Gui Song Shan was written by Wang Wei, a poet in the Tang Dynasty.
Bound home to Songshan:
The clear river flows slowly through the bushes like my chariot.
I became a traveling companion and went home with the birds at dusk.
An abandoned city wall is above an old ferry, and the autumn sunset drowns the peaks.
In a distant place, next to Songshan Mountain, I will close my door and get peace.
Translation:
The clear Sichuan water is surrounded by a piece of vegetation, and the horses are driving away slowly.
The running water seems to be full of affection for me, and the birds in the evening return with me.
The desolate city is close to the ancient ferry, and the afterglow of the sunset is full of golden autumn mountains.
At the foot of the distant and lofty Songshan Mountain, I closed the door and refused to spend my old age in the secular world.
Poetry influence:
Wang Wei is one of the important representatives of China's pastoral poetry school. He not only inherited and developed the tradition of landscape poetry initiated by Xie Lingyun, but also absorbed the plain and mellow beauty of Tao Yuanming's pastoral poetry, and pushed it to a new height, occupying a very important position in the history of China's poetry development.
Wang Wei's landscape poems are mostly written in the later period. Compared with his predecessors, he expanded the content of this kind of poetry and added its artistic style, which made the achievements of landscape poetry reach an unprecedented height. This is his outstanding contribution to China's classical poetry.
Wang Wei's poems enjoyed a high reputation before and after his death. In the Tang Dynasty, the poems of Liu Changqing, Dali Ten Talents, Yao He and Jia Dao were all influenced by Wang Wei to varying degrees. Until the Qing Dynasty, Wang Shizhen's verve theory was actually based on Wang Weishi.
Reference to the above content: Baidu Encyclopedia-Wang Wei