The emperor of China, eager to shake the beauty of an empire, has been in office for many years, searching and never finding it.
Until a child of the Yang family grew up in the inner room, almost before she grew up, and no one knew her.
However, due to the gift of heaven and no concealment, it was finally elected royal one day.
If she just turned her head and smiled, there were a hundred spells, and the powder and paint of six palaces disappeared without a trace.
It was early spring. They let her bathe in a pure pool to warm and smooth her creamy skin.
Because she was tired, a maid lifted her up, when the emperor noticed her for the first time and chose her as his bride.
On the night of spring, the warm hibiscus curtains covered her fluttering hair, petals on her cheeks and golden ripples on her head.
But the night in spring is short and the sun rises too fast. Since then, the emperor has given up his early hearing.
He wastes all his time on parties and revelry. He is the lover of spring and the tyrant of night.
There are other ladies in his court, 3,000 of whom are stunning beauties, but his love for 3,000 is concentrated on one person.
The golden house is dressed up to serve the night. When the table in the jade tower is cleaned, she will wander around and drink wine slowly.
Sisters and brothers are in this country because she illuminates and glorifies her family.
When a girl is born instead of a boy, she brings happiness to every father and mother in the empire.
... high rose plum palace, into the blue clouds, and the wide breeze carries magical notes.
Soft songs and slow dances, strings and bamboo music, the emperor's eyes can never stare at her.
Until the sound of drums came from Yuyang, which shook the earth and broke the tune of rainbow skirts and feather clothes.
The Forbidden City, a nine-story palace, is hidden in the dust and travels southwest from thousands of chariots and horses.
The imperial flag opened the way, suddenly moving and stopping, 30 miles from the capital and passing the west gate.
People in the army stop, and no one will move until they are under their hooves. They may trample on those moths.
The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird.
The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, there was blood and tears.
Hidden in the yellow dust from the cold wind, they crossed a cloud line at the crack of the steeple path.
Under Emei Mountain. The last few came, and the flags and banners lost their colors in the fading sun.
But the water in Shu is always green and the mountains are always blue, so your majesty's love is constant and deeper than the sky.
He stared at the desolate moon from his temporary palace, and he heard the rain at dusk, cutting his chest.
Heaven and earth in last contact, the dragon car comes home, and the emperor never leaves.
The memory and pain are buried in the soil of Maweipo. Where is her white face? .
Rulers and lords, when their eyes met, cried on their coats. They rode horses, loosened the reins and slowly returned to the capital.
Pond, garden, palace, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow.
But the petals are like her face, and the willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? .
Peach and plum trees are in bloom. In the spring wind, after the autumn rain, the leaves fall to the ground.
The palaces in the west and south are scattered with evening grass, and the steps are piled with red leaves that are not swept. (one day flowering: flowering at night; Nannei Yizhou: Nanyuan)
Bai Fuxin, a disciple of Li Yuan, and eunuchs in her pepper yard. .
Fireflies were flying on the throne, and he was meditating in the twilight. , he will extend the wick to its end and still never fall asleep. ..
Bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear.
And the porcelain mandarin ducks on the roof grow thick morning frost, and the jade is cold, so who and who * * *.
The distance between life and death is year after year, but no beloved soul has visited his dream.
There lived a Taoist priest in Lingqiong. He was a guest in the sky and could summon the gods through his concentration.
People were moved by the emperor's constant meditation, and they begged the Taoist priest to see if he could find her.
He opened a path in space, like lightning, cut through the sky, up and down, looking for it everywhere.
Above, he looked for the green void, below, the yellow spring, but he didn't find the one he was looking for in two places.
Then he heard a narrative about the magical island at sea, and the mountains were in nothingness.
There are pavilions in the five-color sky, and exquisite immortals walk back and forth.
And one of them, they call it forever true, has a face like her snow and flowers.
So he went to the golden gate of the West Hall, knocked on the Jasper Gate, and asked a girl named Small jade to tell Shuang Perfect.
This lady, after hearing the news of Emperor China's envoy, woke up from her dream in her canopy.
She pushed open the pillow, got dressed, shook off her drowsiness, opened the pearly curtain, and then opened the silver screen.
Because she left in such a hurry, her muddy hair ornaments hung aside, and when she came along the platform, her flowered hat was loose.
A breeze blew her cloak and fluttered with her movements, as if she were dancing with a rainbow skirt and feather coat.
Tears rolled down her sad and pale face, just like the spring rain on pear flowers. (Lan Tong: column; Fluttering: floating)
But when she asked him to thank her monarch, her eyes shone with love. Since they separated, her form and voice were unfamiliar to her.
Because happiness ends in the courtyard of the sun, the moon and dawn become long in the palace of Xianshan.
But when she turned to look down at the earth and tried to see the capital, there was only fog and dust.
He expressed his love for the old man and sent him back a shell box and gold hairpin through his special envoy.
However, one branch of the hairpin and one side of the box were kept, and the gold of the hairpin and the shell of the box were broken.
"Our souls belong to each other," she said, "just like this gold and this shell." Somewhere, at some time, on earth or in heaven, we will be together.
There are 300 Tang poems, including descriptions of people, love, fables, long narrative poems and annotated translations.
Ming Di favored beautiful women in the Tang Dynasty. After becoming emperor, he searched for beautiful women for many years, but found nothing.
The Yang family has a daughter who has just grown up and is very delicate and charming. She was brought up in a boudoir, and outsiders didn't know that she was absolutely beautiful.
Natural beauty and beauty made it difficult for her to be buried in the world, and soon she became a concubine around Tang.
She looked back and smiled, charming and moving; All the concubines in the Sixth Palace are eclipsed.
When the spring was chilly, the emperor bathed her in Huaqing Pool, and the warm spring water washed her skin.
The maid helped her, and she was as soft and graceful as a hibiscus, so she began to get the favor of the emperor.
The sideburns are like clouds, the face is like flowers, and the head is wearing golden steps. Warm lotus account, and the emperor * * * spring night.
Love only hates the short spring night and sleeps until the sun is high. The king loved his children's gentle hometown and never went to court again.
I am too busy to serve you. Spring tour of the emperor, night sleep.
There are no fewer than 3,000 concubines in the harem, but only she enjoys the favor of the emperor.
The golden house hides the charming, and pampers the king every night; The jade banquet upstairs adds a bit of charm to drunkenness.
Brothers and sisters are proud of her, and the lintel of the Yang family is radiant and enviable.
Therefore, parents all over the world have changed their ideas and preferred sons to daughters.
In the Huaqing Palace in Mount Li, the Jade Qionglou towers into the sky, and the breeze wafts in all directions of Yue Xian.
Singing and dancing are more in tune, and the orchestral melody is vivid. The king watches it all day, but he never gets tired of watching it.
The drums of Yuyang chaos were deafening, and the colorful feathers stopped playing in the palace.
The Jiuchong Palace was suddenly dusty, and the king fled to the southwest as soon as possible with a large number of ministers, workers and beautiful women.
The team stopped and went, but it was only a hundred miles west of Chang' an city.
The Sixth Army stagnated and demanded Yang Yuhuan's death. The king had no choice but to kill Yang Yuhuan at the foot of Mawei Slope.
The ornaments on the imperial concubine's head were scattered all over the floor. A green and white Hosta and a golden bird, precious headdresses one after another.
The king tried to save him, but he hid his face and wept. Recalling the scene of the tragic death of the imperial concubine, his blood and tears could not stop flowing.
The autumn wind swept away the fallen leaves, and the loess dust was gone. The loop zigzagged across the plank road, and the motorcade set foot on the Jiange ancient road.
There are few pedestrians under Mount Emei, the flag is colorless, and the sun and the moon are dull.
The beautiful scenery of Shu attracted the king's love. Looking at the moon in the palace is sad, and listening to songs on rainy nights is sad.
After the rebellion subsided, the king returned to Chang 'an and passed Maweipo, thinking about things and people, and hesitated.
Under the steep slope, in the desolate yellow grave, the beautiful scenery has disappeared, only the grave lies in the mountain.
The monarch and the minister looked at each other, and their clothes were wet with tears. Dong Wangjing was very sad and believed that the horse would return to the court by the reins.
When I came back, I saw that the pond garden was still there, the hibiscus beside Grandfather's pond was still there, and the weeping willows in Weiyang Palace had not changed.
Furong is like Yuhuan's face, and Liu Yeer is like Yuhuan's eyebrows. How can this scene not be sad?
Spring breeze blows away peach blossoms and plum blossoms, which makes people sad; Autumn rain drops on the plane blades, and the scene is even more miserable.
Xingqing Palace and Ganlutang are depressed everywhere, and autumn grass grows. The fallen leaves in the palace are full of steps and have not been swept for a long time.
The actor's head turned white, and the beauty of the maid-in-waiting faded. At night, fireflies danced in the palace, and the lights went out, so it was still difficult for the king to sleep.
Counting the delayed bells and drums, the more you count, the longer the night feels. Look up at the stars until dawn in the east.
Who sleeps with the king in a cold jade quilt?
Yin and Yang are separated by one year. Why have you never appeared in my dream?
Taoist Lin Qiong lives in Chang 'an. It is said that he can attract the soul of the imperial concubine with magic.
He was moved by the feeling that the king missed the imperial concubine. He accepted the emperor's orders, did not dare to neglect, searched diligently, and was protected from the wind on all sides.
Take the cloud into the air, go straight like lightning, and ascend to heaven to find heaven and earth, all without results.
I suddenly heard that there is a fairy mountain surrounded by white clouds on the sea.
Exquisite buildings and pavilions are supported by colorful clouds. There are countless fairies, all of which are graceful.
One of the characters is too real, and her skin looks like snow, which seems to be the Yang Guifei that the king is looking for.
The Taoist priest came to the west of Jinque, knocked on the gate of the jade carving, and called softly, asking Xiaoyu to call the maid Shuangcheng to report.
It's true that the king's angel came and woke up from the tent. Put on your clothes, push away the pillow and go out to sleep. Open the screen one by one and put down the bead curtain.
Half-combed with clouds, I just woke up and came down from the altar before dressing, with a wreath askew.
Gentle fairy wind blows sleeves and flutters slightly, just like the dance of a dress and a feather. quiet
Lonely and sad, the tears on your face keep flowing, like pear flowers with rain in spring.
He gazed affectionately at the emperor's envoy and thanked the king deeply. I haven't heard from her since we met at Maweipo.
The marriage in Zhaoyang Temple has long been cut off, and the loneliness in Penglai Palace remains for a long time.
Looking back on the world, Chang 'an has disappeared, leaving only dust and fog.
I can only express my affection with the keepsake of that year. You can take that box of gold hairpin to the king as a souvenir.
One for the gold hairpin, half for the cymbal box, gold for the gold hairpin, and precious cymbals for the cymbal box.
I hope our loving hearts are as firm and unyielding as Huang Jinbao's, and we will have a chance to meet again forever.
When I left, I kindly asked the alchemist to take a message to the king, saying that only the king and I knew the oath.
When the Palace of Eternal Life was empty in the middle of the night on the seventh day of July, we made a pledge of eternal love.
In heaven, I would like to be a bird flying with me. On earth, I would like to grow branches together.
Even if it lasts forever, there will always be an end, but this life-and-death feud will never end.
Song of Eternal Sorrow is a famous work by Bai Juyi. It was written in the first year of Yuanhe (806), when Bai Juyi was a county magistrate in yi county (now Zhouzhi, Shaanxi). He visited Xianyou Temple with his friends Chen Hong and Wang Zhifu, and wrote this poem because of the story of Emperor Xuanzong of the Tang Dynasty and Yang Guifei. In this narrative poem, the author narrates the love tragedy of Tang Xuanzong and Yang Guifei in the Anshi Rebellion with refined language, beautiful images, narration and lyricism: their love was destroyed by their own rebellion, and they were endlessly eating the bitter fruit of this spirit. Tang Xuanzong and Yang Guifei are both historical figures. Poets do not stick to history, but rely on a little shadow of history. According to the legend of the people at that time, the singing of the neighborhood has degenerated into a tortuous and touching story, which is described and sung in a reciprocating and touching art form. Because the stories and characters in the poem are artistic, and they are the complex and true reappearance of people in reality, they can ripple in the hearts of readers in past dynasties.
The song of everlasting regret is the song of everlasting regret, which is the theme of the poem, the focus of the story and a touching seed buried in the poem. As for what you hate, why do you hate it for a long time? The poet does not tell and express directly, but shows it to readers layer by layer through his poetic stories, so that people can guess, remember and feel for themselves. The first sentence at the beginning of the poem: "The emperor of China longed for the beauty that might shake an empire" seems very common, as if the story should be written from here without the author's attention. In fact, these seven words are extremely rich, which is the whole program, which not only reveals the tragic factors of the story, but also evokes and directs the whole poem. Then, in extremely frugal language, the poet described how Xuanzong of the Tang Dynasty emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, who said, "As long as she turns her head and smiles, there will be a hundred spells, and the makeup of the sixth palace will go up in smoke." It describes the beauty and charm of Yang Guifei. After entering the palace, he was favored by color. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". Repeatedly rendering how Tang Xuanzong indulged in debauchery after winning the imperial concubine, how to have fun, and how to indulge in singing, dancing and drinking in the palace all day. All this led to the Anshi Rebellion: "Until the drums of war exploded from Yuyang, shaking the earth and breaking the tune of rainbow skirts and feather clothes". This part describes the internal cause of "long hatred", which is the basis of the tragic story. Through the realistic description of this court life, the poet ironically introduced the hero and heroine of the story: an emperor who valued the country and despised the people, and a charming and pampered concubine. This also vividly implies that the misunderstanding of Tang Xuanzong is the root of this tragedy.
Below, the poet specifically described the scene that the emperor's military forces fled to the southwest after the Anshi Rebellion, especially the destruction of the love between Tang Xuanzong and Yang Guifei in this turmoil. "People in the army stop, and no one will move until under their hooves, and they may trample on those moths. The gorgeous hairpin fell to the ground, and no one picked it up, a green and white Hosta and a golden hairy bird. The emperor couldn't save her, so he had to cover his face. Later, when he turned to look, the land of blood and tears wrote their scene "Where are you going, Maweipo". The "Sixth Army refused to send" and demanded the execution of Yang Guifei, which was an anger against Tang Xuanzong's infatuation with women and brought disaster to the country and people. The death of Yang Guifei is a key plot in the whole story. After that, their love turned into a tragedy. Then, from "hiding in the yellow dust blown by a cold wind" to "there is no beloved spirit to visit his dream", the poet seized the "hate" in the spiritual world of the characters, described the loneliness and sadness of Yang Guifei in Shu after her death, and also recalled the past on the way. The lingering lovesickness is heartbreaking. It is precisely because the poet exaggerates the feelings of the characters to such an extent that the arrival of Taoist priests and the appearance of fairyland behind them give people a sense of reality and will not think that they are purely castles in the air.
From "There lived a Taoist priest in Lingqiong who was a guest in the sky" to the end of the poem, Taoist writers helped Xuanzong find Yang Guifei. The poet used a romantic technique. Suddenly he went to heaven and then to the ground. "Above, he looked for the green void, below, the yellow spring, but he didn't find the person he was looking for in either place." Later, Yang Guifei was found on the ethereal fairy mountain at sea, and was allowed to reappear in the fairyland with the image of "tears falling down her sad white face, like spring rain on a pear flower", warmly welcoming the envoys of the Korean family, expressing their feelings, sending a symbolic message, reaffirming the previous vows, taking care of Tang Xuanzong's thoughts about her, and further deepening and rendering the theme of "long hatred". At the end of the poem, use "the earth lasts forever, and the sky lasts forever;" One day both will end, and this endless sadness will last forever "to end the pen, point out the theme, respond to the beginning, realize" silence ",and give readers room for association and aftertaste.
The Song of Eternal Sorrow first gives us the enjoyment of artistic beauty, a moving story in the poem and a delicate and unique artistic conception. The center of the whole article is "Song of Eternal Sorrow", but the poet tries his best to write and render it with "thick ink and heavy color" as the starting point. "Work at sunrise and rest at sunset", "Don't go early", "Stay up late", "I can't get enough of it" and so on. , appear extremely happy, like a comedy. However, that kind of extreme joy is only in contrast to the endless hatred behind it. The dissoluteness of Emperor Xuanzong of Tang Dynasty led to a political tragedy, which in turn led to a love tragedy between him and Yang Guifei. The maker of the tragedy finally becomes the hero of the tragedy, which is a particularly tortuous part of the story and the reason why the hero and heroine in the poem have to "hate" for a long time. Many people used to say that Song of Eternal Sorrow has a moral, and this poem is the moral. So, how does the poet express "long hatred"? After the death of Yang Guifei in Majipo, the poet described it very delicately, showing the inner contradictions and painful feelings of Tang Xuanzong who could not bear to give up love and wanted to save it. Because of this "blood and tears" death, there will be endless hatred. Later, the poet used a lot of pen and ink to repeatedly render Tang Xuanzong's yearning for Yang Guifei from all aspects, but the story of the poem did not stay at an emotional point, but with the gradual progress of the inner world of the characters, he perceived the constant changes of their scenery, pushed forward the time and story, and used the thoughts and feelings of the characters to develop and promote the development of the plot. After his death, Emperor Xuanzong of Tang Dynasty went to Shu and felt very sad. Still on the road, revisiting the old place has evoked sad memories; After returning to the palace, I experienced physical injury during the day and insomnia at night. I miss it day and night, so I hope to have a dream, but it is "the distance between life and death year after year, but no beloved soul has visited his dream". At this point in the poem, the "hate" of "long hate" has been written very touching, and it seems that the ending of the story is OK. However, the poet's style of writing turned a corner, and with the help of the colorful wings of imagination, he conceived a charming fairyland, pushing the plot of the tragic story to * * *, making the story more tortuous, ups and downs and ups and downs. This turning point is both unexpected and reasonable. Due to the constant contradiction and collision between subjective desire and objective reality, poetry vividly shows the psychology of the characters, and the story is more moving.
Song of Eternal Sorrow is a narrative poem with strong lyrical elements. The poet adopted the expressive techniques that China's traditional poems are good at telling stories and portraying characters, and harmoniously combined narrative, scenery description and lyricism, thus forming the characteristic of the poem's lyricism. Poets sometimes inject the thoughts and feelings of the characters into the scenery, and use the refraction of the scenery to contrast the mood of the characters; Sometimes we grasp the distinctive scenery and things around the characters, express their inner feelings through their feelings, and render them layer by layer, appropriately expressing the unspeakable feelings hidden in the hearts of the characters. On his way to the southwest, Emperor Xuanzong of the Tang Dynasty was surrounded by yellow dust, plank roads and high mountains. The sun is dim, the standard is dull, and autumn scenery is desolate. This is a sad autumn scenery to set off the sad thoughts of the characters. In Shu, facing the green mountains and green waters, we still can't forget ourselves. The mountains and water in Shu are beautiful, but in the lonely and sad eyes, the "green" of the mountains and the "green" of the water are also sad. The beauty of nature should be appreciated with a quiet mind, but he didn't, so he increased his inner pain. This is to write sad feelings through beautiful scenery, so that feelings are deeper. The moonlight in the palace and the * * * on a rainy night are already very sultry. The poet grasped these unusual but distinctive things and brought people into the realm of sadness and heartbreak. In addition, vision and smell are intertwined, which also shows the sadness and sadness of the characters in language and tone. This is another floor. Still on the road, "everything is spinning" was originally a happy thing, but the old place ended and Yu Yan disappeared, so I couldn't help crying. In the narrative, another layer of painful memories is added. After returning to Chang 'an, "ponds, gardens, palaces, everything is the same as before, Taiye Lake hibiscus, Weiyang Palace willow. But petals are like her face, and willow leaves are like her eyebrows. Whenever he looks at them, what can he do but cry? " . During the day, caused by the environment and scenery, people are associated with the scenery, and the scenery remains the same, but people are gone. I can't help bursting into tears. From the hibiscus flowers in Taiye Pool and the weeping willows in Weiyang Palace, I seem to see the appearance of Yang Guifei, showing the extremely complicated and subtle inner activities of the characters. "Fireflies were flying on the throne, while he was meditating in the twilight. He will extend the wick to its end and still never fall asleep ... bells and drums will slowly ring the long night, and before dawn, the Milky Way in the sky will become clear. " From dusk to dawn, the focus is on the scene where you can't sleep for a long time because of emotional troubles at night. This bitter yearning is like "peaches and plums bloom and the spring breeze blows" and "after the autumn rain, the fallen leaves return to their roots". It is sad to see that the "disciples of Liyuan" and "A Jian Qing E" in those days were all white-haired and their faces were withered, which reminded us of the happy thoughts of the past. From the rambling of Huang Chen to the lush of Shushan, from rainy night in the palace to triumphant return, from day to night, from spring to autumn, we are moved by things everywhere, always thinking of people, and repeatedly rendering the protagonist's hard pursuit and search from all aspects. If you can't find it in real life, you will find it in your dreams. If you can't find it in your dream, go to fairyland. Such ups and downs, layer upon layer rendering, let the characters' feelings swing up and reach * * *. It is through such layers of rendering that the poet repeatedly expresses his feelings and goes back and forth, which makes the characters' thoughts and feelings more profound and rich, and the poetry is "delicate in texture" and more artistic.
People have always been controversial about the theme of Bai Juyi's Song of Eternal Sorrow, including the so-called love theory, political theme theory, dual theme theory and so on. The author of this article holds the theory of love. First of all, from the analysis of four aspects of the work, it is affirmed that Bai Juyi did not describe Li Yang's story in a didactic way like Chen Hong's Song of Eternal Sorrow, but took "emotion" as the main theme, so that the hero's emotion moved the reader and made him produce a * * * sound, which achieved great aesthetic success. Based on the author's life experience and social history, this paper also analyzes his uniqueness in dealing with the relationship between historical themes, political themes, humanistic themes and psychological themes from the people, and further explains the aesthetic significance of Yang Guifei's image in the Tang Dynasty.
As soon as Song of Eternal Sorrow came out, its theme has always been the focus of debate among readers. There are also very different views. There are generally three kinds: one is the theme of love. It is a love poem praising Li Yang. And affirm their sincerity and persistence in love; The second is the political theme theory. It is believed that the focus of the poem lies in allegory, exposing the "endless hatred" inevitably brought by "the emperor of China, whose lust may shake the beauty of an empire", and condemning the debauchery of the Tang and Ming emperors that led to the Anshi Rebellion, so as to admonish the later monarchs; The third is the dual theme theory. It is believed that it is a mixture of exposing and praising unity, irony and sympathy, which not only shed tears of sympathy, but also blamed on political misconduct and resentment. How, still want to analyze from the work itself.
Poetry can be divided into four levels: the first level is from "the emperor of China, eager to shake the beauty of an empire" to "the emperor's eyes can never fix enough on her", describing how Tang Xuanzong emphasized color and sought color before the Anshi Rebellion, and finally got Yang Guifei, "as long as she turned her head and smiled, there were hundreds of spells". After the imperial concubine entered the palace, she was arrogant and extravagant. She not only "inherited her kindness", but also "listed all her sisters and brothers in the soil". After repeatedly rendering the imperial concubine of Emperor Xuanzong of Tang Dynasty, she was completely addicted to singing, dancing and drinking. The first sentence of the book not only implies the tragic factor of the story, but also plays a role in arousing and guiding the whole poem; The second layer, from "until the war drum, from the boom of Yuyang, the earth shook" to "when he turned to look later, it was a land of blood and tears", describing the Anshi rebellion, Xuanzong's escape, being forced to give the imperial concubine the death penalty, and writing the "Song of Eternal Sorrow" is the basis of the tragic story. The poet deliberately played down the Anshi chaos caused by Xuanzong's extravagance and wrong country, and deliberately described where they would go. Readers are infected by the tragic atmosphere, rather than rational criticism of history. Chen Hong's theory of "punishing stunners and suppressing chaos" in Song of Eternal Sorrow cannot be used as the writing motivation of this poem. The third layer, from "hiding in the yellow dust blown by a cold wind" to "not dreaming", describes the loneliness and sadness in Shu after Yang Guifei's death, which is a kind of "sad color" and "heartbroken sound". When Chang 'an returned to Korea after the recovery, that depression was more important than Ma Wei and that memory. Where is her white face? . After returning to the palace, Chi Yuan remained the same, and things were different, and the lingering acacia made people sad; The fourth layer, from "there is a Taoist who lives in Lingqiong" to "this worry is endless", describes that Xuanzong sent alchemists to find the soul of Yang Guifei, focusing on his loneliness and sad memories of his past love life. The poet used romanticism from heaven to earth, and finally let the imperial concubine reappear the fairyland on the illusory fairy mountain with the image of "tears falling down her sad white face like spring rain hitting pear flowers". The catharsis of "emotion" has gone beyond the emotional entanglement between emperors and concubines, and is more of a poet's subjective ideal element, which has already gone beyond the scope of historical facts, showing the contradiction and conflict between subjective desire and objective reality. At the end of the sentence, "the earth lasts forever, and the sky lasts forever; One day both will end, and this endless sadness will last forever "is the sigh and cry of love." It is a lament that love is spread by fate and destroyed by political ethics. This hatred has transcended time and space and entered an infinite realm. In this way, the poet expressed eternal love with "everlasting regret", that is, pointed out the theme of the whole poem.
It should be said that Bai Juyi at the beginning of writing, at least subjectively, agreed with Chen Hong's theory of "punishing stunners and smothering chaos". Later, he repeatedly emphasized the themes of "stunner confusing people" and "fawning on others" in Li Furen and Gu Jia Fox written by the new Yuefu, clearly preaching the harm of * *, but admitting that it is harmful. However, in the actual writing of Song of Eternal Sorrow, he followed the human instinct and emotional desire for beauty expressed in folk love stories. In this way, the whole story has a deeper and more complicated meaning: it depicts both beauty and evil, and directly links the two; There is a passage in the books "Love Collection" and "Song of Eternal Sorrow": My uncle said to my mother, "It's beautiful, and it can be evil." Li Yannian sang, "Give the country back to the city." This is also called. This passage can probably represent the final thinking of scholars in the middle Tang Dynasty on this issue. One of the basic principles that Bai Juyi followed when writing Song of Eternal Sorrow is that "beauty" cannot be erased just because it is "evil". Although its theme finally seems to deviate from the condemnation of "very evil", the content of "very evil" itself has not been erased, but has enriched the meaning of "very beautiful"
Bai Juyi (772-846), a native of Xinzheng, Henan Province, was born in Taiyuan, and his great-grandfather moved to Xiayi when he was born. He was a great realistic poet in the Tang Dynasty and one of the three great poets in the Tang Dynasty. Bai Juyi and Yuan Zhen * * * advocated the new Yuefu movement, and together with Liu Yuxi, they called the world "Bai Yuan" and "Bai Liu". Bai Juyi's poems have a wide range of themes, various forms and simple and popular language, and are known as "the poet's magic" and "the king of poets". Official to Hanlin bachelor, Zuo Zanshan doctor. In 846 AD, Bai Juyi died in Luoyang and was buried in Xiangshan. Up to now, there are Bai's "Changqing Collection", and the representative works include Song of Eternal Sorrow, Charcoal Man, Pipa Travel and so on. Bai Juyi
The wild path is dark, and the river is bright. The fire on the battlefield, Hu Yue's mountains and clouds stand on the sea like the Great Wall. The yellow crane never revisited earth, there have been no long white clouds for thousands of years. Wan Li stratus clouds, Qian Shan sunset snow, only to whom? It was a spring rain all night, and it didn't stop until dawn. The river rose, and thick clouds covered the sky, sometimes cloudy and sometimes hot, and the weather was warm. Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them. The clouds in the pillow are close to a thousand peaks, and the bottom of the bed is loose and sad. Lonely clouds return to birds, a thousand miles of time. Inch by inch, Wei Yun, the afterglow, whether flickering or not, is hard to disappear. Looking far from the sky, you can see the clear sky in Wan Li without a cloud. Looking back at dusk, the clouds are far away, and the flying catkins stir the green ghosts. The spring scenery of Jinjiang flooded in, and the clouds on the mountain, ancient, varied and changeable. There is always a traitor in power, like covering the sky, and Chang' an is depressed when he can't see it. Clouds move to Gongshan, and the sun goes around Longlin to know the holy face. The wind is rustling and the clouds are strange.