Please tell me why there are so many lonely people in this world.
Second, who is it. I forgot to hold the kite tightly. ※。
Third, love is like Zen in Buddhism. Can't say, can't say, said is wrong.
Fourth, give comfort to the sad people and food to the hungry people, but what I can do is always the latter.
Fifth, dreaming can be exaggerated. But turning dreams into money still requires great courage and sacrifice.
Six, tonight we sat on the balcony and waited for many years before we got together.
Seven, people are always cruel. For tragic things, it's different if you like to see them and then suffer, but you can't see them.
Eight, the night came, the party was over, and the gorgeous and noble clothing store in the alley caught people's eyes and hurt people's hearts. Prosperity is still attractive, the world is full of mortals, but it is still its own place.
I like moderate loneliness, which is the most releasing moment in my heart. I always hate sharing it with others.
X. My volunteer-when I grow up one day, I hope to be a scavenger, because this profession can not only breathe fresh air, but also roam and play in the streets, work and play, and be as free and happy as a bird in the sky. More importantly, people often unconsciously throw away many good things that can still be used as garbage. The happiest moment for scavengers is that these long-forgotten good things have been excavated again.
Eleven, how many years have passed since I left home? The feeling and pain at this moment tomorrow are still quite difficult to control. Fortunately, it is only such a short moment, otherwise only God knows what will happen to most people in this world. I really want to see the things in the world thoroughly, but it's also boring. It's always good to cry.
Twelve, the night is so beautiful, the night is rainy, and it is also a willful luxury.
Thirteen, the night, like a blanket, gently covers me.
A Brief Introduction to Tender Night
Describe San Mao's life in the Canary Islands. Tender Night continues Sanmao's consistent writing style. After reading all kinds of human feelings, San Mao's works are still a gentle reflection on the world, sincere and moving.
Excerpts from Shen Congwen's classic quotations
Shen Congwen (1902- 1988), formerly known as Shen Yuehuan, took the pen names Xiu Yun Yun, Chen Jia, Shangguanbi, Xuanruo, etc., and his real name was Maolin. His grandmother Liu is Miao, his mother is Tujia and his grandfather Shen Hongfu is Han. Shen Congwen, originally a Han nationality, claimed to be Han nationality in his early years and chose Miao nationality in his later years. Shen Congwen is a famous modern writer, a researcher of historical relics and a representative of Beijing School novels. One of the few literary masters in China's literary history in the 20th century, many people think that he is qualified to win the Nobel Prize in Literature. 14 years old, joined the team and roamed the Hunan-Sichuan-Guizhou border region. 1924 started literary creation, and taught at National Southwest Associated University after the outbreak of the Anti-Japanese War. Teaching in Shandong University 193 1-1933. 1946 and then returned to teach at Peking University. After the founding of the People's Republic of China, he worked in the Museum of Chinese History and the Institute of History of China Academy of Social Sciences, mainly engaged in the study of ancient history of China. 198 1 year published a monograph on ancient Chinese costumes, which lasted 15 years. 1988 died in Beijing.
Classic quotations from Shen Congwen:
Life is a fragile thing, more vulnerable than a flower. Looking back on life with the eyes focused on nature, I can't help but feel enthusiasm and cherish the vines that happen to people. In the same personnel, the second coincidence will not happen. -"Congwen Jiashu"
Personnel is like this, build your own cage and lock yourself up. Be your own god and worship yourself. Survival is really a poor thing. -"Border Town"
Why are you struggling? If that's where I want to go, there's no need to struggle. I must give up any desire to resist. It has been sinking. Whether it is salty sea water or bitter life, I will sink to the end. It's like life. This is life. -"Water Cloud"
People often ask us how to write novels. If I really answer, I really want to say: you can travel to Xiangxi for one year. -"Xiangxing San Ji"
After the age of 20, I was uneasy about current affairs, but fell in love with the secular. I am very suspicious of all customs and concepts, but I often stare at the prospect of life. The formation of this character can be traced back to the habit of playing truant in private schools when I was a child. -Selected Works of Shen Congwen
I knew you would come, so I waited. -"After the Rain"
In the poet's poems, women never grow old, but the poet himself grows old. But I also comforted myself by saying that I have crossed bridges in many places, seen clouds many times and drunk many kinds of wine, but I have only loved one person at the right age, so I should thank myself. -"Xiangxing San Ji"
I am most afraid of leisure all my life. When I do nothing, I lose all the meaning of life. -Shen Congwen
Life is a fragile thing, more vulnerable than a flower. Looking back on life with the eyes focused on nature, I can't help but feel enthusiasm and cherish the vines that happen to people. In the same personnel, the second coincidence will not happen. -Letter from Shen Congwen
I thought I was a lonely person. Now I understand that since we were together, I have become a person who can't live without you. -A love letter to Zhang Zhaohe.
A traveler who is slightly interested in poetry and painting will not be bored by squatting in a boat in this river for 30 days. Just because there are miracles everywhere, the boldness and exquisiteness of nature are fascinating. -"Border Town"
Between green mountains and green waters, I want to hold your hand and cross this bridge. There are green leaves and red flowers on the bridge, flowing people under the bridge, moss on the other side of the bridge and white hair on the other side.
All beauty has no home, nor do meteors, fallen flowers, fireflies, and the most chirping queen bird with blue head, red mouth and green wings. Who has ever seen anyone raise a phoenix? Who can bind the moonlight? Meteors have their own direction, and I have my place. The soul is the most beautiful, so the soul has no home and no destination. I think, maybe there is no eternal heaven, because if God is lovely, he has no home.
It's my fault. I left in a hurry with an angry expression. The flag on the flagpole is excited by the wind, which is the fault of the wind. Please forgive me, the wind didn't mean it! -Regret
The sunshine on the small building is beautiful, and I feel at a loss. He is like a defeated soldier, lying alone in the weeds after being injured, and his weapons and strength have been lost. In the afternoon, the autumn sun shines on the bronze armor. There is a small beetle at hand, and I can smell wild horses running in the distance, so I don't feel my eyes moist. My heart is full of fighting ambition, as if everything has passed, and my life is only a fantasy, a review of the past. -"Deep dive"
I have crossed bridges in many places, seen clouds many times and drunk many kinds of wine, but I have only loved one person at the right age. -"Xiangxing San Ji"
Water flows everywhere, fire burns everywhere, the moon shines everywhere, and there is love everywhere. -"Border Town"
Everything happened by accident, but the result seems to be the inevitability of fate. -"Border Town"
When someone inadvertently read your name to me, my heart trembled and my body sweated! Only on the night when there are planetesimals can I dare to whisper your name. -"I like you"
Why are you struggling? If that's where I want to go, there's no need to struggle. I must give up any desire to resist. It has been sinking. Whether it is salty sea water or bitter life, I will sink to the end. It's like life. This is life.
If your eyes are really that cold, someone's heart will freeze under your observation. -Under the moon
Excerpts from Zhang Kangkang's classic quotations
Zhang Kangkang, 1950 was born in Hangzhou, and 1966 graduated from Hangzhou No.1 Middle School (now Hangzhou Senior High School). From 65438 to 0969, he went to the countryside in Beidahuang Farm and worked on the farm for 8 years. 65438-0977 was admitted to Heilongjiang Art School as a screenwriter, and 65438-0979 was transferred to Heilongjiang Writers Association, where he has been engaged in professional literary creation. He is a first-class writer, honorary chairman of Heilongjiang Writers Association, vice-chairman of the 7th and 8th Chinese Writers Association, vice-chairman of China Character Copyright Protection Association, international vice-chairman of China Pen Club, and member of the 10th, 11th and 12th CPPCC. In 2009, he was hired as a counselor in the State Council. Masterpieces: Invisible Companion, Red Zhu, Love Gallery, Being a Daughter, Selected Works of Zhang Kangkang, etc. He has won the National Excellent Short Story Award, Excellent Novelette Award, Zhuang Chongwen Literature Award, the Second National Lu Xun Literature Award, the Third China Women's Literature Award, the Northeast Literature Award, and the Excellent Works Award of Heilongjiang Literature and Art Award. He has also won the Heilongjiang Double Prize for Virtue and Art, the 12th China Population and Cultural Novel Gold Award, the 2nd Pu Songling Short Story Award and various national newspapers and periodicals awards. China Copyright Outstanding Achievement Award in 20xx.
Zhang Kangkang's classic quotations:
Your light illuminates my heart and makes me understand your sad beauty.
The petals are still bright when they fall to the ground, like the feathers of a big bird being offered to the altar and leaving with a heroic elegy.
A nation lacking religious spirit has no genes of repentance.
In fact, there is no if at all, and everyone's life can't be redesigned. When you finally grow from a little girl to a woman, regret will make us cherish life more and more.
I don't know how I should go on, or I hope I will never go on. People who have reached such a height have become indifferent to the ground; People have had such fears, and they have contempt for safety; People approached the blue dream and had to go back to the original place to make up for the sadness of exploration.
History never measures merit by motive. History is snobbish. It only recognizes the effect, which is expressed in the current words, that is, social benefits and economic benefits.
Confucianism also advocates that I need three rescues a day, but it is not sacred or necessary. It is a method of self-cultivation. People are judges of their own morality and can be controlled by their own conscience. The control standard has great flexibility and maneuverability. If we relax the standards and say that three provinces and even nine provinces have passed, let alone save ourselves rather than worry.
People often have no courage to deny themselves. What we criticize fiercely is the history of others. When the youth of our parents was swept away by the ebb tide, we began to struggle instinctively in the fear of rabbit dying and fox dying, desperately trying to leave ourselves a place to live. If we lose this last camp, our souls will wander around and have nowhere to take refuge, and become living martyrs at the end of the century.
People will forget, pretend, escape and be delusional. Usually, what we forget is dullness, what we pretend is weakness, what we avoid is mistakes, and what we fantasize about is happiness.
Recalling the past is painful, which means that the shrapnel left over from the years was shattered by inevitable storms and lightning, embedded in my body and mind, and even stitched into a specious human figure with blood and meat.
The basic position of books in knowledge dissemination and cultural carrier still has continuous vitality. It will take several generations for traditional book readers to turn to digital reading, and books can't completely quit people's lives in recent years.
Excerpts from Fu Biao's classic quotations
Fu Biao (1963-2005), 1963, was born in Linxi County, Hebei Province on September 27th, but lived in the military compound of Beijing General Logistics Department since childhood. His family is just like the Shi Guangrong family in the TV series "The Years of Burning Passion". He married his wife Zhang Qiufang on 1989 and played husband and wife in two TV series. Fu Biao's works include famous films such as Party A and Party B, Endless, Happy Hour and Sigh, and his vivid characters such as Miangua and Gaobaosheng are deeply loved by the audience.
Fu Biao's classic quotations:
A good man needs to meet three standards: caring for women, caring for the elderly and caring for children; You may not be a woman, but you must understand women.
The ending of any family is related to the women in this family. If a woman is good, home is good.
Illness made me realize the essence of love, and I want to live a strong life.
I was born timid. If I only look at it from the front, it doesn't seem to be a good thing, because I won't fight or rob, and it's especially easy for others to fight. But if measured by life, it is better for men to be timid. That is called virtue, not a real character defect, because timid people never bully others, only bully others. Finally, it is a blessing to suffer.
Someone asked, why did you walk so slowly when you won the Golden Rooster Award? I said, step by step, I've been walking for nearly 20 years, and I'm afraid of falling down if I don't walk fast.
There is no hate for no reason, and there is no love for no reason. Why is she so kind to me? Why is it obedient? Why do you see me like a cat holding a mouse? Why? I think this humiliation must be a special pleasure!
All the actors in China are getting calcium supplements!