception, clear artistic conception, quiet artistic conception, deep artistic conception, open artistic conception, bold artistic conception and detached artistic conception. These words are close to "seclusion". Literally, seclusion means that under the surface of a work, it contains deeper and farther meaning. When they talk about artistic conception-related issues, they often emphasize the implication, such as the meaning outside the text, the meaning outside the image, the sound outside the painting, the feeling outside the image, the romance without saying a word, and the unfinished meaning. Therefore, this paper regards implication as the essence of artistic conception. It is formed by the combination of virtuality and reality and the harmony of meaning and context. Aiming at the ambiguity of context understanding in the harmony between meaning and context, this paper adopts a more popular formulation-scene blending, which is based on the content form of the work. The combination of emptiness and reality comes from the structure of artistic conception. In this way, this paper makes the following provisions on the characteristics of artistic conception: artistic conception. Scenery blending is the characteristic of artistic conception in content and form, or it is the performance characteristic of artistic conception; The combination of reality and fiction is the structural feature of artistic conception. Because moral comes from the combination of scene and fiction, it is also reflected in the combination of scene and fiction, so this paper mainly analyzes the combination of scene and fiction.
6. Appreciation of ancient poems and scenes
Li Bai's Drinking the Bright Moon Alone
Flowers in the next pot of wine, no friends, drink alone. Until, holding up my cup, I asked the bright moon to bring me my shadow and let the three of us.
There are four original poems, and this is the first one. The scene where the poet drinks alone in the moonlight and no one is near. With rich imagination, the poet expressed a complex emotion from loneliness to non-loneliness, from loneliness to loneliness, and from loneliness to non-loneliness.
Li Baixian is broad-minded and has no tolerance between things and me. This poem fully expresses his thoughts. The first four sentences of the poem are the first paragraph, which describes flowers, wine, people and the moon. The poem expresses loneliness, but till, raising my cup, I asked the bright moon, conjures up the moon, shadows and people; However, the moon cannot be drunk, and the shadow is still lonely. Therefore, the fifth to eighth sentences, from the moon shadow, point out the meaning of "eat, drink and be merry in time, and spring blossoms". The last six sentences are the third paragraph. The poet made unremitting efforts to travel with moonlight and figure, and reunited in the fairyland far away from heaven. The whole poem shows the poet's loneliness and detachment, as well as his wild and uninhibited character.
Invitation to the Moon Projection is an eternal quatrain. The front looks like you can really enjoy yourself, but the back is extremely bleak.