When the above-mentioned poets "returned" in the late 1970s after a lapse of twenty years, for a period of time, they projected their frustrations and hardships on the road of life into their poems. They reminisced about the "fatal blow" when their wings were injured, and the "trembling" when they fell into the wilderness (Lv Jian's For a Friend), and were glad to finally "come back alive from afar" (Liushahe's Return). These "drifters in the sky" (Lin's Meteor) have been at the bottom of society for a long time, or in a social position of "abandoning the people", which deepened their experience of history and life and kept them at a distance from the poetic style of the sixties and seventies. Some of them have been divorced from artistic practice for a long time, and it is difficult to rebuild their keen feelings and ingenious imagination, but this also makes them more likely to present a new look in their creation than other poets. Their works in this period integrated what they thought was the "break" and "continuity" of history into their personal life forms, trying to update their blocked social ideals, aesthetic ideals and poetic styles. The similar pursuit makes their poems in this period show some similarities. Such as the "confession" nature of personal psychological emotions, the rational speculative tendency with "historical reflection" as the core, the persistence of social life ideals and the direct expression of feelings.