Hui Chong returned home in misty rain, sitting in my Xiaoxiang Dongting.
I want to call the boat home, so my old friend said it was Dan Qing.
Can make mountains and rivers far away, only Guo can grow old together.
But I wrote Li Cheng's torrential rain, but I regret that there are no six goose streams.
Xu Sheng dehydrated Pisces, blew bubbles and watched the night scene.
An old man got a trick and sent a book to the Jianghu.
Late broken reed withered lotus, red pomegranate bitter bamboo together.
Sleeping ducks don't know it's snowing, but cold birds take care of the wind.
Mistletoe leaves of female apes, the crisis in the north and south of the mountain.
Any sophisticated person in the world can get lost in the past, which is based on it.
Appreciation of Five Paintings of Founder is a set of poems by Huang Tingjian about Founder painting. Founder is a person who hides paintings, and the picture folder is equivalent to a modern collection of picture books and the like.
The first poem is about Hui Chong's paintings. Monk Hui Chong is good at poetry and painting. "Hua Bao" said that he "painted geese, geese and egrets"; "Look at the catalogue" said that he was "especially good at small scenes, far away in the cold river, handsome and empty, difficult to reach." It is precisely because of Hui Chong's poetic landscapes, flowers and birds that the poet's interest is particularly interesting. Both Wang Anshi and Su Shi have poems praising his paintings. Su Shi's Seven Wonders "The Night Scene of the Spring River in Hui Chong" is even more popular. The first sentence of Huang Tingjian's poem contains six words, which not only points out the author of the painting, but also describes the scenery. The scenery in the painting is not only "misty rain" and "returning to the wild goose", but also the author has room for readers' imagination. This poem shows people a picture of misty rain returning to geese. Two or three sentences went on, and in a rage, I wrote down my hallucinations caused by enjoying the scenery in the painting: I was in a trance, as if sitting on the smoke waves in Xiaoxiang Dongting, watching the geese come home, and my homesickness came to me. The poet really wants to call a boat and return to his hometown. Some versions of the word "Hu" in the third sentence are "buy". The word "buy" is not as flexible as the word "call". These three sentences not only convey the "empty image" in the painting, but also turn the painting into a real situation and blend in with homesickness. The fourth sentence falls from the first three sentences, describing the poet's body and mind has been immersed in a fantasy, suddenly heard a friend say: "this is Dan Qing!" " "At this time, I suddenly realized that I mistook painting for the real world. This ending is full of fun and twists and turns.
"Poetry is an invisible painting, while painting is a tangible poem" (Guo Lin Zhi), poetry and painting have something in common. Therefore, poetry can reproduce painting. But painting with poetry is generally not suitable for all * * *, and it is not suitable for writing all the paintings. The whole landscape has become a landscape poem, not a painting poem; Write all the pictures. Describing the scenery in the painting with poems is tantamount to abandoning the imagination and lyricism of poetry, and it is easy to write Shen Deqian Du Fu's bland and lifeless poem: "Nothing touches the painting." To draw a horse and an eagle, we must first say the real horse and eagle, and then discuss it from the real horse and eagle. Later generations can be types. "(On Poetry) Du Fu's Song of Liu Shaofu's New Paintings in Fengxian County leads to the real scene from the picture, and then returns to the painting scene from the real scene. In this poem, Huang Tingjian learned the techniques of Du Fu's poems on painting, which integrated the scenery in the painting with the real scene outside the painting and communicated people's feelings.
Another feature of Du Fu's poems on paintings is to express painting principles when describing paintings. For example, "Songs of the South, Scenery" expresses the artistic view of "traveling in ancient times and talking about Wan Li recently" because of paintings. Huang Tingjian's second poem on this topic is about Guo's paintings collected, and this expression technique is also used. Guo was a landscape painter in the Northern Song Dynasty, and his paintings emphasized "borrowing momentum". He said: "The real mountains and rivers are beneficial from a distance." His landscape painting theory "Lin Gao Quan Zhi" puts forward "three distances"-high, far and far, which means taking the distance of mountains and rivers. Huang Tingjian has a high artistic accomplishment in painting, so the first two sentences of this poem "can make mountains and rivers far away, only Guo Baitou" are very accurate evaluations. There are three or four sentences dedicated to praising Guo's works in the album. Guo once copied six "Shower Pictures" by Li Cheng, a landscape painter of the Northern School in the early Song Dynasty for Su Caiweng's family, so he made great progress in pen and ink. The poet was very excited when he saw the original "shower picture" in Fangzheng's picture folder. But three or four sentences are not straightforward, but tortuous. After seeing the painting, Guo couldn't help trying to copy the Shower Map, but he couldn't find six good silks at the moment. "Goose Creek", in Santai, Sichuan today, is famous for producing exquisite painted silk. Six silk is described as "six geese flowing", which creates a novel image with unexpected language. The stream is clear and transparent, just like a bright and gentle silk painting. Huang Tingjian studied Du Fu's poems. He is famous for his good at honing syntax and spelling. This sentence can be seen. These two sentences are both surprising and natural, adding a lot of interest to the whole poem and supplementing the meaning of the first two sentences, so that the whole poem is not boring.
From the perspective of composition and syntax, the third and fourth sentences of the second poem fall together, which is different from the third and fourth sentences of the previous poem. It can be seen that the poet's pen is flexible, never repeats, and always strives for innovation and surprise.
Brief introduction of Huang Tingjian (1045- 1 105), the author of Five Maps of Founder, whose real name is Fu Weng, also known as Mr. Yu, Han nationality, from Fenning, Hongzhou (now Xiushui, Jiangxi). Poet, poet and calligrapher in the Northern Song Dynasty, the founder of Jiangxi Poetry School, and Du Fu, Chen are also called "one ancestor and three schools" (Huang is one of them). Yingzong Zhiping for four years (1067), Jinshi. Professor Ye Xianwei from Beijing, Professor Lang Xianping from imperial academy, School Book Lang, Cao Zuolang, Secretary Cheng, Fuzhou Biejia, Guizhou Resettlement House, etc. In terms of poetry, he and Su Shi are also called "Su Huang"; In terms of calligraphy, he, Su Shi, Mi Fei and Cai Xiang are also called "four great masters in Song Dynasty". In terms of lyrics, although he was once known as Qin Guan, Huang's achievements in lyrics are far less than Qin Guan's.
Huang Tingjian's Other Works ○ Qingming
Brother Deng Kuai
○ Where does Qingping Music Return in Spring?
○ Send some replies to Huang.
○ shepherd boy poetry
○ More works by Huang Tingjian