"Mr. Wen Yiduo's Saying and Doing" After-Class Exercise

Chinese poet and scholar of literature and history. He also has many names, including Yousan and Youshan, and his family name is Jiahua. Later the name was changed to Duo, and then to Yiduo. Born in Xishui, Hubei Province. In 1912, he was admitted to Tsinghua School in Beijing. He served as editor of "Tsinghua Weekly" and editor of the student section of "Journal of Tsinghua University", and published many poems and essays in old style. In July 1920, the first new poem "West Bank" was published, and new poems were published continuously thereafter. The early poems were mostly in free style, which more prominently showed the aesthetic tendency and the beautiful style. In November 1921, the Tsinghua Literary Society was established as an important member. In December of the same year, he gave an academic lecture on "Research on the Rhythm of Poetry" at the Tsinghua Literature Society. The following year, he wrote "Research on the Rhythm of Rhythmic Poetry" and began to conduct systematic theoretical research on the rhythm of new poetry. In 1922, he went to the United States to study painting, literature, and Chinese classical poetry and modern British poetry. During this period, he created and published poems such as "Ode to the Sun" and "Lone Wild Goose" to express his longing for the motherland. He also published influential new poetry reviews such as "The Spirit of the Times of Goddess" in "Creation Weekly". After publishing his first new poetry collection "Red Candle" in 1923, he began to devote himself to the creation of new poetry. He returned to China from the United States in 1925, taught at the Beijing Art College, and became the main contributor to the "Morning Post Supplement·Poetry" edited by Xu Zhimo. In 1926, he published a paper "The Rhythm of Poetry", proposing that new poetry should have "the beauty of music (syllables), the beauty of painting (words), and the beauty of architecture (the symmetry of stanzas and the uniformity of sentences)." He created a new genre of metrical poetry and influenced many subsequent poets.

In 1928, the second poetry collection "Dead Water" was published, collecting 28 poems written after 1925. The content of the works is more substantial, the form is neat, and the language is concise, forming a unique and melancholy and beautiful art. style. In March of the same year, "Crescent" magazine was founded, listed as editor, and published a small number of translated works in the magazine. After autumn, he served as dean of the School of Liberal Arts and director of the Chinese Department of Wuhan University, and since then he has devoted himself to the study of ancient Chinese literature. In 1930, he was transferred to the position of dean of literature and director of the Chinese Department of Qingdao University. In 1932, he settled in Beijing and served as professor of the Department of Chinese Literature at Tsinghua University. After the outbreak of the Anti-Japanese War, he taught at Changsha Provisional University, which was composed of Peking University, Tsinghua University and Nankai University. In 1938, he worked as a professor at Southwest Associated University in Kunming. At this time, he extensively studied ancient Chinese cultural heritage, starting with the study of Tang poetry, dating back to the pre-Qin, Han, Wei and Six Dynasties, and even ancient mythology, oracle bone inscriptions and bells and tripods. Focusing on literature, he also involved folklore, sociology, and anthropology to form a A complete research system on the history of Chinese literature and culture. He has made particularly great academic contributions to the study of "The Book of Changes", "The Book of Songs", "Zhuangzi", and "Chu Ci". He has written monographs such as "Myth and Poetry", "Miscellaneous Treatises on Tang Poetry", and "New Meanings of Classical Classics". In 1942, he published "Compendium of Chu Ci", which was widely praised by academic circles. He joined the China Democratic League in 1944. After the victory of the Anti-Japanese War, he served as a member of the Central Executive Committee of the China Democratic League, a propaganda committee member of the Yunnan General Branch and the president of "Democracy Weekly", becoming an active democracy fighter. On July 15, 1946, he gave a speech at a memorial meeting for Li Gongpu held at Yunnan University and criticized the Kuomintang. He was assassinated by a Kuomintang agent that night. In 1948, Kaiming Bookstore published "The Complete Works of Wen Yiduo".

Wen Yiduo is a giant of speech and works to a high standard.

Bibliography of works:

"Review of Winter Night Grass" co-authored with Liang Shiqiu, 1922, Tsinghua Literature Society

"Red Candle" (Collection of Poems), 1923, Taidong; 1981, Humanities

"Dead Water" (Collected Poems), 1928, New Moon; 1980, Humanities

"The Complete Works of Wen Yiduo" (1 to 4 volumes), 1948, Enlightenment; 1982, Sanlian

"Selected Works of Wen Yiduo" 1951, Kaiming

"Selected Poems and Prose of Wen Yiduo" 1955, Humanities

"Wen Yiduo's Youth" Collected Poems" 1983, Yunnan People

"Wen Yiduo on New Poetry" (review) 1985, Wuhan University Press

"Chu Ci Supplementary Edition" (classical literature research) 1942, Chongqing National Book Publishing House

"Myth and Poetry" (Classical Literature Research) 1956, Ancient Books

"Classic New Meanings" (Part 1 and 2, Classical Literature Research) 1956, Ancient Books

"Miscellaneous Treatises on Tang Poetry" (Research on Classical Literature) 1956, ancient books

"Wen Yiduo on Classical Literature" 1984, Chongqing Publishing House

"Exegesis of Li Sao" ( Classical Literature Research) 1985, Shanghai Ancient Books

Answer: tingyu527 - Dugu Qiubai Level 18 3-28 22:39

Wen Yiduo (1899.11.24-1946 . 7.15) Poet, scholar, and democratic fighter, known as his triple personality. His original name was Wen Jiahua and his nickname was Yousan. He was born in Xishui, Hubei Province. He has been interested in classical poetry and art since childhood. In 1912, he was admitted to Tsinghua School in Beijing. He loved to read ancient Chinese poetry collections, poetry talks, history books, notes, etc. In 1916, he began to publish a series of reading notes in "Tsinghua Weekly", collectively called "February Lu Manji". At the same time, he wrote old style poems. During the May 4th Movement in 1919, he actively participated in the student movement and was elected as a student representative of Tsinghua University to attend the National Student Federation held in Shanghai. In April 1920, he published his first vernacular article "The Passenger-Style Student".

The new poetry collections "Red Candle" and "Dead Water" are classics in the modern poetry world. Guo Moruo said that the compilation and research of the four major ancient books, "The Book of Changes", "The Book of Songs", "Zhuangzi" and "The Songs of Chu", were unprecedented and unprecedented. He is an upright man and has been growing a beard for eight years during the war. He was assassinated in Kunming in the summer of 1946.

Answer: miao0077 - Probation Period Level 1 3-28 22:40

In the summer of 1925, Wen Yiduo returned from studying in the United States. Stepping off the ship, the poet could not restrain his excitement, threw his suit and tie into the river, and eagerly rushed into the embrace of the motherland.

However, what awaits him is boundless darkness and humiliation...

Looking at the homeland, the mountains and rivers are broken, the storm is like rock, the wolves are in power, the foreign powers are rampant, and the motherland has been destroyed. The melon was divided and occupied... The poet wrote the poem "Discovery" with grief and indignation, and immediately published the famous patriotic poem "Song of the Seven Sons" in "Modern Review".

The "Seven Sons" refer to the seven pieces of land occupied by the great powers at that time, and Macau is only one of the "Seven Sons". The seven sons who were robbed of the motherland are Hong Kong, Macau, Taiwan, Kowloon, Weihaiwei, Guangzhou Bay and Luda (Lushun Dalian).

History will never forget that humiliating August of 1842. Officials of the Qing government groveled aboard the British warship "Cornroyal" anchored on the Nanjing River, and signed the "Modern China" treaty under the gaze of heavily armed British soldiers. The first unequal treaty in history - the Treaty of Nanjing between China and Britain. The treaty stipulated that China ceded Hong Kong Island to Britain, and the prelude to the carving up of China by the great powers began.

In 1860, China and Britain signed the "Treaty of Beijing", and Britain ceded the southern tip of the Kowloon Peninsula; in 1898, the Qing government was forced to sign the "Special Treaty for Expanding the Boundary Site of Hong Kong", and the "Sisters of Hong Kong" Kowloon Peninsula The remaining part was designated as the "New Territories" and leased to the United Kingdom for 99 years.

In 1887, China and Portugal signed the Treaty of Friendship and Commerce. The Portuguese, who were allowed to reside in Macau in the name of "drying goods" in the middle of the Ming Dynasty, have since occupied Macau, the "Lotus Treasure Land".

In 1895, China and Japan signed the Treaty of Shimonoseki, and Taiwan, the "string of pearls in the East China Sea", was ceded to Japan. Also ceded at the same time were the "twin brothers" Lushun and Lushun on the Bohai Bay. Dalian.

In 1898, China and Britain signed a special lease agreement for Weihaiwei, and Weihaiwei, the "master of maritime defense", was leased to the United Kingdom for 25 years.

In 1899, China and France signed a special lease of Guangzhou Bay, and Guangzhou Bay, "an iron lock on the back door of China", was leased to France.

By 1900, the imperialist powers had forcibly opened hundreds of commercial ports on Chinese soil and designated more than 20 concessions in more than 10 cities. The "Seven Sons of China" were scattered under the power of imperialist powers such as Britain, France, Japan, and Russia. There is a poem that represents the mood of the patriots at that time: "My China is sleeping soundly, but I don't know that patriotism means loving home. The people know that it is better to wake up now, and don't wait until the soil is divided like melons."

The Seven Sons shed tears. Below, the poet sings his lament alone. Wen Yiduo witnessed the "collapse of the country's borders for a long time" and felt that China's homeland was "unsupported by the motherland and abused by aliens". "Because of this, he chose seven places with the closest relationship with China to compose one song for each. Chapter, to express his sorrow for the motherland and to inspire the people of the country."

The strong emotions of love for the motherland and eagerness for reunification are stirring in the lines of poetry. It caused a strong response among readers. A young man surnamed Wu wrote in a letter to the editorial office: "I read "Song of the Seven Sons" and cried out in sorrow one after another, and I didn't know how tears filled my eyes. After reading "Shi Shi Biao" and "Chen Qing Biao" "At that time, I was not so moved."

The "Seven Sons of China" captured by the foreign powers are a symbol of national disaster and national catastrophe. It shows: "The country is weak and the people are humiliated" and "falling behind will be beaten"; it warns the people: "The Chinese nation has reached its most dangerous time!"

For more than 100 years, generations of Chinese people have fought for The country is prosperous and the nation is independent. They have stepped forward, shed their heads and blood, and continued to explore, and have composed one magnificent historical poem after another.

The Chinese people’s indomitable will to pursue reunification has become an unstoppable torrent. In October 1930, China took back Weihaiwei; in 1945, the Chinese people defeated the Japanese invaders. On October 25, the last Japanese governor in Taiwan, Ando Toshiyoshi, submitted a letter of surrender to the Chinese government at Zhongshan Hall in Taipei, and Taiwan returned to China. territory. At the same time, Guangzhou Bay, Lushun and Dalian have also returned to the embrace of the motherland.

The motherland has undergone earth-shaking changes, and the Chinese people have stood up since then!

Wen Yiduo's son said: "I hope that my father will have knowledge under the nine springs and enjoy it with us."

With sincerity, gold and stone can be opened

It is true, " The return of the "Seven Sons of China" is almost imminent!

——Wen Yiduo's "Song of the Seven Sons·Poem Preface"

The historic turning point in the fate of the "Seven Sons of China" occurred in Beijing in the golden autumn of 1949. On this land that had been burned, killed and plundered by the Eight-Power Allied Forces, Mao Zedong solemnly declared to the world: The Chinese people have stood up since then! After the founding of the People's Republic of China, it announced the abolition of all unequal treaties, completely ending the tragic tragedies in China's modern history.

In 1971, China resumed its legal seat in the United Nations.

In 1978, China announced the implementation of reform and opening up, and its national strength was booming. A powerful socialist China leaps on the eastern horizon, and calls for the reunification of the motherland are loud and clear.

“We cannot drag the tail of colonialism until the next century.” The Chinese Communists, on behalf of the Chinese nation, shouted the strongest voice to wash away the shame!

In September 1982, when Deng Xiaoping met with Mrs. Thatcher, he made it clear that China would take back Hong Kong in 1997.

Deng Xiaoping pointed out: "Realizing national reunification is the aspiration of the nation. If it is not unified for a hundred years, it will be unified in a thousand years. How to solve this problem, I think the only way to solve this problem is to implement 'one country, two systems' . ”

From midnight on June 30 to the early morning of July 1, 1997, the Hong Kong Convention and Exhibition Center located in Victoria Bay, Hong Kong, the world-famous handover ceremony of the Sino-British Hong Kong regime was held grandly. At 23:59 on June 30, the British flag with rice characters on a blue background and the British-ruled Hong Kong flag with a crown lion and rice characters slowly lowered, marking the end of a century and a half of British colonial rule; at 0:00 on July 1, During the National Anthem of the People's Republic of China, the bright five-star red flag and the Hong Kong Special Administrative Region flag with blooming bauhinia rose slowly, and China has since resumed the exercise of sovereignty over Hong Kong.

After the handover ceremony, Prince Charles and the recently resigned last Hong Kong Governor Patten boarded the retiring royal cruise ship "Britannia" in the dark night and sailed away from Hong Kong. The place where the ship weighed anchor was exactly where the first Hong Kong Governor Pottinger landed in Hong Kong 154 years ago.

Two years later, the Chinese nation welcomed the new century with another moment of abdication of shame. On the night of December 19, 1999, the Macau Cultural Center Garden Hall was brightly lit. At 23:58, the green Portuguese flag and the Macao City Hall flag fell like sails. At 0:00 on the 20th, the five-star red flag and the green Macao Special Administrative Region flag with a lotus pattern were raised on time. The Chinese and Portuguese governments completed the handover of power in Macau at this moment.

“Wang Shibei set the Central Plains Day, and the family sacrifices were not forgotten.” On the night of Macao’s return, more than 20 people from four generations of Mr. Wen Yiduo’s descendants reunited at their home in Mentougou, Beijing , held a family ceremony to celebrate Macao's return to the motherland. A couplet hangs high in the home: "On the 100th birthday, red candles are burning all over the place. Drinking wine comforts the heroic souls. The ninety-nine years are over and the stagnant water is slightly rippled, and the head is held high in the new century."

Wen Yiduo's son Wen Lidiao said: "My father's long-cherished wish for the reunion of flesh and blood has finally come true. May my father be wise and happy with us."

New Century Dream: The complete reunification of the motherland and the great rejuvenation of the Chinese nation

"The return of the 'Seven Sons of China' is almost imminent!"

It has not been revealed for five thousand years,

Maybe he was possessed suddenly,

Suddenly there was a thunderbolt in the blue sky

It exploded:

"Our China!"

——Wen Yiduo's "One Sentence"

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Wen Yiduo (1899～1946)

Chinese poet and scholar of literature and history. He also has many names, including Yousan and Youshan, and his family name is Jiahua. Later it was renamed Duo, and then Yiduo. Born in Xishui, Hubei Province. In 1912, he was admitted to Tsinghua School in Beijing. He served as editor of "Tsinghua Weekly" and editor of the student section of "Journal of Tsinghua University", and published many poems and essays in old style. In July 1920, the first new poem "West Bank" was published, and new poems were published continuously thereafter. The early poems were mostly in free style, which more prominently showed the aesthetic tendency and the beautiful style. In November 1921, the Tsinghua Literary Society was established as an important member. In December of the same year, he gave an academic lecture on "Research on the Rhythm of Poetry" at the Tsinghua Literature Society. The following year, he wrote "Research on the Rhythm of Rhythmic Poetry" and began to conduct systematic theoretical research on the rhythm of new poetry. In 1922, he went to the United States to study painting, literature, and Chinese classical poetry and modern British poetry. During this period, he composed and published poems such as "Ode to the Sun" and "Lone Wild Goose" to express his longing for the motherland. He also published influential new poetry reviews such as "The Spirit of the Times of Goddess" in "Creation Weekly". After publishing his first new poetry collection "Red Candle" in 1923, he began to devote himself to the creation of new poetry. He returned to China from the United States in 1925, taught at the Beijing Art College, and became the main contributor to the "Morning Post Supplement·Poetry" edited by Xu Zhimo. In 1926, he published a paper "The Rhythm of Poetry", proposing that new poetry should have "the beauty of music (syllables), the beauty of painting (words), and the beauty of architecture (the symmetry of stanzas and the uniformity of sentences)." He created a new genre of metrical poetry and influenced many subsequent poets.

In 1928, the second poetry collection "Dead Water" was published, collecting 28 poems written after 1925. The content of the works is more substantial, the form is neat, and the language is concise, forming a unique melancholy and beautiful art. style. In March of the same year, "Crescent" magazine was founded, listed as editor, and published a small number of translated works in the magazine. After autumn, he served as dean of the School of Liberal Arts and director of the Chinese Department of Wuhan University, and since then he has devoted himself to the study of ancient Chinese literature. In 1930, he was transferred to the position of dean of literature and director of the Chinese Department of Qingdao University. In 1932, he settled in Beijing and served as professor of the Department of Chinese Literature at Tsinghua University.

After the outbreak of the Anti-Japanese War, he taught at Changsha Provisional University, which was composed of Peking University, Tsinghua University and Nankai University. In 1938, he worked as a professor at Southwest Associated University in Kunming. At this time, he extensively studied ancient Chinese cultural heritage, starting with the study of Tang poetry, dating back to the pre-Qin, Han, Wei and Six Dynasties, and even ancient mythology, oracle bone inscriptions and bells and tripods. Focusing on literature, he also involved folklore, sociology, and anthropology to form a A complete research system on Chinese literary history and cultural history. He has made particularly great academic contributions to the study of "The Book of Changes", "The Book of Songs", "Zhuangzi", and "Chu Ci". He has written monographs such as "Myth and Poetry", "Miscellaneous Treatises on Tang Poetry", and "New Meanings of Classical Classics". In 1942, he published "Compendium of Chu Ci", which was widely praised by the academic community. He joined the China Democratic League in 1944. After the victory of the Anti-Japanese War, he served as a member of the Central Executive Committee of the China Democratic League, a propaganda committee member of the Yunnan General Branch and the president of "Democracy Weekly", becoming an active democracy fighter. On July 15, 1946, he gave a speech at a memorial meeting for Li Gongpu held at Yunnan University, criticizing the Kuomintang. He was assassinated by a Kuomintang agent that night. In 1948, Kaiming Bookstore published "The Complete Works of Wen Yiduo".

Bibliography of works:

"Review of Winter Night Grass" co-authored with Liang Shiqiu, 1922, Tsinghua Literature Society

"Red Candle" (Collection of Poems), 1923, Taidong; 1981, Humanities

"Dead Water" (Collected Poems), 1928, New Moon; 1980, Humanities

"The Complete Works of Wen Yiduo" (1 to 4 volumes), 1948, Enlightenment; 1982, Sanlian

"Selected Works of Wen Yiduo" 1951, Kaiming

"Selected Poems and Prose of Wen Yiduo" 1955, Humanities

"Wen Yiduo's Youth" Collected Poems" 1983, Yunnan People

"Wen Yiduo on New Poetry" (review) 1985, Wuhan University Press

"Chu Ci Supplementary Edition" (classical literature research) 1942, Chongqing National Book Publishing House

"Myth and Poetry" (Classical Literature Research) 1956, Ancient Books

"Classic New Meanings" (Part 1 and 2, Classical Literature Research) 1956, Ancient Books

"Miscellaneous Treatises on Tang Poetry" (Research on Classical Literature) 1956, ancient books

"Wen Yiduo on Classical Literature" 1984, Chongqing Publishing House

"Exegesis of Li Sao" ( Classical Literature Research) 1985, Shanghai Ancient Books

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Mr. Wen Yiduo’s remarks He Do

Zang Kejia

This article narrates the main deeds of Mr. Wen Yiduo and shows his noble character and spirit. Read the text carefully and think about it, what kind of spirit should we learn from Mr. Wen Yiduo? From what perspective does the author select materials and determine the focus of narrative?

"I do what others say, but I do it Let’s talk about it later.”

“I don’t necessarily do what I say, but I don’t necessarily say what I do.”

As a scholar and poet, Mr. Wen Yiduo, in the 1930s, During my two years at National Qingdao University, I was deeply impressed by him. At that time, he had stopped writing poems and was interested in research. He is digging into ancient classics like he is searching for treasures in the earth's crust. The higher you look up, the harder you climb; the harder you drill, the harder you drill and the more persistent you are. He wants to eat up and digest all the cultural history of the Chinese nation over thousands of years, and his bright eyes reach far into the past. He wants to give our declining nation a cultural prescription for relief. From 1930 to 1932, "Wang, Hear, Ask, and See" was still in the initial stage of "Wang". He started with Tang poetry, never looking into the garden or going downstairs. He spent his poor years and devoted all his efforts. In his later years, Du Fu was too lazy to "not comb his hair for a month." Mr. Wen's hair is always messy, and he has no time for it. He almost forgot to eat, he was greedy for spiritual food; he slept very little at night, for the sake of research, he cherished every inch of the shade and divided the shade. The late night light is his companion, because it opens the way to light and "bleachs the four walls."

Moveless, silent and silent. One after another, large square bamboo paper notebooks are filled with densely packed small regular script, like a swarm of ants arranging the Yamen. After several years of hard work, the fruit of "Miscellaneous Comments on Tang Poems" has been condensed.

He didn’t “say” it first, but he “did it”. Made outstanding achievements.

He “did” it, but he didn’t “said” it himself. He then switched from Tang poetry to Chu Ci. After ten years of hard work, a "correction" came out. Others were praising and marveling, but Mr. Wen Yiduo didn't "say anything" personally. He moved towards the "new classical meaning" again. He was attentive and focused, and became the master of "why not go downstairs".

Speak after what has been done, and do not talk about what has been done. This is only one aspect of Mr. Wen Yiduo, as a scholar.

Mr. Wen Yiduo also has another aspect, that of being a revolutionary.

In this regard, the situation is completely different and contrary to the past.

As a fighter for democracy and a leader of the youth movement, Mr. Wen Yiduo "said".

At first, he whispered that only the young people in Kunming could hear him; then, his voice became louder and louder, and he shouted to the people of the country, asking the people to rise up, oppose dictatorship, and strive for democracy!

He wrote in his letter to me Said: "This body has no other merits. Since I have a heart and a mouth, I must speak happily!"

He "said", followed by "doing". It’s no longer a case of “you’ll have to do it” or “you won’t have to say it after you do it”. Now, he "does" what he "says". Words and actions are completely consistent, which is a reflection of character, and it comes at the cost of life. < /p>

This is a political leaflet he drafted to fight for democracy and oppose dictatorship!

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