2. Through the combination of man and God, the author created a beautiful image of Shan Gui: she wore Ficus pumila, Luo Nv, Shi Lan and Du Heng, and rode a red leopard-drawn Xinyi car with a flag woven with cassia twig, accompanied by a patterned flower cat. Her clothes, food, shelter and travel all have strong divinity and wildness, which is commensurate with Shan Gui's status. However, Shan Gui's appearance, posture and emotional changes are all manifestations of normal people. She lamented that youth could not last forever.
3. This image creation of the unity of God and man is a consistent method in Qu Yuan's poems. Shan Gui is a spoony goddess. She dressed up for her lover, but she got an unexpected ending, and disappointment came to her. Looking at the distance, I hope to find a familiar figure, but the ruthless reality once again shattered her hope. How can people not be lonely? I don't accept this cruel reality and make excuses for my lover's failure, but I can't help but doubt his loyalty to love. The inner struggle shows Shan Gui's complicated feelings that he can't meet his lover. The wind is rustling, the wood is rustling, and autumn scenery is in autumn.