Who has detailed information about Li Bai and Du Fu?

Du Fu (A.D. 7 12-770), Han nationality, was born in Gongxian County, Henan Province (now Gongxian County, Henan Province). His ancestor was Du Yu, a famous poet in Jin Dynasty, and his father was Du Xian. China, the greatest realistic poet in Tang Dynasty, was called "Da Du Li" and "Poet Saint" together with Li Bai. He wrote 1400 poems in his life. Tang Suzong, Official Left Addendum. After he entered Shu, he was recommended by his friends as a staff officer of Ren Jiannan Drug Rehabilitation Center, and Yuan Wailang was appointed as the school's engineering department. Therefore, later generations also called him Du Shiyi and Du Gongbu.

He studied and traveled before he was thirty-five. During the Tianbao period, he went to Chang 'an and had no way to join the army. After ten years of hardships, he won a small position in which you Wei led Cao to join the army. At the beginning of An Shi Rebellion, he was exiled and captured by the rebels. After getting out of danger, the official got a left pickup truck. In the second year of Gan Yuan (759), he abandoned his official position and went west. Finally he went to Sichuan and settled in Chengdu. He once played Yuan Wailang in Jiannan Our Time Yanwu, so he was also named Du Gongbu. In his later years, his family moved eastward, staying in Kuizhou for two years and leaving the gorge. Wandering in Hubei and Hunan, he died of poverty and illness.

Zi Mei lived in the historical period from prosperity to decline in the Tang Dynasty. Her poems are mostly about social unrest, political darkness and people's sufferings, which is called "the history of poetry". He cares about the country and the people, has a noble personality and exquisite poetic skills, and is known as the "poet saint".

Du Fu is good at using many systems of classical poetry and creatively developing them. He is the pioneer of the new Yuefu poetry style. His Yuefu poems contributed to the development of the new Yuefu movement in the middle Tang Dynasty. His "May 7th" ancient novel, which is also a history of poetry, begins to narrate and focus on the whole story, marking the high achievement of China's poetry art. Du Fu also showed extraordinary creativity in the May 7th law, and accumulated complete artistic experience in the aspects of temperament, antithesis, refining words and sentences, which made this genre reach a fully mature stage. Du Gongbu has been handed down from generation to generation.

The core of Du Fu's thought is the Confucian thought of benevolent government. He has a great ambition of "making the monarch Yao and Shun superior first, and then making the customs pure". He loves life, people and the great rivers and mountains of the motherland. He hated evil, criticized and exposed the corruption of the imperial court and the dark phenomenon in social life. He sympathized with the people and even fantasized that he was willing to make self-sacrifice to save their suffering. Therefore, his poetry creation always runs through the main line of worrying about the country and the people, which shows Du Fu's greatness. His poems are rich in social content, rich in the color of the times and distinctive in political inclination, which truly and profoundly reflect the political current affairs and broad social life prospect of a historical era before and after the An Shi Rebellion, and are called the "history of poetry" of a generation. The style of Du Fu's poems is basically "gloomy and frustrated", and the language and text structure are full of changes, emphasizing the refinement of words and sentences. At the same time, his poems have many styles. Besides the five ancient poems, the seven ancient poems, the five laws and the seven laws, he also wrote many lines. There are also various artistic techniques, which are the epitome of the ideological art of Tang poetry. Du Fu also inherited the spirit of Yuefu in Han and Wei Dynasties, got rid of the shackles of the ancient Yuefu themes and created many new Yuefu themes, such as the famous Three Officials and Three Farewells. After his death, he was highly praised by Huang Fan, Han Yu, Yuan Zhen and Bai Juyi. Du Fu's poems had a far-reaching influence on Bai Yuan's literary thought of "New Yuefu Movement" and Li Shangyin's near-body allegorical current affairs poems. However, Du Fu's poems were widely valued after the Song Dynasty. Yu Wang, Wang Anshi, Su Shi, Huang Tingjian, Lu You and others highly praised Du Fu, while Wen Tianxiang regarded Du Fu's poems as a spiritual force to adhere to national integrity. The influence of Du Fu's poems, from ancient times to the present, has long gone beyond the scope of literature and art. For details of his life, see Old Tang Book 190. This is Du Gongbu.

Three Officials and Three Farewells are the representative works of Du Fu's realistic poems. It truly describes the thoughts, feelings, actions and language of county officials, customs officials, old women, old people, brides, husbands and others in a specific environment, vividly reflects the social reality of that period and the profound disasters and pains of working people, and shows people tragic life tragedies. In these descriptions of life sufferings, on the one hand, the poet has deep sympathy for the people who have suffered greatly, and hates the enslavement and persecution of the people by officials; On the other hand, he supported the counter-insurgency war of the dynasty and hoped that the people would suffer hardships and cooperate with the dynasty to put down the rebellion. This complex and contradictory thought accords with the poet's thought of worrying about the country and the people.

Li Bai (70 1-762), a Han nationality in the Tang Dynasty, was a great romantic poet in the Tang Dynasty. His poetic style is bold and elegant, with rich imagination, fluent and natural language and harmonious temperament. He is good at absorbing nutrients from folk songs and myths, forming his unique magnificent and gorgeous colors, which is the new peak of active romantic poetry since Qu Yuan. He and Du Fu, a great romantic poet in Tang Dynasty, are also called "Da Du Li" and "Poet Fairy".

Li Bai's ancestral home is in Longxi (now Ji Cheng Township, Jingning County, Gansu Province) Ji Cheng. At the end of Sui Dynasty, he moved to Broken Leaf City in Central Asia (now near tokmak in northern Kyrgyzstan), where Li Bai was born. At the age of five, his family moved to Zhangming County, Mianzhou (now Jiangyou, Sichuan). At the age of twenty, he left Sichuan alone and began to wander widely, reaching Xiangjiang River in Dongting in the south and wuyue in the east, and living in Anlu (now Anlu City, Hubei Province). He traveled around, hoping to make friends and pay homage to celebrities, so as to get an introduction, climb high in one fell swoop and realize his political ideals and ambitions. However, after ten years of wandering, I have accomplished nothing. Continue to go north to Taiyuan and Chang 'an, east to Qi and Lu, and live in Rencheng, Shandong (now Jining, Shandong). At this time, he has made many celebrities and created a lot of excellent poems, which are famous all over the world. In the early years of Tianbao, on the recommendation of Taoist Wu Renyun, Emperor Xuanzong of the Tang Dynasty called him to Beijing and ordered him to worship the Hanlin. Soon, due to the remorse of the dignitaries, he was driven out of Beijing in Tianbao 34 (AD 744 or 745). Since then, he has been wandering in Jiang and Huai, and his thoughts are extremely boring.

In the winter of the 14th year of Tianbao (AD 755), An Lushan rebelled. At this time, he lived in seclusion in Lushan Mountain, which coincided with the great army of Wang Yong and invited Li Bai down the mountain to enter the shogunate. Later, Li Lin rebelled against Su Zong and was eliminated. Li Bai was implicated and sentenced to exile in Yelang (now Guizhou Province). He was pardoned and released halfway from Xunyang (now Jiujiang, Jiangxi) to Xuancheng (now Xuancheng, Anhui). In the first year of Baoying (AD 762), Dai Zong died in dangtu county, Anhui.

Li Bai lived in the prosperous Tang Dynasty. He had the progressive ideal of "helping the poor" and "settling down in peace", and he struggled to realize this ideal all his life. A large number of his poems not only reflected the prosperity of that era, but also exposed and criticized the debauchery and corruption of the ruling group, showing the positive spirit of despising the powerful, resisting the traditional bondage and pursuing freedom and ideals. In art, his poems are novel in imagination, strong in emotion, magnificent in artistic conception and fresh and lively in language, forming a bold artistic style and reaching the peak of positive romantic poetry in ancient China. There are more than 900 poems, including Li Taibai's poems.

His poems are rich in imagination, unique in conception, magnificent and bold in style, and he is a representative figure of romantic poetry in the prosperous Tang Dynasty.