What do you mean by raw, clean and ugly?

"Sheng" refers to male characters, "Dan" refers to female characters, "Jing" refers to painting faces, "Duan" refers to middle-aged men, and "Ugliness" refers to comedy characters. Righteousness and ugliness refer to five trades in traditional Chinese opera performance. There are several branches in different industries, all of which have basically fixed performers and performance characteristics.

Living performance is one of the main businesses in China's traditional opera performance, which refers to the male role besides pure ugliness. Life can be roughly divided into old students, young students, international students, late students, martial arts students, baby students and so on. In life, except for some ugly martial arts students, everything else is plain.

Dance refers to female roles, which can be divided into Qing Dan, Huashan, Hua Dan, Beijing Opera Blues, Wu Dan and Lao Dan. Tsing Yi is generally dignified and decent, while Hua Dan is a young woman. Huashan is a dance that pays equal attention to singing, reading, doing and playing. Lao Dan is an old woman, while Wu Dan is a woman who is proficient in martial arts.

Clean lines are also called drawing faces. This business is characterized by various colors of patterns and masks, and its character is rough and heroic. Such figures have broad timbre, vigorous and magnificent, and we are familiar with Guan Yu, Zhang Fei, Cao Cao and Bao Zheng.

The last line is generally played by men over middle age, most of whom are bearded. The last line is subdivided into three types: old men, dead men and foreigners. Among them, the old man is a middle-aged man with a punctual figure, and the last one is a middle-aged man with a small role.

Ugly behavior generally refers to funny characters in Chinese dramas. They usually sketch faces between the bridge of the nose and the eye socket, and in most cases they play funny and funny roles. At the same time, ugliness is also divided into two branches: Wen Chou and Wu Chou.

The development of Beijing opera;

Since the fifty-fifth year of Qing Qianlong (1790), four Anhui-based Huizhou classes, Sanqing, Sixi, Chuntai and Hechun, which were originally performing in the south, have successively entered Beijing to cooperate with China artists from Hubei.

At the same time, it accepted some plays, tunes and performance methods of Kunqu Opera and Shaanxi Opera, and absorbed some local folk tunes. After constant communication and integration, Peking Opera was finally formed.

Beijing opera has a set of standardized artistic expressions in literature, performance, music, stage art and other aspects. The singing of Beijing Opera is a plate-shaped variant, with Huang Er and Xipi as the main vocals. Beijing opera accompaniment can be divided into two categories: piano field and martial arts field. Huqin is the main musical instrument in the field of literature, and drum board is the main musical instrument in the field of martial arts.