Li Mengyang and He Jingming are the representatives of the second antique craze in Ming Dynasty. Both of them are members of the school of antique literature in the late Ming Dynasty. They advocate "learning from Han and Tang Dynasties", oppose replacing "Taoism" with literary talents, and advocate the tradition of "the integration of literature and Taoism".
Li Mengyang's poetry style is fresh and natural, full of emotion. His representative works include Huanxisha and Nanxiangzi. He Jingming's poetic style is beautiful and elegant, full of artistic conception, and his representative works include "Topic Xilin Wall" and "Climbing to Feilaifeng".