● Thirty-seventh Autumn Frost Zhai occasionally married Begonia Club Yuanye Chrysanthemum.
Tan Chun proposed to Baoyu to set up a poetry club. Jia Yun sent two pots of begonia flowers, hence the name Begonia Society. Tanchun named Daiyu Princess Xiaoxiang, and Baochai named Baoyu Busy, Rich and Leisure. Xiangyun wrote poems and volunteered to be the host. Baochai asked Xiangyun to rest, advised Xiangyun to invite the old lady to eat crabs and enjoy osmanthus flowers, and taught Xiangyun to spin with needles. Twelve chrysanthemum problems for two people in the evening.
Comment 1: As early as the middle of the year, Tanchun wrote a poem: "The cold grass in the setting sun brings heavy doors and moss is full of rain." Jade is hard to compare with cleanliness in spirit, and snow is easy to ecstasy. My heart is weak, and my beautiful image is marked in the middle of the night. Don't say that the fairy can feather, and the family will accompany me to sing late. "Through this poem, we can see that this poem is a portrayal of Tan Chun himself." Jade is harder than cleanliness in spirit ",which is synonymous with" abstinence from desire ". "Snow is bones and muscles, and it is easy to be fascinated" is also a further description of her image of "fine eyes, eager to climb over the wall, the essence of literary talent, forgetting the customs when seeing it". The fragile mind reminds people of a broken kite; The appearance of the silk fairy also reminds people of marrying far away. Tan Chun endowed Bai Haitang with his own feelings. In fact, he was praising himself with Bai Haitang.
Comment 2: (Appreciation of Hunan Scroll Poetry in 2006)
Xue Baochai shouted Bai Haitang.
Jane smoked the door during the day and joined hands with the urn to fill the moss basin.
Rouge washes away the shadow of the autumn platform, and ice and snow absorb the soul.
Only when you are weak can you know that flowers are more colorful, but when you are sad, you can get jade without trace.
If you want to pay for the cleaning in Bai Di, you will get dizzy if you don't talk about Tingting.
Lin Daiyu shouted Bai Haitang.
Half-rolled curtains cover the door, and the ice is ground into earth jade as a basin.
Steal a pear for three cents and borrow a plum blossom for a soul.
The moon cave fairy sews robes, and the woman who always wipes crow marks in my heart in autumn.
Who is shy and silent? I'm tired of leaning against the west wind at night.
Poetry about objects pays attention to both form and spirit. In the above two poems, Bai Haitang's "white" is the main couplet, but there are different shapes to describe the spirit: "rouge washes away the shadow of autumn platform, and ice and snow reveal the soul". The first sentence washes away rouge to express its natural beauty, and the second sentence describes the soul and purity of jade with crystal ice and snow. The use of inverted sentences is novel and unique; The words "he" and "Zhao" vividly convey the charm and grace of the company by personification; The setting off of "autumn stage" and "exposed masonry" is even more meaningful. The poet implicitly shows Bai Haitang's simplicity, elegance, cleanliness and self-motivation.
In the first sentence, Pak Lei was used to describe Bai Haitang's "whiteness". Compared with the "washing out" sentence, the latter sentence pays more attention to the clear expression of "white", and then endows Bai Haitang with the spirit of being aloof from the world with the soul of plum blossom. Stealing and borrowing skillfully use personification techniques; The word "stealing" is derogatory, imaginative and ingenious.
Tan Chun suggested that Baoyu set up a poetry club. It shows that the relationship between Daiyu and this family and people has been well integrated. It is already the feeling of "insiders". )
Back to the 38th, Lin Xiaoxiang's "Poem of Taking Chrysanthemum" and Xue Heng's "Satire and Crab Singing".
Grandmother Jia brought Lady Wang, Xifeng and Aunt Xue in. Mrs. Wang said that grandma likes it there, right there. Grandmother Jia praised Baochai for being meticulous and thinking everything properly. Everyone writes chrysanthemum poems. Li Wan commented on Princess Xiaoxiang, and Baoyu clapped his hands, which was extremely unfair. Baoyu took the lead in singing crab poems, and Baochai made a fuss. It's just that irony is too poisonous.
Comment point 1: Dai Yu's three poems, Chanting Chrysanthemum, Asking Chrysanthemum and Dreaming Chrysanthemum, are all new in title and conception, and are rated as the first of the poems. Daiyu won the championship by singing chrysanthemums. First, it shows that Daiyu is brilliant. Second, because chrysanthemum is her own symbol, she is proud and lonely, without any compromise or dust. Daiyu's loneliness and nobility are pure true temperament.
Comment point 2: The significance of Baochai's poems about crabs: 1 A Dream of Red Mansions tells the true story of political issues with the false words of affection for children, that is, seeing the big from the small. ? 2. The aim is to scold the world: satirize corrupt officials who are greedy for fame and fortune and attached to inciting the trend. Baochai is an orthodox school in ancient society, maintaining the existing order everywhere. Borrowing her poems to skillfully scold the world is just like temporarily "making love for the text", which can play more protective roles. In fact, it is a satirical poem disguised as an idle landscape coat. ? 3. It's like praising Baochai: writing about Baochai's sophistication and satirizing the world's forgetting to look in the mirror. It's really derogatory: laughing at others for not choosing the right way and "Pipa Chunqiu" is not trying their best to win the position of Grandma Bao Er? It is said that crabs stink, but if you are keen on official career economy, there will be no Confucianism. Tell others that eating crabs should be "sexually cold-proof". Is it only crabs that are "frigid"? Ask the crab, "What are the benefits of falling into the kettle today?" ? Don't you ask yourself: What are the benefits of the golden lock finally matching Baoyu? And so on. Poetry seems unintentional, but it has really become Baochai's self-mockery.