The true story of Ah Q in Scream is the representative work of Mr. Lu Xun. This novella is based on the society before and after the Revolution of 1911. By describing the tragedy of farm worker Ah Q who was oppressed, tried to resist and was finally killed by reactionary forces, it profoundly revealed the class contradictions in the countryside at that time and criticized the bourgeois-led Revolution of 1911 for being divorced from the masses and its incompleteness. The author deeply sympathizes with Ah Q's unfortunate experience of being bullied and destroyed, and shows the spirit of "mourning his misfortune and angering him". Zhao Taiye and other reactionary forces were strongly whipped; Through the bitter criticism of Ah Q's spiritual victory law, he expressed his strong desire to awaken farmers' consciousness and urge them to start the revolution. The True Story of Ah Q is one of the most outstanding works in the history of modern literature in China, and it is also a world-recognized masterpiece.
The works about rural themes in Wandering all show the fate of rural women. The tragic fate of Sister Xianglin in Blessing is another powerful accusation against feudal ethics for "cannibalism". Divorce is Lu Xun's last novel with real life as its theme. It shows the rural reality after the Revolution of 1911 more profoundly than Storm, indicating that the fate of rural women has not changed.
The novel "Kong Yiji" depicts the image of intellectuals under the imperial examination system with concise and simple conception and pure and precise language, and exposes the sin that the imperial examination system tramples on life and destroys human nature. "Medicine" is also a famous article that angrily exposes the feudal system of "cannibalism". However, not only ordinary people but also young revolutionaries were "eaten" by feudal ignorance and superstition. It has long been a sobering literary allusion that Hua Laoshuan used hard-earned money to buy human blood steamed bread to treat Xiao Shuan.
Hometown is a well-known masterpiece of China. Through what we saw and heard when we met again after a long separation, especially the story of our childhood partners ploughing the soil, readers can see the disasters suffered by farmers in China in the 1920s, such as "many children, famine, exorbitant taxes, soldiers, bandits, officials and gentry".
Lu Xun's novels have the most sober realistic spirit; Mr. Lu Xun absorbed the advantages of economic structure, flexibility and diversity of western novels, broke the single form of China's traditional Zhang Hui novels and created a new form of China's modern novels. It is not an exaggeration to call Lu Xun the father of China's modern novels. Lu Xun is a literary master who created typical characters, and created the first batch of immortal typical images for the art palace of modern literature in China, such as Ah Q, Runtu, Sister Xianglin, Lu, Zijun, Kong Yiji and Siming.
Since 1930, Lu Xun has successively participated in progressive organizations such as China Freedom Movement League, China Left-wing Writers League, China Civil Rights Protection League, etc. Regardless of the persecution of the Kuomintang government, he actively participated in the revolutionary literary movement. 1936 After the dissolution of the "Left League" at the beginning of the year, he actively participated in the anti-Japanese national United front in the literary and art circles. 1927- 1936 has created most of the works and a large number of essays of New Stories. Through his prose, Lu Xun showed his image as a revolutionary who persistently struggled with the old forces to the end. Most of his essays are included in Three Ji Xian, Two Hearts Collection, Qiejieting Prose Collection, Qiejieting Prose Collection II and Qiejieting Prose Collection Final Edition.
Lu Xun's essays are "miscellaneous", which has two main characteristics: 1. The China society it reflects has considerable depth and breadth, from which people can clearly see the historical features of modern China society. For example, judging from a single article, most of his essays are concrete, small and ordinary things, but together they are a complete social image. Therefore, his essays are very general and representative. 2. Lu Xun paid attention to the transformation of China's national character all his life, mainly through his essays.
Lu Xun's essays are very vivid, and the logical power of reasoning, argumentation, criticism and refutation in the article is reflected by vivid images, so his essays are full of artistic colors. The style of Lu Xun's essays is free and changeable, and short comments are his common form. His writing style is cold and awe-inspiring, fresh and meaningful, sharp and sharp, meaningful and colorful. His prose is a style with great influence in modern literature.
Lu Xun is also an important pioneer of modern prose poetry, which is included in Weeds. The content of Weeds: 1 is a mockery of the secular world and an attack on dark politics, such as Dog Argument, Revenge and Pale Blood; 2. Instead, I entrust myself with the anguish and struggle in the dark, such as Autumn Night, Passer-by, Farewell to the Shadow, etc.
Weeds is a symbolic work of art, among which the most artistic features are various images created by symbolic means.
Lu Xun's reminiscence prose was included in Morning Flowers Collection. Some essays inherit the characteristics of traditional prose, and people write notes with plain pen and ink containing profound thoughts. Moreover, when reviewing old feelings, they often make comments and express some dissatisfaction with the status quo.
Lu Xun's life has made great contributions to China's cultural undertakings. He led and supported the progressive literary groups such as the "Unnamed Society" and "Chaohua Society". Editor-in-chief of literary periodicals such as National Newspaper Supplement, Mangyuan, Running, Germination and Translation; Enthusiastic care and active cultivation of young authors; Vigorously translate foreign progressive literary works and introduce famous paintings and woodcuts at home and abroad; He collected, studied and sorted out a large number of classical documents, critically inherited the ancient cultural heritage of the motherland, and compiled A Brief History of Chinese Novels, An Outline of the History of China Literature, Legends of Tang and Song Dynasties and Notes on Old Events.
193610 June19 died in Shanghai.