I often hear people talk about elvhua, but I always feel that she is in that distant world. Originality _ Translation and Appreciation

I often hear people talk about elvhua, but I always feel that she is in that distant world. -Li Shangyin's "Two Untitled Poems" in the Tang Dynasty heard that the sepals of the door were green and dripping, and they reached the end of the world in one year. Two Untitled Poems by Li Shangyin in Tang Dynasty

The stars were bright last night, but there was a cool breeze at midnight. Our banquet is on the side of Hualou Temple and the east of the county.

Without Cai Feng's wings, it is impossible to be Qi Fei in fly with me; The heart is like a soul, and the feelings are the same.

Guessing and intrigue, wine warms the heart; This group of people came to the bet of drinking friends, and a win-lose red in candlelight.

Alas, it's time to call the roll in the morning when you hear the drums of the fifth watch; Riding to Lantai is like the wind in the wind. (Turning the canopy into a work: Skybreaking canopy)

Translation and Interpretation of Love Poems

The starry sky last night and the spring breeze last night are in the west of the painting building and the east of Guitang.

Although the body flies to a place without Cai Feng's wings, the heart is connected.

How warm it is to send spring wine every other seat, and the wax lamp in every other group is particularly red.

Alas, I was encouraged to go to the official office, and riding a horse to Lantai was like climbing over the eaves.

At that time, I often heard people talk about sepals and green flowers, but I always felt that she was in the distant horizon.

But after attending the feast like Shaw History, I didn't expect to peek at the flowers in the palace.

The most famous appreciation of Li Shangyin's love poems is Untitled. These are two love poems. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. The first untitled poem (Last Night's Stars and Last Night's Wind) is even more popular.

This seven-melody, the first couplet, is caused by tonight's scene to recall the happy time at dinner last night. In this starry and breezy spring night, the air is filled with intoxicating fragrance. Everything seems to be the same as the banquet in your backyard last night, but the scene of meeting the right person during the dinner can only be an unforgettable memory. The poet did not directly describe last night's events, but with the help of beautiful stars, painted buildings, Guitang and other external scenery, set off the beautiful environment and atmosphere last night, with gorgeous words and full of sighs, bringing readers into warm and romantic memories. This couplet expresses the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings. The necklace especially recalls the scene of a grand meeting with the right person last night. The poet's loneliness and depression are self-evident. The poet recalled how warm and intoxicating the scene between the banquets last night was, with colorful lights, flowers blooming and laughter! "Warm Spring Wine" and "Candle Lamp Red" not only vividly depict the warm and harmonious joyful atmosphere between banquets, but also remind readers of women's blushing cheeks under candlelight. It is self-evident that each other's feelings will be self-evident, and it is also true that wine does not make people drunk. William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.

The first four-line poem is really an excellent love poem, and the second one supplements its content. The second untitled poem (Smelling Sepals and Green Flowers in Luomen) roughly means: At that time, people often heard that a woman named Sepals and Green Flowers in Luomen was beautiful, but she always felt so far away from the horizon. I didn't expect to have the urge to peep after attending a grand banquet like Shaw History last night. The poet is talking about the flowers in the garden of Wu Palace, of course, not the flowers in the garden, but the beautiful women as beautiful as flowers and pure as jade. Qin Lou Binglesbo used Shaw History's allusions to declare that he was a loving husband. Poetry is expressive and erotic, but it mainly shows the love between men and women.

The most famous appreciation of Li Shangyin's love poems is Untitled. These are two love poems. The poet recalled a banquet in your backyard last night and expressed his nostalgia and melancholy when he met the right person at the banquet. The first untitled poem (Last Night's Stars and Last Night's Wind) is even more popular.

There have always been different opinions about this poem. Some people say it's the work of a monarch and his ministers, some people say it's the work of looking forward to your concubines, and some people say it's the work of remembering the Beijing banquet ... But whether it's to restrain the happiness of officials or the covetousness of beautiful girls, the elusive mentality in the poem is obvious, and those ordinary or ordinary images are regularly placed in just eight sentences and 56 words, showing a kind of.

Add two sentences and give the time and place. Last night was even more memorable, and at the same time it gave people aesthetic enjoyment in reading. These seven words show the feeling of cold, big, beautiful and clever. The poem shows the quiet starry sky, and the cool breeze seems to blow from behind the dark blue sky. Looking deeper, the poet wrote two conceptual images, the star and the wind, which are either simple and random or have some rich connotations and symbols. In ancient times, the star not only refers to the star, but also means "going to the tower in the middle of the night to remember my old star" (Meng Jiao's "Feeling"). Going to the tower at night to miss the beauty of the past refers to the years; "New love follows the bright candle, and the stars fly to Liang Dong" (Du Fu's "Friendship with Wei and Shaofu") refers to brilliant light; The ancients also called it "going to the star" to enter the DPRK as a lang. There are warm wind, cool wind, cold wind and evil wind in nature, which are related to human society, weathering, grace, character and black wind, and even coincide with the meaning of love between men and women. In this way, only the first sentence leads to infinite reverie and doubt.

To the west is the studio, to the east is the osmanthus hall, a carved attic and a hall made of osmanthus wood, which is extremely luxurious and beautiful. The painted building is supplemented by Guitang, and the west painted building is the east line of Guitang. "There is a figure in it", and the poet's eyes turned to Guitang. It is worth noting that the poet is not in Guitang, and his environment is under the quiet and deep night sky with high stars.

The last two sentences are very clever, exquisite and famous. They are a group of wonderful antitheses, expressing the thoughts of the right person tonight. Although I don't have Cai Feng's wings at the moment, I can fly over many obstacles to meet the right person, but I believe that my attachment to each other is like a magical rhinoceros horn. "Being in the body" and "being in the body" reflect each other, which is an agreement and communication in the interval, a joy and comfort in the disappointment, and shows the poet's treasure and confidence in this beautiful love. The two metaphors are novel and appropriate, and they are profound and meticulous, showing the poet's superb ability to express subtle and contradictory psychological feelings.

Tie writing hook covered with wine warm lamp red music. The two games of hook and shooting need the cooperation of many people and are linked with the first two couplets. In front of them, the stars are still high, and the Ling Ran breeze is empty at night, but people fall here, and the wine is warm and the lights are red. The words "warm" and "red", one describing spring wine and the other describing wax lamps, are full of wanton laughter and a harmonious scene. The contrast is disturbing. Lin Geng said in summing up the Tang poetry: "Red is a warm color, it is flowing and lively, so it is close to complexity". The suggestibility of color is the most infectious in literature and art, and the red in poetry is sometimes the opposite. In ancient times, there were "the peony was red in the faded old palace, but no one came to see it" (Yuan Zhen's palace) and "Don't open a red flame to save moths." The room full of red shadows set off the author's loneliness, and there are two scenes with such a big contrast in one world. The poet's loneliness is the loneliness hidden in the excitement, and red is the surging torrent under the appearance of harmony.

William recalled the scene and feelings when he left the meeting this morning. Last night's feast lasted until dawn, the music in the building didn't stop, and the drums were still ringing outside. The poet sighed, like a scattered grass floating in the wind, had to go to the secretary to save a job and started another lonely and boring school life, but it was difficult to meet the right person in the table later. Have you ever missed each other alone and lamented that you have not achieved your career? The frustration of love barrier and the sigh of life experience sinking meet in the poet's chest, which expands and deepens the connotation and implication of this poem, and there is a sense of self-injury and sadness in the beautiful and elegant style of writing.

In this poem, the poet's emotional fortune is very natural and smooth, but if we want to delve into the specific things mentioned in the poem, there will be a lot of imagination, and they are all reasonable. Ye Jiaying said that poetry is a conscious activity, while words are unconscious. Li Shangyin's untitled poems are close to the situation of words, and under the neat poetic format, they express a vague and inexplicable conscious expression that words are good at. Looking at this untitled poem alone, the whole poem feels like a solution to the problem under the sad musical tone, like writing it to lovers who can't be together for a long time, and also like lamenting the encounter between the monarch and the minister, but it is not so secular. Therefore, this is the beauty of Li Yishan's untitled poems.

The first four-line poem is really an excellent love poem, and the second one supplements its content. The second untitled poem (Smelling Sepals and Green Flowers in Luomen) roughly means: At that time, people often heard that a woman named Sepals and Green Flowers in Luomen was beautiful, but she always felt so far away from the horizon. I didn't expect to have the urge to peep after attending a grand banquet like Shaw History last night. The poet is talking about the flowers in the garden of Wu Palace, of course, not the flowers in the garden, but the beautiful women as beautiful as flowers and pure as jade. Qin Lou Binglesbo used Shaw History's allusions to declare that he was a loving husband. Poetry is expressive and erotic, but it mainly shows the love between men and women.

Li Shangyin, a native of Yuxi, xi, was a famous poet Fan Nansheng in the Tang Dynasty. His ancestral home is Qinyang, Hanoi (now Jiaozuo, Henan) and Xingyang, Zhengzhou. He is good at poetry writing, and his parallel prose also has high literary value. He is one of the most outstanding poets in the late Tang Dynasty. Together with Du Mu, it is called "Xiao", and together with Wen, it is called "Wen Li". Because his poems and essays are similar to the paragraphs and essays of the same period, all three of them rank sixteenth in the family, so they are also called "Thirty-six Style". His poems are novel in conception and beautiful in style, especially some love poems and untitled poems are touching, beautiful and moving, and are widely read. However, some poems are too obscure to be solved, and there is even a saying that "poets always love Quincy and hate that no one writes about Jian Zheng". Caught in the struggle between Niu and Li, I was frustrated all my life. After his death, he was buried in his hometown of Qinyang (now the junction of Qinyang and Aibo County in Jiaozuo City, Henan Province). His works are included in Li Yishan's poems. Li shangyin

A long whistle by the water suddenly reminded me of the beginning of the tenth year. A moment that should last forever? Before I knew it, it had come and gone. Greetings to the lake in spring, the spring flowers on the shore and the spring birds in the forest. You are so beautiful. This time it came three years ago. The lake has been dark for decades, but it can be several degrees, and its style is still the same. In the days of Bi Ye Zhu Qiao, people disappeared and the water flowed in vain. Jingjiang sunset is low, when will it leap forward? In the prime of life, Fahua became haggard and became Zhu Yan. A maid-in-waiting lived 1000 miles away from home for twenty years. A poet can be heartless in thought, but he got nothing in those days. The river flowing through the Phoenix River flows eastward, and Pennisetum and Ulmus pumila have been growing for sixty years. Farewell is like yesterday, and the eaves have been exposed. With the quiet memory of last autumn, the tung tree fell on the head of the stream. I don't know when to start worrying about work. Remember that the next flower bowed its head. In March and May of 1935, that poor glass of wine not fade away. Last year, I was walking on the mountain road, and the plum blossoms in the drizzle were falling into deep sadness.