The shortcoming of Fan Zhongyan’s poetry is its flashiness. Fan Zhongyan once sternly pointed out that the main shortcoming of the creation at that time was glitz: there is sadness when there is no end of the road, and there is resentment when there is troubled times. The Chinese carriages speak of poverty and hardship, while the white houses speak of pride and luxury. If you don't learn how to walk, you will have many negative effects, which will lead to extravagance and extravagance. Zhong Yan (989-1052), courtesy name Xiwen. His ancestral home is Pizhou, and he later moved to Wuxian County, Suzhou. He is a politician and political innovator first, and a poet and essayist second. In the Renzong Dynasty, he was awarded the title of Deputy Privy Envoy, and later paid homage to participate in political affairs. Therefore, we always put forward requirements for literary aesthetics from a political perspective, linking political reform with literary aesthetic reform. This is an important feature of the literary aesthetics of the Northern Song Dynasty, and Fan Zhongyan laid the foundation in advance. This idea was put forward in the form of a memorial, and it was tried to be realized in a top-down manner with the help of the power of the highest authority.