Five poems about historical sites, Part III? Tang dynasty? Du Fu
Thousands of mountains and valleys are close to Jingmen, and girls grow up here.
She came out of the purple palace and entered the desert. Now she has become a green grave in the yellow dusk.
Her face! Can you imagine the spring wind? Huan Peikong is the soul of jathyapple.
The Tatar song on her jade guitar tells her eternal sadness.
Explanation:
Wanling and Qianshan, as if a wave went to Jingmen, the village where Wang Zhaojun grew up still exists.
From Zitai to the desert beyond the Great Wall, the green grave left alone in the wilderness faces dusk.
Only by drawing pictures to identify Zhaojun's face, the ring at the foot of the mountain is worn and jingled, which is the return of Zhaojun's soul.
For thousands of years, the pipa has been playing the tone of Alakazam, and the music expressed obvious dissatisfaction with Zhaojun.
Creative background:
This group of poems is a work of praising historical sites and nostalgic people, and then cherishing their feelings. In the first year of Dali in Tang Daizong (766), the author visited Song Yuzhai, Yuxin Ancient House, Zhaojun Village, Yong 'an Palace, Ancestral Temple and Wuhou Temple from Kuizhou to Jiangling. He deeply respected the ancient talents, national colors, heroes and names, and wrote Five Poems on Monuments to express his feelings.
About the author:
Du Fu (7 12-770), with beautiful words, is called "Du Gongbu" and "Du Shaoling" in the world. Born in Fugong County, Henan Province (now gongyi city, Henan Province), he was a great realistic poet in the Tang Dynasty. Du Fu is regarded as a "poet saint" by the world, and his poems are called "the history of poetry". Du Fu and Li Bai are called Du Li,
In order to distinguish them from the other two poets, Li Shangyin and Du Mu, namely "Little Du Li", Du Fu and Li Bai are also called "Big Du Li". He is concerned about the country and the people and has a noble personality. About 65,438+0,400 of his poems have been preserved, and his poetic skills are exquisite, and he is highly respected in Chinese classical poetry and has far-reaching influence. He lived in Chengdu from 759 to 766 and was commemorated by Du Fu's Caotang.