What about the "thousand-character writing" written by Japanese calligraphers in small letters?

Calligraphy is based on regular script, and small script is the most basic skill in calligraphy. In the vast history of calligraphy in China, few people can write small letters well. Today, Hanmo Calligraphy shares with you a small script written by a Japanese. His name is Juan Linghu 'an, and he is also known as Japan's "three strokes at the end of the curtain" with Shimimian and Guan Mingweng. His calligraphy is unique in the Tang Dynasty.

China is the ancestor of Japanese calligraphy, and a large number of great calligraphers with achievements are also active in history. The representatives are Shimian, Guan Mingweng and Juan Ling Hu, who are the "three strokes at the end of the curtain". These three men were active in Edo at the end of Japanese shogunate politics. As famous calligraphers in Japanese calligraphy, they were the hegemons in Japanese calligraphy at that time. Among them, Juan Ling Huchong, a representative calligrapher, is known as the "Hu Ling School" of Shangguanism and has written two episodes of Interpretation of Books. Today, let's take a look at his small script "Thousand Characters". What's the level?

Hu Ling's Thousand Characters, Hu Ling, Shimian and Guanming Songweng are also known as Japan's "three strokes without a curtain", and he is a famous calligrapher in the book circle at the end of Japanese shogunate politics. At that time, three people dominated Japan with China's calligraphy.

Juanling Lake (Ernst & Young 6 years (1777) Natural Forest Protection 65438+April 7, 2004 (1843.5.6). Japanese calligrapher in edo period. Born in Houguo Lane (now Xipu District, Niigata City). Formerly known as Ikeda, surnamed Juan. Famous, profound, strict, Hu Ling, posthumous title. Shinohara called it deep inside.

Juanling Lake changed the style of imperial calligraphers prevailing in the Meiji Restoration. It is said that his students exceed 10,000. Juanling Lake, also known as "the three strokes of Japan at the end of the curtain" with Shimi and Guan Mingmi, grew up in Niigata-CHO when he was a child, and the copying temple there had a great influence on him. 19 years old, his mother died, and Japan entered the edo period. He studied poetry and calligraphy under the painter Zhai Peng Kameda. He devoted his life to China's calligraphy in Jin and Tang Dynasties. Ou Yangxun and Chu Suiliang studied regular script. Running script is based on Li Dad and Wang Xizhi.

The cursive script is based on Xiaojing, Shupu, Seventeen Posts and Dear John. The official script prefers Cao Quanbei. At the age of 29, Juan Ling Huchong wrote the book "Ten Bodies Flowing Source" and opened the "Little Tang Yuan" Academy. At the age of 53, he happened to see He's "The Book of Filial Piety" in the guard room and fell in love at first sight. He was good at poetry and wine all his life and died at Tianbao 14 (1843) at the age of 67.

Under the popular science, there are different opinions about Japan's three tricks. In Japanese calligraphy, three strokes refer to Konghai, Yidi and Tangyi, the most prominent of which is Konghai monk; Three strokes of generosity and courage refer to Ben Ami Guangyue, Jin Wei Yin Shin and Songmen Zhaocheng; The three strokes of Berberis amurensis refer to Tibetan Yuan, Mu Temple and Non-Right; At the end of the curtain, the three strokes refer to Shimian, Guanmingweng and Juanling Lake.