Mr. Wen Yiduo commented

Wen Yiduo is not only a famous poet in the history of modern literature in China, but also a unique master of Chinese studies. His research includes Tang poetry, Chu ci, book of songs, ancient myths and other fields. 1930- 1932' s two years in Qingdao are an important period in Wen Yiduo's academic research career. After eight years of academic start, he completed the transformation from a poet to a scholar in Qingdao, launched a comprehensive study of classical literature, and determined the research methods, which had a far-reaching impact on future academic research.

Famous experts' comments on Mr Wen Yiduo;

1. "His sharp eyes, rich knowledge, novel and informative statements are unprecedented, and no one has come since, I am afraid." (Guo Moruo)

2. "I would rather fall than give in to the Kuomintang pistol" (Mao Zedong)

3. "Strict academic spirit, strong sense of justice, firm democratic belief and love for the broad masses of the people." (Wu Han)

Wen Yiduo (1899165438+1October 24-65438+July1May 946), whose real name is Wen Jiahua, is a native of Xishui County, Huanggang City, Hubei Province, a great patriot in China, a staunch democracy fighter, and a democracy in China.

19 12 was admitted to Tsinghua University to study in the United States. 19 16 began to publish a series of reading notes in Tsinghua Weekly. 1in March, 925, I wrote Song of Seven Sons while studying in the United States. 1928 65438+ 10 published the second book of poetry, Dead Water. Wen Yiduo left Qingdao on 1932 and returned to his alma mater, Tsinghua University, as a professor of Chinese Department.

1946 July 15 was assassinated by Kuomintang agents in Kunming, Yunnan.

Main achievements: When Wen Yiduo created the metrical style, he put forward a specific proposition, namely, three beauties: the power of poetry includes not only the beauty of music and painting, but also the beauty of architecture. The beauty of music refers to the beauty of hearing in poetry, including the beauty of rhythm, flatness, stress, rhyme and pause. It requires harmony, in line with the poet's mood, fluency without awkwardness-this does not include the use of sound for special effects.

The beauty of painting means that the vocabulary of poetry should try its best to express colors and colorful pictures.

Architectural beauty is put forward by the pointer to the free body, which means that every verse should be symmetrical and every line should be of equal length-this equal length does not mean that the number of words is exactly equal, but that the number of scales should be the same, so that metrical poems can have a symmetrical appearance.

References:

Wen Yiduo-Baidu Encyclopedia