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Flowers are ignorant, the moon is boring, and wine is lifeless. Cutting peaches ruined his scenery; Ying Ge cooked it. Help me. Burning inkstone books, cracking piano paintings, destroying words and smearing names. Xingyang Zheng, born in wooden lattice, begged for food. It's painfully cold, and police tactical unit is too thin. Look at the autumn grass in Pengmen, and break the lane every year; It is raining outside the window, and the lights are dim every night. Does God still keep his mouth shut and forbid him to give a sigh or two? Crazy, take a hundred photos of Wu Si and write them down in detail.
Author Zheng Xie (1693— 1765) was born in Xinghua, Yangzhou (now Xinghua, Jiangsu). He is a versatile writer with his own calligraphy, painting, poems and songs, and his prose is also quite successful. In particular, calligraphy and painting are famous all over the world, and they are the leaders of the "Eight Eccentrics of Yangzhou".
Banqiao lived in the prosperous time of Kanggan in the early Qing Dynasty, but before the age of 40, he was penniless. He first roamed the north and south, then settled in Yangzhou and made a living by selling paintings. He once described himself as down and out at that time: "Selling 100 yuan a day to plow crops instead of planting crops is really helping the poor, becoming famous and elegant, and avoiding being in power and begging for official residence." Later, he got financial support and help from his friends. He made a determined effort to study, finally got into the Jinshi, and served as the magistrate for twelve years. At the local level, wherever he went, he was very concerned about people's livelihood and tried his best to do something good for the people. Finally, because he asked his superiors to open a warehouse to help the poor in the famine year, he was dismissed from office because he was touched by a big official, so he returned to Yangzhou to sell paintings until his death.
Qinyuanchun is a resentful work by Zheng Banqiao when he was selling paintings in Yangzhou in his middle age.
The first film of Ci expresses a kind of abnormal psychology when the author hates to the extreme. It is a pleasing sight to spend a full moon, and wine can also make people drunk and forget their worries. However, because the poet has no life, no hope of fame and fortune, no way to serve the country, and his resentment reaches its peak, he feels that "flowers know nothing", flowers can't understand the author's mood, "the moon is boring", enjoying the moon can't relieve his worries, and "wine is lifeless", raising a glass to relieve his worries is even more worrying. In this extremely bad mood, he took it out on peach parrots, calligraphy, inkstones and piano paintings for no reason. He wants to cut off the gorgeous peach blossoms and destroy the beautiful spring scenery; He wants to cook parrots as dining tables; He wants to burn the inkstone, tear up the guqin, and tear up the painting, hoping to destroy all the articles in the world and write off the false reputation in the world, because in Zheng Banqiao's view, this article and false reputation are too misleading. Zheng Banqiao's era, "for intellectuals, this is also a combination of anesthesia and repression. Many times in the name of' well-read', unprecedented literary inquisition, into * * * (Fu Baoshi's preface to Zheng Banqiao). The imperial examination system is actually a kind of netting and deception to intellectuals. Zheng Banqiao's articles are wonderful, and his poems are spread all over the world. What's the use? In the sixty-first year of Kangxi (1722), he was still a scholar at the age of thirty; in the thirteenth year of Yongzheng (1735), he was a scholar at the age of forty-four; in the first year of Qianlong (1736), he was a scholar at the age of seven (1742). It is no wonder that the career of such an extraordinary and peerless wizard is so hasty, making sarcastic remarks such as boiling parrots in peaches, burning inkstone books, cracking piano paintings, and destroying literary names. Later, he even printed "Seven Official Ears" between the frames, and also printed: "Kangxi scholar Yongzheng raised a scholar to be a scholar" (Bronze is the first word), and ended with "Xingyang Zheng, who has a family background of singing and begging", mocking himself with the allusions of the famous legend Li Wa Zhuan in the Tang Dynasty, and continuing to tease the world and express his anger. Li Wa Biography describes Zheng Sheng, the son of Xingyang Gong, the secretariat of Changzhou, who went to Beijing to study for the exam at the order of his father and fell in love with Li Wa, a famous prostitute in Chang 'an at first sight. After living together for a year, she was driven out of the brothel by the madam because of her wealth, and she lived as a person who sang an elegy for the dead. Later, he was beaten by his father Xingyang Gong, and he came back from the dead and became a beggar. Li Wa heard the sound of his hunger and cold, and his conscience found the old love revived and hugged Zheng Sheng. Zheng Banqiao used this allusion here and made a quip, which means that I am a descendant of Zheng Sheng in Xingyang, and I will despise fame and fortune like this ancestor and make that kind of affair, even if I become a beggar because of the amorous feelings of men and women, I will never regret it. Of course, Zheng Xie didn't really do such a thing, but "the anger of laughter is greater than the crack", which showed his cynicism at a deeper level.
The following films specifically describe the poet's poverty and hardship, and further express his resentment against fame and fortune. "The cold is uncomfortable, and police tactical unit is too thin." It seems that I am destined to be poor, and I will never change. People will laugh at me for wearing a broken straw hat and a blue-collar bachelor suit, and I am skinny. Then, with "look" as the leading word, it focuses on "Pengmen autumn grass, breaking lanes every year; The words "drizzle in the window, solitary light at night" specifically describe the poverty of the poet's family, the neglect of the family, the hard work of reading alone at night and the anguish that no one understands. According to the autobiography of Banqiao, he said, "When I was young, I was no different from others, just young and long. Although grown up, but ugly, salty easily. You talk big, you are too conceited, and you can only abuse it. All ancestors looked at each other and were forbidden to associate with each other. But reading can be self-study, self-anger, self-reliance, self-denial, self-denial, from shallow to deep, from humble to lofty, from near to far, to the ancient Olympic area, thus smoothing out one's temperament. "In the saved pamphlet (incomplete version), he said:" Banqiao seems sleepy, but it is not more important than time, and it is blocked by taboos, so it is not allowed to take the exam. The more angry, the more embarrassed, the more restrained, the more subtle ... "It is precisely because of the above experience that the poet pointed to heaven in his speech, cursed the earth, and condensed his pent-up anger into a powerful rhetorical question:" Is God still silent and not allowed to make a sigh or two? "The sound of hitting the ground with a stone is the crowning touch of the whole word, like a sharp spear hitting the core of the cold world.
"I'm crazy. Take a hundred pieces of Wu Si and write it out in detail." This sentence shows Zheng Banqiao's straightforward and withdrawn temperament. Zheng's Biography of Zheng Xie said: "The family is poor and uninhibited. I have been to Yanshi when I was young, and I like to stay with the children of Zen, Qimen and Yulin. If you talk loudly every day, whether you are hiding from people or not, there is no taboo. Sitting is a crazy name. " "Crazy" is a derogatory term. Poets are not ashamed of it, but proud of it. He said that he would use 100 tissue paper to express his sadness in detail, which meant that he would persist in being "crazy" until he was old. This is an important reason why Zheng Banqiao can become one of the "Eight Eccentrics in Yangzhou", and it is also the shining point of Zheng Banqiao's personality.
Writing is like a man. This poem is full of fierce words, satire, sharp words, witty words, fancy imagination, lively style and romanticism. At that time, it had spread like wildfire, and the string was carried back. According to the village brochure (incomplete version), "Nantong Li was born in my family in his early years. I have heard people recite the word "hate" on the Maha pool in Chengdu until "Pengmen Qiucao, the lane is broken every year; It's raining outside the window, and it's still at night', which means mourning. After asking people, beggars' gangs have been chanting for several years. "This shows its high popularity and great influence.