Looking back at Chang 'an, Mount Li is like a pile of splendid scenery, and the gates of Huaqing Palace on the top of the mountain are opened in turn.
As soon as I rode on the smile of smoke and smoke, no one knew that the fresh fruit litchi was sent from the south.
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Huaqingguan's former site is on Lishan Mountain in Lintong, Shaanxi Province, which is the palace of the Tang Dynasty. There are hot springs with beautiful scenery, which are warm in winter and cool in summer. Li Longji and Yang Yuhuan often come to play. According to legend, Yang Yuhuan likes to eat fresh litchi, and Li Longji orders flying horses from Sichuan and Guangdong to Chang 'an every year, killing many people. This is the first of three songs "Crossing the Qing Palace". This poem vividly and profoundly reveals the decadent life of feudal emperors through the typical event of transporting fresh litchi.
This epic was written by Du Mulu when he arrived in Chang 'an via Huaqing Palace, feeling that Tang Xuanzong and Yang Guifei were extravagant and misunderstood their own country. Huaqing Palace was once a playground for Emperor Xuanzong of the Tang Dynasty and Yang Guifei. According to "New Tang Book"? "Biography of Yang Guifei" records: "I love lychee, and I will be born with it. She went to Wan Li Road, and her taste has not changed. She has arrived in the capital. " Therefore, on the way from Sichuan to Chang 'an, many policemen were exhausted and the post horses fell dead. The quatrains crossing the Qing Palace intercepted this historical fact, attacked the arrogance, extravagance and ignorance of feudal rulers, satirized the present with history and warned the monarch.
Poetry eulogizes the Huaqing Palace, but it begins with "looking back at Chang 'an", guiding readers to gradually enter the deep realm from the unfolding of the scenery in front of them. The first sentence describes the panoramic view of Huaqing that the poet saw when he looked back at Huaqing Palace in Chang 'an. The word "looking back" is not only a true writing, but also a link between the past and the future. "Embroidered Pile" means a pun, which not only points out that Mount Li is surrounded by East Embroidered Ridge and West Embroidered Ridge, but also depicts countless layered and magnificent buildings hidden in it, just like a pile of splendid scenery, which is like a flower in the new century. As a result, the poet suddenly raised a sense of responsibility to review and reflect on history, and expressed his feelings about history from the scene. It is the following three sentences, "A thousand doors open at the top of the mountain", which are inherited and reviewed. The second sentence focuses on the top of the "embroidered pile", revealing the deep palace and heavy garden, from which we can see the luxury of Tang Xuanzong and Yang Guifei's life in those years, and set a question for readers: Why do you want to open the "thousand doors on the top of the mountain"? The first four words of the third sentence, "galloping the world of mortals", are like montage techniques in movies, which shift the reader's perspective to the mountain road: flying on loess, riding like flying. People can't help but regenerate suspense because of these two jumping scenes: the forbidden door is opened and the horse is passed. Is there any military incident? But the word "princess smile" suddenly turned a corner, which made people relieved, but even more confused. Even because of the mysterious atmosphere, the poet insisted on knowing the result immediately, revealing the mystery implicitly and euphemistically: "No one knows it is litchi." It turns out that this is all caused by Yang Guifei. When she saw "riding the world of mortals" galloping past, she knew that the litchi that gave her appetite had arrived, so she "laughed" happily. Others thought it was urgent, but who thought it was fresh litchi in Fuzhou! The conclusion of the poem is the crowning touch of the whole poem, revealing the bane of the "An Shi Rebellion": the luxury of this bustling world has reached an unimaginable level! People can't help but think of Zhou Youwang's praise and laugh it off in those years, and he did not hesitate to fight a vassal war, which led to the collapse of the Western Zhou Dynasty. The poet recited the anecdote of Tianbao, aiming at warning the later monarchs not to delay the state affairs because of their lust for pleasure. However, the poet did not write about the tragic situation of An Shi, Xuanzong's hasty escape, Ma Youpo's performance, nor did he list Xuanzong's amusement, extravagance and luxury life. Instead, it suddenly showed such a "small thing" as sending litchi thousands of miles away to win the imperial concubine's smile and find historical problems in the details. "Riding a princess and laughing in the world of mortals" makes a wonderful contrast between a poor official who is galloping on horseback and a smiling princess, and expresses such a serious historical theme with a word "smile", which is highly generalized and typical.
Jueju
Du Fu
Later that day, Jiang,
Spring breeze smells of flowers and plants.
Muddy swallows,
Sleeping mandarin ducks on the warm beach.
Poetry Note ① Evening Day: From the Spring Festival Evening in The Book of Songs, Wind and July. It's too late because spring is getting longer. ② Mud removal: This means that the soil is moist.
Poetry appreciation
In July 759, Du Fu went through many hardships from Huazhou to Qin Zhou and Tonggu, arrived in Chengdu at the end of this year, and built a thatched cottage in the western suburbs of Chengdu. Since then, he has been living as a guest and wandering in the last stage of his life. When I first settled in Chengdu Caotang, I entered a temporary period of peace and stability from the chaotic life of "one-year-old four-line service" and "three-year famine mountain", and I felt a relaxed, comfortable and pleasant feeling inside. This little poem was written in this period. The whole poem is very poetic, with distinct artistic conception and fresh style.
The first sentence focuses on the big picture and melts feelings into the landscape. Sunset is about sunshine, Jiangshan is about the mountains and rivers around Huanhuaxi, and the word "Li" depicts the bright and mild sunshine shining on the earth, and the green fields and streams reflect the early spring sunshine. This opens a bright and open background for the spring scenery of the whole poem, which is full of comfortable and pleasant feelings. The second sentence enlarges and locks in the unique images of spring-warm "spring breeze", the first blooming "hundred flowers", lush "fragrant grass" and rich flowers and plants "fragrance", which further shows the beautiful spring scenery, giving people the feeling of calm, flowers competing for "noisy" branches and the wind sending ten miles of flowers, making the picture of spring more detailed.
From far to near, the first two sentences describe the beautiful picture of spring and show the rhythm of spring. The last two sentences choose the typical spring things-swallows and Yuanyang, which show the vitality and dynamic combination of spring.
The third sentence, outline the moving scene. In spring, flowers bloom, the soil melts, and the soil is wet. Swallows who leave in autumn and return to spring are busy flying around, building nests with soil, which makes the scene of spring suddenly full of vitality. "Mud Melting" closely follows the first sentence: Spring returns to the earth and the sun is shining. The fourth sentence describes a static scene. Spring is warm and sunny. Yuanyang should also enjoy the warmth of spring and still sleep on the sandbar by the stream. This sentence not only takes care of the "late day", but also writes about the leisurely adaptation of Yuanyang. These two sentences "fly" and "sleep" set each other off.
In a word, this quatrain outlines a broad and bright picture in one or two sentences, and three or four sentences are dotted with swallows and honeymoons alternating with each other. In harmony and unity, * * * together constitute a very beautiful picture of spring scenery, and the poet's heartfelt happiness in spring is also vividly on the paper. The poem is neat, the language is natural and beautiful, leaving no trace, which is a unique chapter in Du Fu's poems.
Du fu's quatrains
Two orioles sing green willows,
A line of egrets rose into the sky.
The window contains autumn snow in Xiling,
Mambo Wu Dong Wan Li Ship.
Appreciate:
In the second year of Dai Zongying Bao (763), the Anshi Rebellion was put down and Du Fu returned to Chengdu Caotang.
At this time, his mood is particularly comfortable. Faced with the vibrant spring scenery, he couldn't help but write happily.
Wave it. This "Spring Scene Map" is near and far, colorful; Set off fun, bright and beautiful
Open; Appropriate characters, dynamic and static combination; A school of vitality, a thousand miles of spring scenery, not only depicts
The beauty of the mountains and rivers of the motherland shows the poet's state of mind.
Du Fu
The water waves in the river, the white feathers of waterfowl, the green and red flowers on the mountain are in contrast, and you want to burn.
I watched it again this spring. When is the year of return?
This poem was written by Du Fu after he entered Shu, expressing his feelings in a foreign land. "The birds in the river are white, and the mountains are blue and white." This is a landscape painting embedded in a frame. The paper is full of ink, and the painting is colorful and has a fascinating charm. You see, the blue waves are rippling all over the river, revealing white water birds, skimming over the river, what a pleasant scenery! All over the mountains and plains are green, blooming everywhere and extremely red. It's like burning a fire, how beautiful and brilliant! White bird feathers are lined with river walls, and blue and white set each other off; Green hills are lined with red flowers, and green and red compete. The word "Guo" makes the waterfowl whiter and whiter with the blue sediment of the river, and writes deeply and picturesque; And a word "desire" endows the flower with anthropomorphic dynamics and swaying. There are four poetic images of rivers, mountains, flowers and birds, which are depicted in four colors: green, green, red and white. The scene is fresh and pleasing to the eye. However, the poet's will is not here, and then, the pen path turns sharply and sighs.
"I saw it again this spring. When is the year of return?" The word "read through" in the sentence refers directly to the season of writing poetry. The scenery in late spring and early summer is not beautiful, but it is a pity that the years have passed and the return date is far away, which not only does not arouse the interest of playing, but evokes the sadness of wandering.
The artistic feature of this poem is to write sadness with joy. Only by saying that spring is harmonious can we compare the poet's eagerness to return home. It does not reveal homesickness directly from the scenery, but compares the poet's deep homesickness with the difference between objective scenery and subjective feelings.
Wangtianmen mountain
Lipper
The Yangtze River splits the Tianmen Peak like a giant axe, and the green river flows around the island.
The green hills on both sides are neck and neck, and a boat meets leisurely from the horizon.
[Appreciation point]
The words "1" and "Chu" give a dynamic beauty to the originally motionless mountain, vividly show the unique posture of "overlooking Tianmen Mountain" when taking a boat tour, and contain the fresh and pleasant feeling of the people on board. & lt
2. Foothold: The poet is not standing somewhere on the shore overlooking Tianmen Mountain, but his foothold is a "lone sail" from "Japan".
3. Expressed the poet's love for the mountains and rivers of the motherland.
Yellow Crane Tower —— Meng Haoran's farewell on his way to Yangzhou
Lipper
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers. & ltbr & gt
My friend's sail shadow faded away and disappeared at the end of the blue sky, only seeing the first line of the Yangtze River and heading for the distant horizon. & ltbr & gt
[Appreciation point]
1. The parting between the author and his friends is pleasant without any sadness. The Yellow Crane Tower triggered the association of the immortal flying away, which increased the joyful atmosphere of parting, so the emotional tone of the whole poem was lively and joyful. & ltbr & gt
2, 1 foil. In the late spring of March, flowers bloom and fall, and spring is full, which sets off the pleasant mood when leaving. & ltbr & gt
2 borrow scenery to express emotion. The last two sentences of the poem are prospect, which shows deep affection for friends and yearning for Li Bai. & ltbr & gt
Qiupu Song (Part 15)
Li Bai.
White hair three thousands of feet, sorrow as long? & ltbr & gt
I don't know where to get autumn frost in the mirror! & ltbr & gt
[resolution] 1. This poem expresses the resentment and depression of the poet's unfulfilled ambition and old age, and writes down his sorrow with white hair. & ltbr & gt
2. The whole poem uses typical romantic artistic techniques, bold exaggeration and imagination, and describes the depth of sadness with the length of "three thousands of feet white hairs", from white hair to sadness, "more wonderful than the middle". The last sentence refers to the "autumn frost" color of white hair. & ltbr & gt
Jiang Nanchun;
Du Mu;
Jiangnan, the sound of green and red flowers, the waterside village in the foothills. & ltbr & gt
More than 480 ancient temples were left in the Southern Dynasties, and countless pagodas were shrouded in wind and rain. & ltbr & gt
[analysis] 1, the first two sentences of the poem, red and green, mountains and rivers, villages and Guo, set off by movement, write the splendor and clarity of Jiangnan, and the last two sentences are misty and rainy. This is a typical technique of the poet, which summarizes and grasps the characteristics of mountains, rivers, bright flowers, intricate colors, rich levels and strong three-dimensional sense of the scenery in the south of the Yangtze River.