There was a beautiful woman in the Han Palace, but the son of heaven didn't know her at first. She used to be an emissary of the Han Dynasty and married Khan. Nothing in the world, once lost, is hard to get back. Although you can kill the painter, what are the benefits? As far as the eyes and ears can see, Wan controls Yi Di! Han Jicheng is all thumbs, but women can't boast. When Princess Ming left, she shed tears on the branches. The wind rises at dusk, and whose house does it wander to? Beauty is better than life, don't blame the east wind.
And Wang's two songs/Fei Ming Qu and Wang's notes 1 Wang: Wang Anshi, word. This group of poems was written in praise of Wang Anshi's Two Songs of the Ming Dynasty. 2 Hu people: ancient names for northern minorities. Yi: In ancient times, the eastern tribe was called Yi, and the northern tribe was called Di. This refers to all ethnic groups except China.
Wang's two songs and Wang's appreciation of the first four sentences of this group of poems. They descended from the sky and wrote the hunting life of Hu people in poetic language similar to prose, which showed the difference between Hu people and Han people. Then she took over Who Will Marry a China Woman to Hull from Princess Ming. It shows that the princess was a "China woman" when she married Hull, with a "jade" face and a "heartless sandstorm", and even "China people" were not seen, which clearly indicates that the princess suffered from "vagrancy". Next, use "push your hand", followed by "think for yourself at once." "Pushing hands and giving up hands are still words of pushing hands and letting go." Pipa is originally an onomatopoeic word, just like modern Pipa, which takes the sound of an instrument as its name. Push and release, grandstanding, depicting the Ming princess full of grief, handy, became a song. But the plaintive sound of pipa was so touching that even the conference semifinals listened to the "consultation". This writing is the same as Wang Anshi's "Walking on the sand but looking back". The above three layers, from the differences between Hu and Han customs, describe the sufferings of the Ming princess in exile, and then write that the Ming princess is homesick for composing music, and the music is arranged in an orderly way, with the focus on the "new sound spectrum" of this pipa. Because this is exactly what the author wants to lament.
The sentence "Yu Yan" is inherited; The sentence begins with "Pipa". The context is clear and the brushwork is extremely correct. What I want to talk about is the reaction of pipa after it was introduced into Han nationality. Fei Ming's Homesickness Song should have aroused the pity, sympathy and indignation of the Han family. However, in Han Palace, it is regarded as a "new sound spectrum" to "fight for it" and enjoy the sufferings of others. "Resentment" and "bitter voice" have not caused due response.
"There are good people in the world, and there will be good results". The "slim female hand" in the Han Palace "can't learn to play the piano" in class, precisely because the rulers like this "new voice"; And they like this "new voice" precisely because they were "born in the palace" and have no idea of the suffering of the frontier fortress. This is not just a "slender hand". Since the history broke into sixteen states, the vast areas in the north never recovered in the Northern Song Dynasty, and many people "wandered to the ends of the earth". During the reign of Renzong, Liao and Xixia invaded alternately, but in the Song Dynasty, the monarch and his subjects still whitewashed the peace and the banquet was still safe. "I don't know what Huang Yun's way out is, but this sound energy breaks my heart? This is the author's exposure and condemnation of the failure of the monarch and his ministers in times of peace in the Song Dynasty. People who used to write about the princess wrote about her personal experience or expressed the feeling that "a scholar has never met", but Ouyang Xiu set out from the debate over the summer vacation and focused on state affairs, which was his advantage over his predecessors. Moreover, talking about state affairs, as far as the "new voice" of pipa is concerned, can be seen from an early age, so it is more artistic than "there is something in the poem" in the later period of Song with the King.
The second one translated the four sentences of "Han Palace" into the meaning of Li Yannian's poems in the Western Han Dynasty, and briefly described the facts of Ming Fei, with simple brushwork. The two sentences of "stunning" are closely followed by the first four sentences, and the beauty is that they are completely spoken in the tone of a "heavy color" king; "Although can" this sentence, instead of accusing the Han Yuan emperor, to talk about this matter. But this only paves the way for the next two sentences.
The word "eyes and ears" is the whole warning strategy, and the Song people said "to the point" (quoted by Qian Jinzhai in "Shilin Guangji"), which is widely read. The poet said that the beauty and ugliness in front of him can't be distinguished. How to judge the "ex situ" situation thousands of miles away? How can we work out the strategy of subduing Yi Di? This is a profound historical insight, expressed in poetic language, which is rare throughout the ages. In fact, it is not "controlled by Yi Di", but "controlled by Yi Di". Therefore, it is natural to draw the conclusion that "Han Jicheng's intention is already clumsy".
The sentence "Han is clumsy" is concise and profound, which is the main theme of the whole poem. "Harmony" in the Han Dynasty and "New Year's Coin" in the Song Dynasty are both begging for peace, which is the same. This poem refers to the Han Dynasty on the surface, but actually refers to the Song Dynasty. The beauty is that as soon as it is pointed out, it immediately goes back and forth to "women can't boast", otherwise it will become "On Marriage" instead of "Fermin Song".
"Tears for the departure of Princess Ming" four sentences, tears on the flowers, make the tragic atmosphere vivid, but mainly used to arouse the word "beauty". To make it clear, the princess is "conscious" and "unlucky", complaining but not angry. Ouyang Xiu, Hui and others misunderstood Wang Anshi's poems, such as "There is no north or south in life" and "Hann is shallow and profound", so they wrote these two sentences to make them conform to the "gentle and honest" poetry teaching. The difference between Ouyang Xiu and Wang Anshi's ideological realm can also be seen here. However, the explanation should not be too solid. For example, Qian Jinzhai said that "it's not ignorance, it's the luck of the Ming princess, and it's the luck of the Ming princess", which contradicts the titles of "the son of heaven didn't know at first" and "the eyes and ears are still so", and does not conform to the poet's purpose of "graceful and restrained"
The first one is about the "Han Palace", and the second one is about the "clumsiness" of the in-laws policy. It is of great practical significance to spread the Song Dynasty through the Han Dynasty. In the meantime, narration, lyricism and discussion are mixed, and the turning point is ups and downs, but it is natural and smooth, with a clear image. Although the text is a poem, it is poetic. Ye Mengde said that Ouyang Xiu's poem "The beautiful body is mainly composed of Ziggy" (Shilin Poetry), and this poem is good at beauty with Ziggy.
And the background of Wang's two songs/Wang's creation Since the Han Dynasty, Wang Zhaojun's story has always been a subject that poets are happy to recite, but most of them can't say the word "sadness" on the theme. Among them, Lu's "Hating Zhao Jun", Li Bai's "Wang Zhaojun" and Du Fu's "Five Poems about Things" all won by exaggerating and excavating the tragic connotation. In the fourth year of Jiayou (1059), Wang Anshi (Character Festival) wrote two poems of Fei Ming, discussing the new police, and there were many people who made peace for a while. Ouyang Xiu also wrote two songs for peace.
Poetry: Wang and Ming's two non-songs/Wang Poetry: Ouyang Xiu's poetry classification in Song Dynasty: writing people, frontier fortress, life, returning home and poetry creation