Flowers on the river under the moonlight in spring
Year: Tang Dynasty
Author: Zhang
Genre: Yuefu
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
Rudder (Yan) travels thousands of miles with the waves, and there is no moon on the river!
The river flows around diàn, and the flowers and trees in the moonlight are like Xi à n.
Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky.
Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is only similar year after year.
I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
The white clouds have gone, and Qingfeng is at a loss.
Who will go boating tonight? Where do you miss Mingyue Building?
Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.
The curtain of the jade pot can't be rolled up, but the anvil (zhēn) was brushed up (a "finger") and returned.
At this time, I don't know each other. I hope China will shine on you every month.
Hongyan flies in the sky, and fish Long Qian jumps in the water.
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.
In spring, the river flows away, the moon falls in the pond, and it leans to the west.
Oblique (pronounced as xiá, the ancient word "oblique" has no xié sound), the sea fog is hidden in the heavy moon, and the stone alley road is infinite.
I don't know how many people return to the moon, and the moon (a kind of "flower") shakes the trees all over the river.
words explanation
⑵ Rudder: Shining brilliance. ⑵ Fangdian: a garden full of flowers and plants. (3) graupel: snow beads. (4) Frost flow: The ancients thought that frost, like snow, fell from the air, so it was called frost flow. The metaphor here is the bright moonlight, so I don't think there is frost flying. 5] Pavilion: A clearing in the water. [6] Fiber dust: fine dust. (7) Moon wheel: refers to the moon, which looks like a wheel at the full moon, so it is called the moon wheel. Poor: exhausted. (9) just look: just look, just look. ⑽ excellent: slim and far-reaching. ⑾ Qingfeng Shop: Place name, there is Qingfeng Shop in Liuyang County, Hunan Province today. Here generally refers to the place where homeless people are. ⑿ boat: a solitary boat. [13] Moonwalk: refers to the moonlight movement. [14] dresser: dresser. ⒂ Jade pot: describes the magnificent pavilions with jade inlaid. [14] Anvil: clothing stone, cloth stone. ⒄ Hear each other: exchange information. ⒅ Chase: Follow me. Moonlight: Moonlight. 9. Text: The same pattern. ⒇ Infinite Road: Words are far away from people. (2 1) In the moonlight. (22) Shake feelings: incite feelings and talk about family ties.
Translated text
In spring, the river tide is mighty, connected with the sea, and a bright moon rises from the sea, as if spewing out with the tide.
The moonlight shines on the river, and it shines thousands of miles with the waves. There is no bright moonlight somewhere on the river.
The river winds around Yuan Ye, where there are many flowers and plants. The moonlight shines on the blooming trees like thin snow beads.
Moonlight falls from the sky like frost, and I can't feel its flight. It makes the white sand by the river invisible.
The river and the sky are the same color, there is no dust, only a bright solitary moon is hanging high in the air.
Who first saw the moon by the river, and when did the moon on the river shine on people for the first time?
Endless, endless, only the moon on the river, year after year, always similar.
I don't know who is shining the moon on the river, and the Yangtze River is constantly conveying running water.
The wanderer slowly left like white clouds, leaving only the homesick woman standing in the parting green maple.
Which vagrant is drifting on the boat tonight? Where is someone lovesick upstairs in the bright moon?
The moonlight that keeps moving upstairs should shine on the dressing table of people who leave.
The curtain of the beautiful boudoir can't roll away the moonlight, but it blows away the moonlight on the stone, but it comes again.
At this time, I look at the moon but I can't hear each other's voice. I hope to shine on you with moonlight.
The swan that delivers letters can fly far away, but it can't fly to you with moonlight. The messenger fish, Long Qianchen, can swim far, but it can't reach you. Can only cause ripples on the water.
Last night, I dreamed that the flowers fell into the leisurely pool, and the spring did not return.
The river flows away the spring water, and the spring water will run out. The moon sets late in the pool, and now it's slanting west.
The slanting moon slowly sinks and hides in the sea fog, and the distance between Jieshi and Xiaoxiang is infinitely far away.
I don't know how many people can go home by moonlight, only the sunset is swaying away from love, and the river is full of trees.
Famous sentences through the ages
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide.
I drift with the tide for thousands of miles, and there is no moon by the river.
[[Edit this paragraph] A short comment.
This is a famous poem, which is called "Lonely Poetry Overwhelms the Whole Tang Dynasty".
Moonlit Night on the Spring River follows the old theme of Sui Chen Yuefu, and expresses sincere and touching feelings of parting and philosophical understanding of life. The language is fresh and beautiful, and the rhythm is melodious, which completely washes away the thick powder of palace poems, giving people a clear, empty, beautiful and natural feeling. Later generations commented that "Zhang's" Moonlit Night on a Spring River "uses the style of Xizhou and is unique to everyone." Li He and Shang Yin are fresh and moist; As its tributaries, Song poetry and Yuan poetry show their extraordinary lofty status and infinite far-reaching influence. In this poem, "Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide", "There is no dust over the river, and there is a solitary moon wheel in the sky", "I don't know each other at this time, and I hope to see you in China every month" and "I don't know how many people will return home every month, and the moon will shake the trees all over the river" are all beautiful sentences with delicate descriptions and scenes.
[Edit this paragraph] Author Zhang Brief Introduction.
Zhang (about 660-720) was born in Yangzhou (now Yangzhou, Jiangsu). Former Yanzhou soldier Cao. From 705 to 707, Zhongzong Shenlong, together with He, He Chao, Wan Qirong, Xing Ju and Bao Rong, was famous for its beautiful ci in Kyoto. Together with He, Zhang Xu and Bao Rong, they are called "Four Scholars of Wuzhong". Xuanzong kaiyuan was in fashion.
His poems are exquisite in description, harmonious in syllables, beautiful and elegant, and rich in emotion, which plays an important role in the transformation of poetic style in the early Tang Dynasty. However, influenced by the gentle poetic style of the Six Dynasties, it often reveals the feeling of impermanence in life. There are many scattered poems, and there are only two poems in the whole Tang Dynasty. One of them is "A Moonlit Night on a Spring River", which is a masterpiece through the ages and has the reputation of "one poem overwhelms the whole Tang Dynasty".
[Edit this paragraph] Appreciation of Poetry and Prose
1. A moonlit night on the riverside was praised by Mr. Wen Yiduo as "the poem in the poem, the peak on the peak" ("The Salvation of Palace Poetry"), which has fascinated countless readers for more than 1000 years. Zhang Yisheng only left two poems, and he is also famous for this poem. It is "a lonely poem, but it is written for everyone".
The title of this poem is very attractive. Spring, river, flowers, moon and night, these five things embody the most touching beauty of life and constitute a fascinating and wonderful artistic realm.
The poet began to compete with the topic, and the topic came to life at the beginning. On the riverside, he drew a magnificent picture of a moonlit night: the river was in the sea and the moon was in the tide. The sea here is empty. The river tide is boundless, as if connected with the sea, with great momentum. At this time, a bright moon was born with the tide, and the scene was very spectacular. A word "destiny" gives the bright moon and the tide a fresh life. The moonlight shines thousands of miles away, where is it not on the bright moon river! In spring, the river winds around Yuan Ye, where flowers and plants are everywhere, and the moonlight falls on the flower trees like a layer of snow. The poet is really a unique skill of Dan Qing. With a slight stroke, he touched the strange "flowers" in the moonlight by the river. At the same time, he skillfully paid the title of "Moonlight on a Spring River". The poet's observation of moonlight is extremely subtle: moonlight washes away colorful things in the world and turns the world into a dreamy Yin Hui color. So "first frost doesn't fly" and "white sand can't be seen", only the bright moonlight. Delicate brushwork creates a mythical and wonderful realm, which makes the moonlit night by the river look extraordinarily beautiful and quiet. These eight sentences, from big to small, from far to near, gradually condensed on a lonely moon.
The clear universe of heaven and earth seems to make people enter a pure world, which naturally causes the poet's reverie and meditation: "Who saw the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet leaps forward in thought, but closely connects with life and explores the philosophy of life and the mystery of the universe. This kind of exploration has existed in ancient times, such as Cao Zhi's Looking at Ying Shi: "Heaven and earth have no end, life is like frost", and Ruan Ji's "Life is dusty, and Heaven has grace", etc., but the theme of the poem is mostly to feel that the universe is eternal and life is short. Zhang is unique here. His thought did not fall into the trap of predecessors, but turned out a new idea: "Life is endless from generation to generation, and Jiang Yue is only similar every year." "Personal life is fleeting, and human existence is long-lasting, so" endless "life and" year after year is only similar "moon can be * * *. This is a comfort that the poet feels from the beautiful scenery of nature. Although the poet is temporarily sad about life, it is not decadence and despair, but because of his pursuit and love for life. The keynote of the whole poem is "mourning without hurting", which enables us to hear the echo of the voice of the early Tang Dynasty.
"I don't know who Jiang Yue treats, but the Yangtze River sends water" is closely related to the "only similarity" in the previous sentence. Life goes on from generation to generation, so does Jiangyue every year. A lonely moon lingers in the sky as if waiting for someone, but it will never come true. In the moonlight, only the river rapids are rushing away. With the flow of the river, poetry is full of waves, pushing poetry to a more far-reaching realm. There is enmity between Jiang and Yue, and running water is ruthless. The poet naturally turned his brushwork from the natural scenery in the first half to the image of life, which led to the separation of men and women in the second half.
The four sentences of Baiyun are always written in the moonlight on the riverside, thinking about the feelings of his wife and wanderer. "Baiyun" and "Qingfeng Spectrum" are lyrical. The floating white clouds symbolize that the whereabouts of the "boat" are unknown. "Qingfeng Pu" is a place name, but "Feng" and "Pu" are often used as other scenery and places in poetry. The words "whose home" and "where" have different meanings. It is precisely because of more than one place that the poet put forward such a question, a kind of acacia, which led to the separation of the two places, one after another, poetic ripples, twists and turns.
The following eight "poor" sentences bear the sentence of "where" and write about thinking about leaving people's memories. But the poet doesn't directly think about a woman's sadness and tears, but uses the "moon" to set off her nostalgia, and the sadness and tears come out. The poem personifies the "moon" and the word "wandering" is extremely vivid: first, the clouds are swimming, so the light and shadow are uncertain; Second, the moonlight lingers upstairs, pitying the thinking woman. It wanted to accompany Sifu and relieve her troubles, so it sprinkled soft light on the dresser, on the jade curtain and on the anvil. Unexpectedly, I miss my wife more than anything. She tried to get rid of the annoying moonlight, but the moonlight "rolled away" and "brushed back" and sincerely attached to her. Here, the two spoony actions of "rolling" and "brushing" vividly show the anxiety and confusion of thinking about women. The feelings caused by moonlight deeply troubled her. At this moment, isn't the moonlight shining on the lover in the distance? * * * Looking at the moonlight, we can't know each other, so we have to rely on the moon to send love to you from afar.
In the last eight sentences, the poet used fallen flowers, flowing water and waning moon to set off homesickness. "Flat Boat" even dreamed of going home-flowers fall into a secluded pool, spring will be old, people are still far away, what a pity! Rivers flow in spring, not only the natural springs, but also the youth, happiness and longing of wanderers. The moon fell on the pond, setting off his miserable and lonely mood. Thick sea fog hides the falling moon; Jieshi and Xiaoxiang are far apart, and the road is so far. The word "heavy" aggravated his loneliness; The Infinite Road also deepened his homesickness infinitely. He thought: I wonder how many people can take the moon back to their hometown on this beautiful night by the river! His secret love, accompanied by the light of the waning moon, was sprinkled in the Woods by the river. ...
"The falling moon shakes the trees all over the river", the "shaking feelings" in this sentence-endless thoughts, intertwined with the feelings of moonlight, wanderers and poets, fell on the trees by the river, and also fell on the hearts of readers, which is fascinating.
"Moonlit Night on the Spring River" transcends the previous landscape poems that simply shape mountains and rivers, the philosophical poems that "yearn for the infinity of the universe and mourn the moment of my life", and the love poems that express the feelings of children leaving. Poets have injected new meanings into these common traditional themes, blending poetry, painting and philosophy. With the help of the description of the moonlit night on the riverside, they praised the wonderful scenery of nature, eulogized the pure love among the people, expanded their sympathy for the wandering women, and combined it with the pursuit of life philosophy and the exploration of the mysteries of the universe, thus integrating it into a kind of love, scenery and management. The poet deliberately hides the profound and beautiful artistic world in a vague artistic atmosphere, and the whole poem seems to be shrouded in an ethereal and confused moonlight, attracting readers to explore the true meaning of beauty.
The whole poem takes spring, river, flowers, moon and night as the background and the moon as the main body. "Moon" is a mixture of scenery and scenery in poetry. It beats the pulse of the poet, and it is like a bond of life in the whole poem. It runs through ups and downs, touching the scene, and poetry fluctuates with the birth and death of the moon. The moon went through the process of rising, hanging high, setting in the west and setting in the sun overnight. In the moonlight, rivers, beaches, sky, Yuan Ye, maple trees, flower forests, flying frost, white sand, boats, tall buildings, dressing tables, anvil stones, flying geese, diving ichthyosaurs, sleepless women and wandering wanderers form a complete poetic image, showing a picture full of philosophy and life interest. The color of this picture scroll is light and rich. Although sketched in ink and wash, it is "ink in the colorful", showing colorful artistic effects from the complementary of black and white and the coexistence of reality and reality. It is like an elegant China ink painting, which reflects the beautiful artistic conception of the moonlit night by the river.
The rhythm of poetry is also very distinctive. The poet's emotional melody in his poems is extremely tragic, but it is neither a sad bamboo nor a complicated string, but a serenade or dream like a violin, which is meaningful and meaningful. The inner feelings of poetry are so warm and deep, but they are natural and peaceful, as regular and rhythmic as the pulse, and the rhythm of poetry fluctuates accordingly. The whole poem has 36 sentences, four rhymes and nine rhymes. It started with the level of Geng rhyme, followed by the level of Yue rhyme, Zhen rhyme, Paper rhyme, You rhyme, Grey rhyme, Wen rhyme and Ma rhyme, and ended with Yu rhyme. The poet mixed Yang rhyme with Yin rhyme, alternating high and low tones, and the order was loud (Geng, Shuo and Zhen)-subtle (paper)-soft (especially, gray)-loud (literary, hemp)-subtle (encounter). The whole poem changes with the change of rhyme, and the use of flat tones is staggered, singing three sighs and calling around, which is repetitive and continuous, with a strong and beautiful sense of music rhythm. This change in pronunciation and charm is in the same strain as the ups and downs of poetry, which can be described as a harmonious combination of sound and text.
Second, the moonlight shines on the river to cover the whole Tang Dynasty —— Appreciation of Zhang's Moonlit Night on the Spring River (Author: Urban Hermit)
The composition structure of Moonlit Night on a Spring River is mainly neat, which varies with the clutter. Thirty-six lines of poetry, * * * is divided into nine groups, a group of four sentences, a group of three rhymes, and the other group must use another rhyme, like nine quatrains. This is its neat side. Its intricacy is reflected in the level change of nine rhymes. At the beginning, the first and third groups use flat rhymes, the second and fourth groups use flat rhymes, and then all the 5678 groups use flat rhymes, and finally end with rhymes, interspersed at will, and the tone is neat and not rigid. Syntactically, parallelism, antithesis and flowing pairs are widely used, and the cohesion and integration are wonderful, and the article is full of charm. The theme words of spring, river, flower, moon, night and people in the poem are scattered and overlapped, which brings readers into a dazzling and colorful realm.
Lian Haiping is in the spring tide, and the bright moon on the sea is born in the tide. I drift thousands of miles, where there is no moon by the river!
In the first four sentences, the interlaced landscape of two spring rivers, two bright moons, two tides and two seas immediately brought people into a magical and wonderful realm. And the last sentence, and laid the groundwork for the whole description of Jiang Yue.
The river flows around Fangdian, and the moonlight shines on the flower forest. Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.
There is no dust in the sky on the river, and there is a lonely moon in the sky. Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?
Life is endless from generation to generation, and Jiang Yue is similar year after year. I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.
We can see that in the second group, the poet wrote about the obscurity of the early moon, and in the third group, he wrote about the bright moon and thought about the ancient friendship. "Who first saw the moon by the river? When was the photo taken at the beginning of Jiangyue? " The poet thought deeply about this round of Jiang Yue, and was deeply moved and confused. Perhaps later, the great poet Li Bai "When is there a moon in the sky?" I want to stop and ask ",and Su Shi" When will there be a bright moon? The poem "Ask Heaven for Wine" is a copy of this sentence. In the fourth group, the phrase "endless life, similar years" is exactly the same as Liu Xiyi's famous phrase "flowers are similar year after year, people are different year after year". Zhang sighed that Jiang Yue is long, his life is short, and he felt that the scenery is still the same, and life is easy to get old. How similar they are! Here, the overlapping of the moon, people and rivers has a beautiful syllable and rhythm, which is intermittent and connected with flying silk, giving people a feeling of simplicity and grandeur. This poetic language form created by the poet later developed into the "nail-nail style" in Sanqu and folk songs, and it still has its moving shadow in China.
The white clouds have gone, and Qingfeng is at a loss. Who will go boating tonight? Where do you miss Mingyue Building?
The most amazing thing is that this piece of white clouds comes and goes, which makes thousands of valleys fly across the river, from the beautiful scenery and the feeling of life on the river to the flat boat in Yepu and the head of Mingyue Building, bringing out the theme of leaving people and complaining about their wives. Poor people wander upstairs for the moon, so they should leave someone to fill the mirror. The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.
At this time, I don't know each other. I hope China will shine on you every month. Hongyan flies in the sky, and fish Long Qian jumps in the water.
The bright moon on the floor always lingers in the eyes of a dissatisfied wife and shines on the mirror of the dresser, which is already lazy. On the moonlit night, parting is even more lingering, making it impossible to give people away. And the bright moon is dipped in the curtain and shines on the anvil. Besides, the curtain can't be rolled and the hand can't be brushed. At this time, people who travel far away only miss each other and can only look forward to it, but can't rely on it. Even if there is no amount of lovesickness, he can't hear it. How I wish I could fly to him by moonlight in this cage and shine on him! But even if you fly as high as Hongyan, you can't bring him the lovesick moon on the lonely building, not to mention that only the fish in the spring river jump in the waves and stir up several eddies! In a few words, I wrote my bitter wife's parting sorrow to the extreme. Then, with a change of pen, he sent eight sentences to write about the wanderer in the distance:
Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned. The spring river flows away, and Hechi reflects the moon and inclines to the west.
The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite. I don't know how many people return home every month, and the moon is full of rivers and trees.
The dream suddenly fell last night, and the spring was half broken, but the day of returning home is still far away. The river keeps running, rushing to the sea wave after wave, as if to take spring away. Hechi reflects the bright moon and has unconsciously tilted to the west. The slanting moon gradually disappeared into the sea fog. At this time, how many wanderers are still rushing home in the north and south and in Xiaxiang, Jieshi, and how many divorced women are still missing each other in Qian Shan? The night is bleak and the moonlight is like water. I don't know how many people have gone home under this bright moon, but I can only look at this boat, miss my relatives in the distance, look at the quiet river, and look at the photos when the moon sets, which makes the flower trees by the river so sad and all kinds of human feelings sway and diffuse. In this charming artistic conception, the whole article ends, the love pen is full of flowers, and the sound is lingering.
The poetic criticism of Moonlit Night on the Spring River is rampant, and there are various versions on the Internet. If I concentrate on quoting it at this time, I will probably escape the rest of loneliness and even be suspected of plagiarism. So, forget it, just write down my understanding. The so-called word games, such as expressing one's wishes or cadence, should be left to those who have the ability to do it.
The moonlit night by the river is moderate in length, but I really made great efforts to integrate myself into the park. Reading poetry is the most taboo thing. Different people, different moods and different intonations may make the original artistic conception of poetry unrecognizable. It is not so easy to control each other's emotions between people. So I chose to copy, and I drifted between the lines all morning, and my feelings flooded without warning.
Zhang doesn't even know the font size. He was a drop in the bucket among the poets in the Tang Dynasty, but with this poem alone, he was "isolated, unique and for all". Moonlit Night on the Spring River belongs to Yuefu and has the usual feelings of Yuefu poetry. Songs and songs are the poet's sadness. The whole story is simple and plain, without any comments, and the image of a man standing on the river bank is vividly printed. I saw his hands behind his back, proudly looking up at the endless white waves, admiring the vastness of nature, his heart was empty, his eyes were as white as the sky, and what sadness was revealed.
"The spring tide is in Lian Haiping, and the moon is born on the sea." He is standing on the edge of the water, which is so big that he doesn't know where the coastline is. In the smoky wind, he saw the bright moon rolling sadly with the tide, as if he could not hear the loud noise of the waves and the whining of seabirds, creating his own undisturbed peace and beauty. Yes, Chunjiang has become his emotional destination to some extent, pinning his feelings on his beauty and giving us a wonderful replay of enchanting night by the way. The beauty of moonlight, in the poet's homesickness and sadness, is like a pearl in a clam, an extension and solidification of bitterness. When the poet saw "Wan Li drifting with the waves", the moonlight reflected and the water rippled, but suddenly he felt a psychological imbalance: Why is the moon cage thousands of miles away in spring, but I can't see the smoke on my roof when I look through the autumn water! Even Fangdian by the river is enviable because of the constant company of the river.
Or he suddenly found that the moon is actually as lonely as himself. The bright moon loves the riverside, but suffers from time and space. Day after day, it can only reflect the white water day and night, and never give up. Just like the poet himself, looking at this long water, I only hope to see the concern behind the jade curtain at home.
And "Who has seen the moon by the river?" When did Jiang Yue take the photo at the beginning of the year? "The poet can't help but see the absolute disparity between man and heaven. The moon is one year old and one thousand years old. She has seen human feelings change. However, the world is born with the moon, and she yearns for death, and she can't see through the mysteries of nature until she dies. However, he added: "It is endless and passed down from generation to generation. Jiangyue is only similar year after year. "Man, the years are like water, but they are endless. Looking at the moon in Wangjiang, you should be able to see it all one day. The poet's naive self-consolation is "mourning without hurting", much like Li Bai's "drinking for the moon": today people don't see Gu Yue, but this month they took photos of the ancients. The ancients said, if people are running water, they look at the bright moon.
The poet looked up and said, "There are people who take boats as guests, and there are people who go upstairs to hurt people", and they have their own unspeakable thoughts. He seemed to see the woman who also missed him tossing and turning in front of the "dressing table" at home, and the tenderness of the moonlight added to her sadness. That affectionate woman wants to "shine on you every month" with the bright moon, and she can flow to the right person in an instant. It's a pity that "the swan goose flies too long, and the ichthyosaur dives into the water to write". Looking up to the sky, the swan goose flies far away, but it can't fly out of the light and shadow of the moon, and it's futile to fly; Looking at the river, fish jumping into the deep water will only cause ripples, and jumping is useless. "Feelings are in the intestines of fish, intentionally relying on the feet of geese." For those fish and geese who are good at sending letters, they can't convey their thoughts now.
In fact, I have other understandings of Shuichengwen. The poet's yearning, looking through the autumn water, has also become an illusion. He seemed to see the words of a book "Come from afar" in the water lines aroused by diving, and a worry spread on the water surface, and his feelings were as deep as water.
So much for the whole poem, so much for my passion. Almost aesthetic fatigue, the content behind it is not enough to make me fascinated.
The moon is slanting in the west, the sea fog is born, Xiaoxiang Jieshi, and the trees in the mountains and rivers are shaking. Take the word "shake" as the last point of view, "moonlight shake, tree shadow dance, people shake, moon shake, tree shake, people shake" The poet stood by the river until late at night, and the river wind suddenly rose. He watched the trees dancing on the shore, as if responding to his thoughts instead of others, or because the branches were heavily covered with his thoughts, his heart began to throb unconsciously and he could never calm down. I have to accept this pen.
[Edit this paragraph] The old topic of Yuefu poetry
Moonlit Night on the Spring River is an old topic in Yuefu's Song of Wu Sheng in Qing Dynasty. Who is the creator? Opinions vary. Or "not detailed"; Or what Chen Houzhu did; Or what the Emperor Yang Di did. According to Guo Maoqian's Yuefu Poems, besides Zhang, there are two poems, one by Zhuge Ying, two poems and one by Wen. They are either narrow in structure or too rich in content, far less than Zhang's articles. This ancient topic, in Zhang's hands, made generate shine brilliantly and gained immortal artistic life. Today, people don't even ask who is the original creator of this old topic, but the real creative right of the poem "Moonlit Night on a Spring River" belongs to Zhang.
Chen Houzhu first said:
1. Guo Maoqian's Yuefu Poetry (Volume 47) "Shang Qing's Qu Ci? Wu sheng's song four
"Tang Shu? Yue Zhi said, "Moonlight on the Spring River, flowers in the back garden of Yushu, written by Tang Tang and Chen Houzhu. My late master often wrote poems with female bachelors and courtiers in the palace, which often made He Xu good at writing poems and used those particularly gorgeous people to write this song. "
2. Sui Shu? Yue Zhi said: "He composed songs such as Yellow, yushu backyard flower, and Chai Jin's temples drooping with Qingqu, and wrote lyrics with Xing Chen. They were extremely gorgeous and frivolous, and men and women sang together, and their voices were very sad."
3. Sui Shu? Five elements "yue:
"Zhen Ming early (587-589), the dead for a new song, make the harem beauty learn to sing it. Its word says:' Flowers in the backyard of Yushu don't last long.' At that time, people thought that songs were prophetic, which was a sign that appeared soon. "
4. "Southern History" said:
After the Lord, Li Hua, Mrs. Kong Er, Wang Li Er Mei Ren, Er Shuyuan, Yuan, He Jieyu, Jiang Xiurong, etc. And she is favored, taking Imperial Secretary Yuan Dashe as a female bachelor. Every time a guest is invited to dinner, a new poem is presented to your wife's bachelor guest. The collector thinks it is a tune, and the maid-in-waiting gives a thousand poems. His songs include "Flowers in the Garden of Yushu" and "Music in Spring". Its simple cloud says:' The full moon tree is new at night.' On the whole, and the hole are very beautiful. "
[Edit this paragraph] Classical folk music
One of China's top ten classical songs, originally named "Valley in the Sunset", has profound artistic conception and long music. Later, the famous Tang poem "Moonlit Night on a Spring River" was renamed. It is considered as the representative of China classical national music.
[Edit this paragraph] National Orchestral Music "Moonlit Night on the Spring River"
Moonlit Night on the Spring River was originally a pipa solo, and it was named Sunset Flute Drum (also known as Sunset Flute Song, Xunyang Pipa, Xunyang jathyapple and Xunyang Qu). About 1925, this piece was first adapted into a national orchestra. After liberation, it has been adapted by many people, which is more perfect and deeply loved by domestic and foreign audiences.
Through euphemistic and simple melody, smooth and changeable rhythm, clever and delicate orchestration and clever performance, music vividly depicts the charming scenery of the riverside on a moonlit night and praises the charm of Jiangnan water town. The whole song is like a long scroll of landscape painting, with delicate strokes, soft colors, beautiful and elegant, and fascinating.
The first paragraph, "Bells and Drums in Jianglou", describes the setting sun reflected on the river, and the smoke rippled. Then, the band played a beautiful theme in unison, and the phrases were linked and euphemistic. The drums are soft and profound. The second and third paragraphs show the artistic conception of "the East Mountain on the Moon" and "the wind turns to bend the water". Then, if you see the river blowing gently, flowers swaying, reflections in the water, layers of trance. Entering the fifth stage of "deep clouds", the magnificent scenery of "there is no dust in the sky on the river, and there is a solitary moon wheel in the sky" arises spontaneously. The band played in unison, speeding up the pace, just like the picture of white sails, fishing songs in the distance, singing one by one from far and near. In the seventh paragraph, the pipa is played with a sweeping wheel, just like a fishing boat breaking through the water and setting off waves lapping on the shore. The climax of the whole song is the ninth paragraph "Alas, it is to return to the ship", which shows the artistic conception of "Alas, yes" from far and near by breaking water and splashing waves. Returning to the boat, everything is quiet, and the river is even more quiet. The whole song ends in a melodious and slow melody, which makes people memorable.
This is a famous pipa tradition Wen Qu, which has been circulated for a long time in the Ming and Qing Dynasties. Music scores were first seen in the manuscripts of Ju Shilin (1820 years ago) and Wu (1875). On 1895, Li Fangyuan included this song in the compilation of "The New Pipa of the Thirteen Groups of Northern and Southern Schools". 1929, when Shen Haochu compiled Yang Zhengxuan Pipa Music, he named it Sunset Flute and Drum. 1925, Liu He of Shanghai Datong Music Association adapted this piece into an ensemble of bamboo and silk, and changed its name to Moonlight on the Spring River according to Pipa.
Quanqu is the most common multi-voice structure in national instrumental music. Peng Xiuwen, the conductor of the National Orchestra of the Central Broadcasting Orchestra and a master of folk music, handled this song artistically and delicately. He made full use of the rich instrumental colors of the big band, skillfully arranged, and the musical instruments increased and decreased, making the sound of the band rich in high and low, strong and weak, light and heavy, and the thickness changed, and the layers were distinct. In music performance, it not only carries forward the elegant style of classical rhyme, but also makes music full of inner passion, emotion and vitality.
Yin Biao, a classical guitarist from China, adapted this piece into a guitar solo "Xunyang jathyapple" and won the classical guitar championship of Guangdong, Hong Kong and Macao on 1988. Li Haiying arranged it for a piano solo. Liu Zhuang adapted for Mori official quintet, and Chen Peixun adapted for symphony.
The whole piece of music is divided into ten bars, just like ten consecutive pictures: 1, Jianglou bell and drum, 2, the moon on the east mountain, 3, the wind returning to Qushui, 4, Huayingtai, 5, the deep water cloud, 6, the fishing song at night, 7, the beach lapping, 8, the distant wind, 9, the boat returning, 65438.
As one of the representatives of China traditional music, this song appeared at the opening ceremony of the 2008 Beijing Olympic Games.
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