Kaoru Yosano Zi's Poetry Creation

Jingzi likes reading classical literature, contemporary literature and translated works since childhood. She once studied short songs with Kawai Zuiming, and 1899 began to publish her works. After that, she graduated from Dapokai Higher Girls' School. /kloc-in 0/900, he joined the newly-established poetry magazine star "Tokyo New Poetry Society" and became a short-song poet. Her poetic style is free, her language is unrestrained, her naked praise for youth and love, her fantasy between the lines and her anti-feudal moral consciousness are considered to have reached the peak of romantic short songs. During this period, she was in the heyday of her creation, and she published dozens of short songs every month. Later, all her works were included in her first collection of short songs "Messy Hair" published in 190 1 in Tokyo. She boldly and frankly described her passionate love for her husband Tieterrier, which won unanimous praise from the younger generation at that time. As a result, she became the main poet of the star school. The style of his works is also called "Crystal Tone", which was imitated by the younger generation of poets at that time.

1904 After the Russo-Japanese War broke out, the Russian writer Tolstoy published an article attacking the war, which was published in Japanese newspapers. The anti-war message from the enemy country deeply moved Jingzi. At the age of 26, she published an anti-war poem "You can't die! In the September issue of the Star. He published a collection of aestheticism songs, Little Fan and Dancing Girl, as well as Poisonous Grass co-authored with her husband and Xie Yekuan and Love as Clothes co-authored with Fumiko and Masako. Because of the fierce wording of some works, he was attacked as a "rebel thief". Later, her romantic enthusiasm gradually faded, her creative style turned into aristocratic flavor, and she began to pursue gorgeous colors. His works include Long Summer (1908), Zuo Baoji (1909), Dream Flowers, etc. After the publication of 19 1 1, Spring Mud Collection was highly praised by some poets. Among them, Ueda Min praised her as "the most famous female poet in Japan, and future generations will certainly admit that she was a glorious existence in Meiji period". 19 1 1 year (33 years old), the first Japanese women's magazine Omi was published, and Kyoko participated in it. Her eulogy was placed in the preface of the publication "The mountain is shaking, the sun is rising, and all sleeping women will wake up and act now".

In the first year of Dazheng (19 12), Kaoru Yosano went to France with her husband. After returning to China, her creation has reached a new peak, and she has published many poems such as Dance Dress, Sun and Rose, and From Summer to Autumn. In these high-spirited free poems, she praised the beauty of nature, poured out the hardships of her personal life, and directly touched the disadvantages of the times and the dark politics. In addition, she also published short stories "Various Clouds", novels "Towards the Light" and fairy tales "Eight Nights" and "The Winding River", which showed the diversity of her creative forms. In addition, she also translated classic works such as Tale of Genji and Grass in vain into modern Japanese. While creating literature, she is also very concerned about women's issues and social issues. She wrote "On Chastity", listed various contradictory views and attitudes about chastity, pointed out the inequality between men and women in this respect, and thought that chastity should not be regarded as a moral standard. Published a collection of comments 15, engaged in poetry theory research. Later, he wrote free poems such as Tomorrow, May, Leaning at the Desk and Don't Die. Although the works are ingenious in conception, apt in metaphor and profound in meaning, there is little artistic innovation. 1942 On May 29th, she died in Osaka at the age of 63.