I know I've been in love for a long time, and I'm disappointed with the sound of the river in Wangjiangtou. Translation and interpretation of the lack of love
Lotus leaves give birth to spring resentment.
The lotus leaf withered, and autumn hatred became again.
I deeply know that as long as I am in this world, my feelings will last forever.
How much melancholy, only the endless sound of the river.
Appreciating Liu Xizai's Introduction to Art and Poetry, Li Shangyin's poem "For Love" is a very representative masterpiece.
Although the first seven sections are all positive sentences, they do not conform to the law of mutual attachment. The author deliberately made one or two sentences wrong, two or three sentences were not sticky, and used his unique method of word reuse to describe lyricism. Feng Haozan praised this poem "Reminiscent of the Past", which is exactly the characteristics of this poem. It was written in a French sentence, such as the ancient, with a sad tone and a sad and touching tone.
"Lotus leaves hate life in spring and hate life in autumn." At the beginning of the poem, the author's inner regret is murmured in a slow and heavy tone. There are four words in the seven words of the upper and lower sentences, and the repeated use of similar words reminds people of the chanting of "rainy night" in his seven famous poems "Notes on Sending Friends to the North on a Rainy Night", which comes from the straightforward feeling. The contrast between these two sentences has turned the heartless Qujiang lotus leaf into a sentient thing, as if the spring and autumn of the lotus leaf were all related to the poet's sorrow. In the sentence, spring is born and autumn is withered, and the contrast between hate and hate enriches the connotation of the poem. In this way, the first half of the poem expresses deep mourning from the aspects of tone, words, rhetoric and writing. This situation can be verified in Yishan's mourning poems, and reading helps to understand the content and intention of this poem. "Song in the Room" says: "I remember the spring of the year before last, and there was no sadness in the words." In the spring of three years (849), Wang Sheng fell ill. Shi Yishan returned to Beijing as a guard because Zheng Ya, the head of government, was demoted. When the husband and wife meet again after a long separation, they are speechless. Knowing how to wander by the mountain for many years and follow people, we will have a more concrete and practical understanding of the meaning of "Spring hates life" in his poems. In the second year, the poet was forced by his livelihood and had to travel all the way to Lu Hong, Xuzhou to stop the shogunate. "Song in the Room" says: "Go home, the gold wares are longer than people." In the spring of the fifth year (85 1), Yishan Xu Mu went home to make up for Dr. imperial academy and spent the last few months in Beijing with his beloved wife. Unfortunately, Wang died in autumn. These famous mourning poems such as "persimmon leaves turn over and mourn alone", "Qiu Lin's abdomen is hard to send, and Wan Li's west wind is long at night" can explain why they refer to "autumn resentment". "Nothing but parting before death." Yishan and his wife love each other deeply, but they are often separated for their careers. The sudden death of Wang left many regrets for the poet. Only by knowing people and exploring the world can we accurately grasp the lyrical content of narrative.
The sentence "I know I have been in love for a long time" is infinitely sad, pushing the continuous affection contained in the first two sentences to a poetic realm that is hard to see. Such passionate mourning words, as he wrote in Dongchuan's poem "Return to Disease", said: "Affectionate true life is thin, and it is easy to be ileum." He only lives in the world temporarily, and the saddest thing is that he often turns grief into joy, and sorrow is hard to stop. However, this sentence is even sadder and sadder, and only the heartfelt words of "Spring silkworms die, night candles burn their wick" in the poem Untitled can seem. Therefore, poetry has reached the ultimate state.
Creative background: Wang, the wife of Li Shangyin, died in the autumn of the fifth year of Dazhong (85 1). In the winter of 856, he was ordered to enter the DPRK, and Li Shangyin returned to Beijing with Liu. Arrived in Chang 'an the following spring. Feng Pu called it "returning to Beijing in the early spring of the eleventh year", and so did it. In the spring of the 12th year of Dazhong (858), Li Shangyin died in Zhengzhou. From this point of view, this article should be a solo tour of Qujiang in the autumn night in the eleventh year of Li Shangyin (857).
Li Shangyin, a native of Yuxi, xi, was a famous poet Fan Nansheng in the Tang Dynasty. His ancestral home is Qinyang, Hanoi (now Jiaozuo, Henan) and Xingyang, Zhengzhou. He is good at poetry writing, and his parallel prose also has high literary value. He is one of the most outstanding poets in the late Tang Dynasty. Together with Du Mu, it is called "Xiao", and together with Wen, it is called "Wen Li". Because his poems and essays are similar to the paragraphs and essays of the same period, all three of them rank sixteenth in the family, so they are also called "Thirty-six Style". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng". Caught in the struggle between Niu and Li, I was frustrated all my life. After his death, he was buried in his hometown of Qinyang (now the junction of Qinyang and Aibo County in Jiaozuo City, Henan Province). His works are included in Li Yishan's poems. Li shangyin
Li Shangyin, a native of Yuxi, xi, was a famous poet Fan Nansheng in the Tang Dynasty. His ancestral home is Qinyang, Hanoi (now Jiaozuo, Henan) and Xingyang, Zhengzhou. He is good at poetry writing, and his parallel prose also has high literary value. He is one of the most outstanding poets in the late Tang Dynasty. Together with Du Mu, it is called "Xiao", and together with Wen, it is called "Wen Li". Because his poems and essays are similar to the paragraphs and essays of the same period, all three of them rank sixteenth in the family, so they are also called "Thirty-six Style". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng". Caught in the struggle between Niu and Li, I was frustrated all my life. After his death, he was buried in his hometown of Qinyang (now the junction of Qinyang and Aibo County in Jiaozuo City, Henan Province). His works are included in Li Yishan's poems. ? 820 poems and essays
Look at the weeping Yang Lianyuan, Du Ruo invaded the sand, and his sadness has not returned to his eyes. I believe that in Maqinglou, under the curtain, the graceful demeanour is wonderful. Cui Zun * * *. Listen to colorful songs, and feel good. Hand in hand, the moon is walking in the clouds, and the night is slightly warm. Infinite. Romantic evacuation. There are hidden bows and shoes, and I secretly send incense. Tomorrow, the smell of Jingu and Xiangjiang River will remind people to untie the spring cable. It's chaos. Disappointed soul, smoke and water in the distance. And fight for each other, take Agger and meet the mayor. -Song Dynasty Jiang Kui's "Mei Wu Zhangxi Zhongyuan" Mei Wu Zhangxi Zhongyuan
Song Dynasty: Jiang Kui
Look at the weeping Yang Lianyuan, Du Ruo invaded the sand, and his sadness has not returned to his eyes. I believe that in Maqinglou, under the curtain, the graceful demeanour is wonderful. Cui Zun * * *. Listen to colorful songs, and feel good. Hand in hand, the moon is walking in the clouds, and the night is slightly warm.
Infinite. Romantic evacuation. There are hidden bows and shoes, and I secretly send incense. Tomorrow, the smell of Jingu and Xiangjiang River will remind people to untie the spring cable. It's chaos. Disappointed soul, smoke and water in the distance. And fight for each other, take Agger and meet the mayor. Writing about people, love and lyrical crescent moon is like an eyebrow, which has no meaning. Red beans are unsightly and full of acacia tears. Divide peaches all day, and people are in their hearts. Sooner or later, the two partition flowers will tie the knot. -Five Dynasties Niu Xiji's "Crescent Curling Eyebrows" Crescent Curling Eyebrows.
Five Dynasties: Niu Xiji
The crescent moon is curved like an eyebrow, and there is no sense of unity. Red beans are unsightly and full of acacia tears.
Divide peaches all day, and people are in their hearts. Sooner or later, the two partition flowers will tie the knot. There are 300 Song Ci poems, including Yuefu, folk songs, the moon, missing, loving peaches, full of red flowers, and the spring water in the middle of Shu slaps the mountain stream. A girl saw it and thought that her husband's love was as fleeting as this peach blossom, and infinite sadness was like this endless river of water. -Liu Yuxi's "Zhuzhici, Peach Blossom Over the Head" in the Tang Dynasty, Zhuzhici, Peach Blossom Over the Head
In spring, the wild peach blossoms on the mountain are bright red, and the Shuhe River beats the cliff on the edge of the cliff.
A girl saw it and thought that her husband's love was as fleeting as this peach blossom, and infinite sadness was like this endless river of water. There are 300 Song Ci poems, describing the scenery and peach blossom love.