Since ancient times, there has been a saying that "poetry expresses ambition" and "writing conveys feelings". The author started writing only when he wrote poetry, and now even the article is "scattered" and there is nothing to say. It is not "the bitterness in words", but "the bitterness outside words". The root cause of "nothing to say" at the beginning of the article is about to come clean. It's not the distress of nothing to say or nothing to say, but something to say, especially about "this great era". If the article can't truly convey your thoughts and doesn't criticize the current shortcomings and fill the gaps, it's better not to write.
The author reviews his poems when he was young. These poems are accompanied by the cry of the times, all because of his youth and vitality. "What is nature and what is life?" Now I think it's just "the sadness of old wine in new bottles", "I haven't thought deeply, and I haven't experienced it myself", and the so-called "young people don't know the taste of sadness, so they say they are worried about adding new words" are all imitations and repetitions, just like parrots. Because "very few people really have their own words to say" and "very few people really live that kind of life". We were all young. Here, the author reflects on history with the tone of a person who has experienced history and expresses profound philosophy with plain words.
When people reach middle age, they are mature and sophisticated. See life clearly, see society clearly, be open-minded and think calmly. "The occasional speech will never be sentimental or easily influenced", but it is sharp and practical, "but it is desirable". However, maturity also means tact and timidity. I don't want to repeat others, but I'm afraid to express myself, and finally I have nothing to say. This is the "implication". But silence is also a kind of pain for ordinary people. From youth to middle age, the author comments on his own advantages and disadvantages in the comparison of his own life. There are both approval and negation, and the mentality of depression and contradiction is intertwined, tormenting our experienced and thoughtful philosopher. It takes a lot of effort for a middle-aged man to write the tone of a "steaming or crying" teenager, and he finds it unbearable to show off in public like a woman with a painted face. If you want to say "you don't care about yourself" like the "spokesman" these days, you will be even more "speechless" and afraid of being condemned by your conscience. The author lives in an era when the truth is sealed and hidden, and people are absolutely not allowed to tell the truth. If having something to say or having nowhere to say it is a kind of depression, dissatisfaction and pain, then having something to say under the pressure of the times is a greater kind of pain, resentment and misfortune. At the end of the article, the author suddenly found that "the French proverb' nothing to say' is actually consistent with' everything is fine'", which was very sad. Well, what a loss, for me, for my time. This is really a great irony. The author is laughing at himself and at this era and life here. The word "alas" sings people's anger at the times and the sorrow of the times to people, and the connotation of "nothing to say" reveals more profoundly. The author's mood changed from depression, contradiction to dissatisfaction, and then from pain to angry resistance. The transmission of emotions gradually overlaps, accumulates and erupts, which is very hierarchical.
This is a philosophical essay, but the author did not give vague truth, got rid of preaching, and created an outstanding middle-aged Tessa image-him in reasoning. A large part of his description in the article, if it is independent, is an excellent essay to remember people. Zhu Ziqing chose romantic words and showed his charm with the rhythm of prose. There is no fog ahead, no clouds above, only our own way. He shouldered the burden of experience and embarked on this endless but practical road step by step. He looked back at the young people's emotional affairs and felt relaxed. He is willing to analyze the experiences on his back, not just those when he was young; He didn't want to speculate on it from a distance, but he wanted to peel it off and have a closer look. I also know that I can't jump after peeling, but he doesn't care. "His image is rich and solid, leaping and mature, symbolizing a rising force. He is also the description and display of the author's self-image, from which we can truly feel the author's own rebellion and personality strength. Zhu Ziqing rubbed the philosopher's reflection into his own image, which enhanced the vividness of reasoning, was not boring or rough, and his perception of life was more concrete and clear. At the same time, his description reflects the style of Zhu Ziqing's prose creation-formal beauty, especially in the rhythm of language, like beating notes, tactfully, smoothly and harmoniously.