Detailed:
Lvshi
(including: five-character poems, seven-character poems. )
Rhyme is one of China's modern poems. The meter is very strict Shen Yue's new poems originated in the period of Qi Yongming in the Southern Dynasties, and paid attention to meter and duality. They were shaped in Shen Quanqi and Song Wenzhi in the early Tang Dynasty and matured in the prosperous Tang Dynasty. Rhyme requires the unity of the number of words in the poem, and each poem is five-character, six-character and seven-character sentences, which are referred to as five laws, six laws and seven laws for short, among which six laws are relatively rare. The usual metrical poems stipulate 8 sentences each. If there are only six sentences, it is called Xiaofa or Sanyun poem; More than 8 sentences
, that is, 10.
It is called the law of exclusion or the law of dragons. Usually eight paragraphs are completed, and every two sentences form a couplet, which counts as four paragraphs. It is customary to call the first couplet a title, the second couplet a parallel, the third couplet a neck couplet and the fourth couplet a sentence. The upper and lower sentences of two or three couplets (namely, parallel couplets and neck couplets) of each song must be antithetical sentences. In addition to the first and last couplet, the middle couplet must be duplicated. The dual requirements of secondary laws are more extensive. Rhyme requires the whole poem to rhyme, and the rhyme is limited; The second, fourth, sixth and eighth sentences rhyme, the first sentence can be put on or off, and the words of each rhyming sentence are flat. There are "flat rise" and "flat rise" in the upper and lower sentences. In addition, the metrical requirements of metrical poems also apply to quatrains.
There are variations in metrical poems in Tang Dynasty before and after they are finalized. Some metrical poems are not completely written according to the format, such as the Yellow Crane Tower in Cui Hao, which means that the first half is archaic and the second half is homophonic. This change in metrical poetry is called "awkward brushwork".
Quatrain
China's poetic style. Also known as broken sentences, broken sentences and broken poems. Each song has four sentences, usually five or seven words. Known as the five wonders, seven wonders, and occasionally six wonders. It originated from the ballads of the Han, Wei, Southern and Northern Dynasties. The name "Jueju" originated in the Southern Dynasties. light
, Chen Shi, quatrains have been widely used to refer to four kinds of short poems, and their rhymes are relatively free, or they are ancient quatrains. After the Tang Dynasty, quatrains in the near aspect prevailed, and the meter was the same as the first, last or middle four sentences in eight metrical poems. Therefore, some people in the Tang Dynasty attributed quatrains to metrical poems in their poetry collections. Later, some scholars thought that quatrains were formed by cutting off half of orthographic poems. Quatrains are flexible and light, suitable for expressing fleeting thoughts and feelings, and are widely used by poets, and their creation is more prosperous than other poems. In Song Dynasty, Hong Mai compiled 10,000 quatrains in Tang Dynasty, accounting for 1/5 of the total number of existing Tang poems. Besides Li Bai, Wang Changling, Du Mu and Li Shangyin are good at quatrains, there are many famous works throughout the ages, which are not necessarily written by famous writers. In addition, most quatrains in the Tang Dynasty were sung by music, such as Cheng Wei Qu by Wang Wei, Qing Ping Diao by Li Bai, Zhi Zhu Ci by Liu Yuxi and Bai Juyi, and Yang Liuzhi. Therefore, quatrains are also considered as Yuefu in the Tang Dynasty.