The next sentence of "Going to Jump on the Green Cong Horse": The people of Yulou are tied to each other.
The next sentence of "Going to Jump on the Green Cong Horse": The people of Yulou are tied to each other. The name of the poem: "Sheng Cha Zi·The Beautiful Boy with the Golden Whip". Real name: Yan Jidao. Font size: Zi Shu's original name is Xiaoshan. Era: Song Dynasty. Ethnic group: Han. Birthplace: Linchuan, Fuzhou. Date of birth: May 29, 1038. Time of death: 1110. Main works: "Moon over Xijiang", "Moon over Xijiang", "Happy Reunion", "Xing Xiangzi", "Yan Returns to Liang", etc. Main achievements: Representative of the Graceful School.
We provide you with a detailed introduction to "Leaping the Green Horse" from the following aspects:
1. Click here to view the full text of "Shengchazi·Golden Whip Beautiful Boy" Details of "Shengchazi·The Beautiful Boy with the Golden Whip"
The beautiful boy with the golden whip goes to jump on the green horse.
Tie to the people of Yulou and embroider the quilt on a cold spring night.
The news has not returned, and the pear blossoms have faded.
Nowhere to talk about lovesickness, just behind the swing.
2. Appreciation
This short poem depicts the young woman's longing for the passerby in her dreams with fine brushstrokes.
"The beautiful young man with the golden whip went to jump on the green horse." He started to write a narrative, depicting the image of the "beautiful young man with the golden whip", and wrote about his husband traveling, wielding the golden whip, and riding famous horses, highlighting the handsomeness of the "beautiful young man" The chic and unrestrained posture was also the scene that was most deeply engraved in the young woman's mind when the two separated.
"I am tied to the people of Yulou, and the embroidered quilt is on a cold spring night." The third and fourth sentences describe that after the boy left, the heroine's feelings and thoughts are always tied to her husband who is far away: At night, the embroidered quilt is cold in spring. , Sleeping alone with a lonely lamp, unbearable loneliness. The separation left the young woman with the unbearable sorrow of farewell, which transitions to the farewell sorrow of the writer after the "tie". "Jade Tower" and "Embroidered Quilt", from objects to people, imply that the occupants are beauties deep in the boudoir. The sentence "embroidered quilt on a cold spring night" exaggerates the lonely situation of a beautiful woman alone in the empty boudoir, tossing and turning. It was spring, and the swallows were in full bloom. The night was deep and quiet, and my thoughts were doubled. The word "cold" not only points to the season and describes the atmosphere, but also reflects the character's lonely and desolate mood.
"The news has not returned, and the cold food pear blossoms have withered." Five or six sentences have been written on how many cold spring nights, but the expected news is enough for travelers to "not return". The heroine looked forward to it every day, month after month. The Cold Food Festival passed, the pear blossoms bloomed and withered. She waited again and again, but never heard from her husband. What followed was just disappointment again and again. "Cold Food and Pear Blossoms Fade" hints at the passage of time through seasons and scenery, expressing her infinite melancholy.
"There is no place to talk about lovesickness, but behind the swing." There are two lines at the end of the sentence, and the heroine stood infatuatedly behind the swing. She silently suffered the pain of lovesickness, with nowhere to tell, and also I don't want to tell anyone. The "back" suggests that she is sad and crying. "Under the swing" is originally a place for young women to play. Choosing this scene can enhance the artistic effect. Li Shangyin's poem contains the line "Weeping in the spring breeze on the fifteenth day, falling on the swing behind me". Xiao Yan randomly picked it up and used it at the end of this word, which can be described as a vivid stroke. It describes the deep and persistent mood of a young woman missing her husband, but it is difficult to confide in others, so she can only stand and contemplate in the place where the two of them play every day. Here, the external form of the characters is used to depict the emotional waves of the inner soul, which is subtle and charming.
The whole word is written from Farewell to Farewell. Written from travelers to residents. The appearance hints at the soul, and the work progresses step by step, depicting the quiet, delicate and introverted character of the protagonist, and showing the complex, heavy and sensitive mentality of a young man who misses his wife. The writing is quite clever.
3. Translation
The beautiful young man with the golden whip goes to jump on the green horse. Connecting with the people of Yulou, embroidering quilts on cold spring nights.
The mighty and handsome young man stepped on the golden saddle, whipped his horse and galloped away, taking away her heart from then on. Above the boudoir, the young wife missed him all the time. She felt that the quilt was not warm and the spring night was even colder.
The news has not returned, and the pear blossoms have faded. There is no place to talk about lovesickness, just behind the swing.
I wait for news from him every day, but the Cold Food Festival has passed, the pear blossoms have withered again, and my husband is still missing. Who can I tell my love-sickness to? She stood silently under the swing, turning her face away and sighing secretly.
IV. Other poems by Yan Jidao
"Poppy Beauty", "Linjiang Immortal·Dream Empress Tower High Lock", "Partridge Sky·Colored Sleeves Holding the Jade Bell Attentively", " "Qing Ping Le · No one can stay", "Ruan Lang returns · The golden palm on the horizon turns to frost". 5. Notes
Golden Whip: A riding crop made of gold. It is a metaphor for the wealth of the rider.
Green Congma: a green and white horse.
Guantie: Care, concern.
Yulouren: refers to the women in the boudoir.
Message: Refers to the message from the departed person.
Cold Food: Folk festival, one or two days before Qingming.
Under the swing on the back: adapted from Li Shangyin’s poem "Two Untitled Poems", one of which is "Weeping in the spring breeze on the fifteenth day, under the swing on the back."
Poems of the same dynasty
"General Cao", "Going to Qutang", "Tengwang Pavilion", "The Son is Nei, the Angry Man Abandoned His Wife, the Poor and the Grievance, the Anvil" Tang Meishan Poetry is also played as a note "", "Inscribed on Ai Xi", "Abandoned Gongyuan is a valuable plate for rice harvesting", "Send off guests to Linggu", "Sigh", "Inscribed on Chen Chaoyu's love for Zhuxuan", "Rewarding Chunhu Shi Lu Yonghui" "Four Hao Pictures".
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