Father walked in front, carrying a bulging canvas bag. I packed my bags three days ago, and even brought towels and soap when I went out for the first time. I followed my father, followed the heavy luggage, and my mother and brother and sister walked behind.
The afternoon train left early in the morning and we walked slowly. There is a familiar smell from the corn fields on both sides, and the corn will be harvested soon. Going to college is exciting; It's sad to say goodbye to my hometown.
As we approached the county seat, the road turned a corner and the village could no longer be seen. At Xiguan intersection, my father and I went to the railway station by car. Outside the dusty window, my mother became a vague shadow, and soon there was only a little left and disappeared from my sight.
It doesn't feel like the train is moving forward, but I'm shooting backwards at my hometown. Before dark, the mountains replaced the vast, gray, beautiful and shocking plains. The train roared, passing through one tunnel after another, carrying me to the distant place where I didn't go home.
Write | three books
0 1
Injury, the Ming dynasty is a barrier to the mountain.
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Guizi ballad
(Five Dynasties) Feng Yansi
Cold mountain wall,
Who plays the jade emperor on the river?
The boat sent Xiaoxiang guests on a long journey,
Reed flowers are thousands of miles away, and the frost and snow are white.
Hurt the color,
The Ming Dynasty was a mountain barrier.
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If "xing" means that things evoke a certain feeling in the poet's mind, then this arousal also exists for readers. It's just that the reader's feelings are not necessarily caused by the same thing, but by any word in the poem. That word can be crucial or inconspicuous, depending on the three-dimensional relationship between the individual and the language and the world, which is an inexhaustible secret between poetry and readers.
There are many words that moved me in this ballad, such as Hanshan, Jiang Shang, Yu Di, boating, Lu Hua and Frost Moon. Almost all words are like treasures, emitting their own temperament and beauty, but the word that can arouse my personal feelings most is "color".
What is the line color? The first memory is. How did my family send me that morning, how did my father carry the bag of luggage, how did he leave the house, how did he wait for the bus to take a ride, how did he buy apples at the intersection ... Before and after leaving, any search that caused parting was called "moving color". For a separated person, it is almost everything you see when you leave.
In this word, everything embodies the color of travel and conveys the coolness of parting. "Hanshan is blue", it is autumn. Although the mountain is blue, it is freezing. There is a saying in the Taibai word "Bodhisattva Man" that "Hanshan area is sad and green". Because of the cold weather, the blue color of the mountain is called leaving people sad, or it is sad. Just like if I love you, the white shirt you wear is also a kind of sad white.
The poet Feng Yansi never said the word "sadness". Sadness is implied in the intertextuality with Taibai Ci, and is blown out by flute in the next sentence. "Who plays the flute in the Jianghu?" The piper has no intention, but the listener has a heart. The flute is long and there is the moon. Yu Di said something else for him. In other words, how much sorrow the flute has blown, and the ship has not yet left, which has made people miss each other.
"The boat sent Xiaoxiang guests far away", and the guests traveled thousands of miles and rowed on the boundless river. A person wandering between heaven and earth alone has felt small and lonely, and the situation is a "Xiaoxiang guest", a frustrated person exiled by the world. Zhu Jiangshui Mae, reed flowers thousands of miles away, set each other off with the frost and the moon, up and down a piece of white. "Reed flowers are thousands of miles away, the moon is frosty", and sadness and loneliness all mean farewell.
Hanshan, Jiang Shui, Jade Emperor, Lu Hua, Frost Moon and Guanshan are all visible, which is heartbreaking. The saddest thing about all these searches and situations is that after tonight, "the Ming Dynasty is a mountain barrier". Guanshan not only blocks the geographical distance, but also implies the great absence of each other's world, just as Fu's poem "Asuyama is separated from us, after tomorrow-who can say for sure?" .
Chou Ying's Map of Xunyang and Northern Fujian (partial)
02
Divided into two towns by a river.
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Say goodbye to Qiu Jiang twice.
(Tang)
Other places are early autumn, and Jiangting Yue Ming brings rivers.
I already feel that I have lost Sichuan, and I feel sorry for it. I saw Jin Shu hiding behind the boat.
Return to the boat and ride, facing each other in the south and north of the Yangtze River.
Who said that waves are just a piece of water, and mountains and rivers are two townships?
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In ancient times, until not long ago, a mountain and a river were real barriers, and beyond the mountain, the other side of the river was distance. The two villages live across the river, the smoke is visible, the chickens and dogs hear each other, and the people die of old age. Even if there is occasional contact, they often pretend that they are not suitable for each other's local accent, laughing at or secretly admiring each other's customs and feelings.
The second song of Wang Bo's "Farewell to Qiu Jiang" is about the distant feeling separated by a water. Farewell to the river and "ride back to the boat", the bigger the scene, the more sad it is. Returning to the boat and crossing the river to the other side, riding back is to send the other side and back, but in the opposite direction.
Take a boat back to Jiangnan and ride a bike back to Jiangbei. "Jiangbei faces Jiangnan". Jiangbei and Jiangnan, separated by a river, are close at hand and far away, loving each other. Riding on the boat, Jiangnan and Jiangbei create a staggered effect in rhythm and rhetoric, thus discovering the potential order of things and experiences.
We often say, "a garment with water is just a garment with water, which is not enough to be a barrier." Wang Bo retorted here, "Who said that the waves are just one water, and the mountains and rivers are two townships?" One water can separate each other into two townships.
A river is not necessarily wide. There are boats and bridges to cross. However, on this side, it's a bit far to see the other side. When you say goodbye on the shore, friends leave by boat, or you are in the same boat. Once you leave the shore, there is not only water between you, but also wind and different time and space.
Wang Bo's talent is mostly in such a delicate place. The two Qiu Jiang farewells are similar in form. The first two sentences of the first one also use criss-crossing rhetoric to arrange the secret relationship between things, but they look more like the above. "It's early autumn in a different place", and it's already sentimental in a different place. Early autumn is even more commendable and adds a sense of separation. "Jiangting River flows with the bright moon", and you can't see the flow of the river at night. The moonlight shines on the water, and the water waves vibrate with the moonlight, just as the moonlight flows with the river. The moon is everywhere. At this time, the river said goodbye and the bright moon drifted with the tide. Looks like Mingyue Lian is falling apart, too.
The last two sentences are even more offensive. "I already feel that the past has hurt me", and the running water will take you away. This is not anyone left behind for the dead. The passing of Sichuan makes people feel sad. "Looking back at the Tianjin tree leaving the boat", I caught a glimpse of your boat, hiding behind the tree at the ferry.
The poet's mind is like a magnetic field, which directly attracts the perceived things, so they directly enter the echo of emotion and language. Although the times have changed and the farewell places have changed, people's hearts have not changed, at least our hearts will not change. When we saw Farewell, we looked at the time anxiously, caught a glimpse of each other's luggage and heard the whistle of the train. We all had the same feelings as Wang Bo's poems.
Wen Ming Boren's Picture of Xunyang in Fujian
03
When the sail disappears in the sky
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Farewell to Meng Haoran on the way to Yangzhou from Yellow Crane Tower.
(Tang) Li Bai
My old friend resigned from the Yellow Crane Tower,
Fireworks fell in Yangzhou in March.
Lonely sails, distant shadows, blue sky,
Only the Yangtze River flows in the sky.
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In Ming Dynasty, Chen Jiru praised Taibai's poems as "the ancestor of farewell poems". Of course, this poem is not the earliest farewell poem. Mei Gong should mean well. This poem has a high reputation because of its beautiful words, deep affection and the reputation of being too white and noble.
There were many contacts between poets in the Tang Dynasty. The relationship between poets is closely related to their age, personality and talent, so it is best for others not to make wild comments. For Li Bai, Meng Haoran is a predecessor whom he admires both in writing poems and being a man. A letter to Meng Haoran wrote: "Master, I sincerely salute you. Your fame has risen to the sky. In the rosy youth, you gave up the importance of hats and chariots and chose pine trees and clouds; Now whitehead. Drunk moon, sage of dreams, bewitched by flowers, you turned a deaf ear to the emperor. Mountain, how I long to reach you, it is a pure fragrance. " Exaggeration, every word overflows from Li Bai's heart.
The farewell party was held in the Yellow Crane Tower, and Haoran contributed greatly. This poem began after the farewell. "Fireworks set off in Yangzhou in March", a timeless saying, describes Mencius' elegant image and also means "fragrance". In spring, the smog is misty and the time is as light as a dream, so the place I want to go is also called Yangzhou. This situation is reflected in the text, weaving a beautiful dream.
The words written in poetic language, that is, the sentences called "xing" in the Book of Songs, are not only a foil to human feelings, but also to express positive significance. Mr. Zhou Zuoren believes that the beauty of things is written first, which is the free imagination between mind and things. For example, "Peach flies away and burns its flowers" has not lost its independent significance because it is related to women's marriage. It is because of the beauty of peach blossom that we fall in love with this poem among so many poems describing women's marriage.
Tang poetry still has a real "xing", and you can still hear the original * * * sound of the heart and everything, as well as the free echo of emotion and imagination. In Taibai's poems, You Mei is purely intuitive, and sentences like "Fireworks in March in Yangzhou" are even more miraculous.
"The lonely sail is far away, and the sky is exhausted." Taibai stood on the Yellow Crane Tower and watched Haoran sail away until his eyesight was exhausted and the sail shadow disappeared in the air. He is still disappointed and reluctant to leave. At this time, "only the Yangtze River flows in the sky", and a person just disappears, as if falling from the world, even farther than Yangzhou. Especially at that time, people didn't know that the earth was round. Seeing the lonely sails in the sky would have a great impact on vision and psychology.
The earth is round, although it is common sense today, but when you stand upstairs and watch the boat paddle on the water, the water flows on the ground, the boat and the water, you and the whole world, are sucked on the surface of a sphere, and the ball flies while spinning, think about how incredible it is! If Taibai knew this, I wonder what kind of poems he would write.
Lu You mentioned in the Book of Entering Shu that the poem sent by Taibai to Meng Haoran was written by him when he passed the Yellow Crane Tower on August 20th, 1 169. I don't know whether he is wrong or there is another version. The last two sentences quoted in the book are "the lonely sail reflects the blue mountains far away, but the Yangtze River flows in the sky". He thought it was a credible version, and explained that "the cover sail reflects far away, and the mountains are particularly impressive. You will know it after a long time in the river." I believe that Lu You's words are true, but after all, they are not as leisurely as "a lonely sail and a clear sky". Instead, a distant shadow and a blue mountain.
Affectionate and not lyrical, but writing different things from time to time is the best lyric. Taibai's admiration and concern for honesty, such as surging river water; The emptiness and loneliness left by Haoran are as long as the blue sky.